When photographing portraits in a studio, you can create many different looks using only one light. Depending on how you place it and how big it is, a softbox can significantly change the look and mood of your photos. In this video, Jay P Morgan discusses different factors of softbox placement. And when you learn how they affect your portraits, you’ll know exactly how to achieve the look you want.
There are different ways to modify studio lights and adapt them to your shooting needs. In this video, Manny Ortiz compares three popular modifiers: a beauty dish, a softbox, and an umbrella. He uses all three in the studio to show you what to expect from them and how to use them to achieve a nice, flattering light.
You don’t have to be new to photography to be new to studio lighting. In this video, Jeff Rojas will help you learn some of the basics fast. He discusses five essential studio lighting patterns, and knowing them will help you improve and add versatility to your studio portraits. And the best thing is – you can achieve all of them using just one light.
Having only one light available doesn’t seem like it will give you many options for shooting. But in this video, Nerris Nassiri from Aputure will show you five basic key lighting patterns you can create with only one light. They’re commonly used in both photography and filmmaking to get a wide variety of looks, and they can help you tell different stories in your shots.
If you’re new to studio photography, you may want to take it one step at a time. Or literally one light at a time. You can make great studio portraits and create different setups with a single light. In this video, Manny Ortiz will show you how. All you need is one light and an optional reflector – and you’re good to go.
The whole “one light” thing always seems to be a popular topic. And it’s not really surprising. Every day new people are getting into flash. Buying just a single light and learning to master it is the usual recommendation. And it’s a great way to start. The next logical step before buying more lights is to try out a couple of different modifiers. And what better modifier than a beauty dish?
Photographer Joel Grimes likes working with beauty dishes. So much so that he even put his name on one. The Westcott Rapid Box, designed by Joel, isn’t exactly the cheapest beauty dish out there. But, it does illustrate the principles. And while you won’t get the exact same look, you can get pretty close with any similarly sized beauty dish. In this video, Joel shows us how he likes to use it.
Long before I decided to start shooting portraits, I was asked to photography people. Friends, family, their friends, and their friends. At the time, I wasn’t interested in photographing people, and didn’t really have much idea how to go about getting great photos of people. I usually declined and deferred to people who knew what they were doing. But it’s a valuable skill to learn.
In this video, photographer Joe Edelman shows us how to get great casual portraits and headshots using very minimal kit. With just one light and one modifier, Joe shows us how to create some fantastic portraits. I wish I’d had this video 15 years ago.
Many times photographers think they are held back by lack of gear. However, having just one strobe and one softbox is more than you need to create so many looks and apply your photography to so many subjects.
Photographer Tony Corbell uses a single light and a softbox to show ten different lighting setups and applications.
Now this is not your usual 3 minutes video, it is a full 22 minutes of cubical distraction. The amount of tips that Tony casually throws is amazing.
Tony uses a big Bowens Gemini 500Pro monoblock with a Lumiair 80×100 softbox. But the same principles apply also when you are using smaller and cheaper lights light strobes. you would have to either raise the ISO or open up the aperture for a softer look.