Hacking Photography - one Picture at a time
If you’re used to natural lighting, photographing in a studio for the first time can be overwhelming. If you don’t have a place to play and experiment with artificial lighting, shooting in a studio for the first time is quite intimidating.
But hold on, don’t be afraid. Take a deep breath, relax, and watch this video from Kayleigh June. In the video, she gives you five excellent tips that will make your first studio visit a way more pleasant, relaxed, and enjoyable experience.
There are numerous setups you can create with just one light and take stunning portrait photos. Well, unless you’re in this unilluminable room. But if you add a sheet of Plexiglas and some water to the equation, the possibilities for creative portraits largely expand.
In this video from Adorama, Pye Jirsa shares a simple setup that will get you tons of creative studio portraits. With just one strobe, some Plexi, and a spray bottle, he builds up the set to show you how to take interesting foreground bokeh portraits.
It’s easy to feel overwhelmed with options when you first get started on artificial lighting. There seem to be so many tutorials out there for four or five light setups. But many of us begin shooting with natural light, and often from a single light source (ie. a window). It stands to reason then, that the easiest way to learn to shoot strobes is to begin with just one light.
In this video, photographer Emily Teague shows us five different setups using just one umbrella light. There’s no shame in only using one light if you know what you’re doing to manipulate it. Often the results are incredibly beautiful, and if you’re on location there’s something to be said for bringing less gear with you!
You probably already know that a single light can give you several different looks. You can make five, six, ten different setups? Actually, you can get as many as 21 different setups with a single studio light. In this video, Dima Metkin will show you how.
One of my favorite things to do is using gear, props, or arts & crafts materials in unconventional ways. It often gives unexpectedly good results and you come up with some great new techniques. This is what Miguel Quiles does in his latest video. He uses a beauty dish in a way most of us probably wouldn’t, and he ends up with fantastic results.
Lighting is one of the key elements in photography. It can make it or break it, and it adds a lot to the story you want to tell with your image. In this video, Adorama teams up with Emily Teague who talks about the use of dramatic lighting in portraits. She tells you about how to use it, and gives you a lighting demo to show you her simple setup for dramatic, moody portraits.
While using one light for portraits is quite a simple approach, there are many ways in which you can use it. A single light lets you create all kinds of different setups, and Jiggie Alejandrino shows you one of them in his video. It’s a simple setup that will give you nice, flattering portrait light, and it will work great in a small studio space. Also, you can create it on a relatively small budget.
Portrait photographer Jiggie Alejandrino is a big fan of shooting with just a single light for portraits. He’s already shown us some pretty cool and dramatic one-light setups in the last few months. But now he’s back with a very interesting setup that most of have probably never even considered. And that’s bringing the softbox overhead pointing straight down.
It’s certainly not something I’ve usually considered. At least, not for portraits. It’s a technique I use often for small products to simulate a big cloudy sky, but with larger subjects like people, that cast some pretty obvious shadows, how well does it work? Well, looking at Jiggie’s demonstration, it works pretty well!
Most of us end up getting so bogged down with gear at some point that it can be difficult to choose exactly what gear we’re going to want to take to a session – especially when it comes to lighting. I’m sure I’m not the only one whose bags are comprised of 20% gear we’ll use and 80% “just in case” gear that we hardly ever use.
Sometimes, though, it’s nice to bring it down to the bare basics, carry less gear, and keep things simple with just one light. And for those just starting out, perhaps one light is all you may have. But fear not! In this video, photographer John Gress walks us through four very effective lighting setups that each use only a single light.
Although a single light doesn’t seem like much, there’s a lot you can do with it. From some more traditional setups to unusual horror setups, a single light can really be extremely versatile. In this video, Manny Ortiz will show you the best, but also the worst ways for using a single-light setup in only three minutes.
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