on location Archives - Page 2 of 2

Sweet Tips on Setting An On-Location Run-‘n-Gun Ronin Gimbal Rig

March 20, 2015 by Udi Tirosh 4 Comments

If you are using a motorized gimbal (like the DJI Ronin or the more expensive MoVI) you’ve probably noticed that setting them up on location can be a drag. In Getting all the cables set up, attaching the camera to the plate and balancing take up precious time and are pretty much simply inconvenient. In the studio, or van you probably have a rack where you can place the Gimbal and set it up, but on location…. usually not.

Videographer Eric Stemen came up with a few clever tips on getting the gimbal up and running pretty quickly while going on location.

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How To Back Up Your Memory Cards to Endless Storage on Field

March 17, 2015 by Udi Tirosh 5 Comments

If you a long time reader you know that we take backups very seriously. We usually talk about the backups you have to do to your data at home, but it is equally important to backup while on the field.

Of course you can lag a laptop and a card reader and copy everything over, but if you want a small and slick solution, instructables user blorgggg shares a hack that will give you unlimited storage and easy redundancy (i.e. have each memory card backed up to two or three locations and stored in separate bags).

blorgggg went on a month-long trip to Madagascar and needed a solution that is low-power, stores lots of data and can withstand intense jostling. This is what he came up with.

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This On-Location Workstation will make you drool

January 22, 2015 by Udi Tirosh 2 Comments

Photographer Tom Barnes shoot on location quite a bit. While he started like most of us using his eye glued to the viewfinder followed by a quick look at the LCD, he has now moved to tethered shooting almost exclusively. And while shooting tethered in the studio is a somewhat familiar and safe territory, shooting tethered on location can prove quite problematic:

When shooting tethered in and outside of the studio it was always a bit of a nightmare, you’d have loose cables, chargers and no stand or case to keep your laptop separate from the ground/surface so if somebody spilt a drink for example it would drown your computer/drives/cables etc.

To solve all the problems and to avoid the accidental spill, Tom build an on-location tethered station that is a hybrid between a Peli case and Optimus Prime.

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How To Shoot Dramatic Portraits By Yourself With Only A Single Light And On Location

November 28, 2014 by Tiffany Mueller 2 Comments

Who says pulling off an entire photoshoot by yourself needs to be difficult? Not Jay P. Morgan. In the quick video clip below he invites us behind the scenes of photoshoot he did on location in Maine. Morgan wanted to photograph fisherman on his first visit to New England, but he traveled light for this trip, only carrying a single light and softbox along with his camera. Seeing as how he only had two hours to setup and complete the shoot, not having an extensive lighting setup kind of worked as an advantage. He had an assistant along with him, but her job was strictly to film the behind the scenes footage, Morgan handled the photoshoot all on his own.

Curious as to how he pulled it off? Here’s the scoop:[Read More…]

Is Depth Of Field Affected By Focal Length? A Practical Test

November 6, 2014 by Paul Faecks 5 Comments

The fact that the depth of field varies depending on focal length seems pretty straightforward, doesn’t it? Matt Granger however says that wide angle lenses don’t necessarily have a smaller depth of field when compared to longer telephoto lenses:

To understand any of this, you have to know what depth of field is: (Yes, this is very basic) Depth of field is basically the depth of your image that is in sharp focus, it is usually about 1/3 in front of your focus and 2/3 behind it.

In his video, Matt conducts a test to prove his point: He takes the same shot with the same framing and only changes the focal length and the position of the camera. The aperture was kept the same – f/2.8 – throughout the shoot. Of course when changing the focal length of your lens you’ll have to physically move the camera if you want your final result to have the same crop.

Here are the results:

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