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Aerial tilt-shift timelapse turns Sarajevo’s abandoned 1984 Olympic Village to miniature

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The 1984 Winter Olympics took place in Sarajevo, in former Yugoslavia (today Bosnia and Herzegovina). It was the first Winter Olympic Games held in a socialist state after many countries boycotted the 1980 Summer Olympics in Moscow.

Although the Olympic Village in Sarajevo is abandoned today, it inspires artists and urban explorers. One of them is Joerg Daiber of Little Big World. Using a drone and a tilt-shift effect, he shot a timelapse of the grandiose venue in an unexpected way – he turned it into a miniature.

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Olympics photography workflow: Going through 2000 images to deliver 25 selections asap

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I was joking with someone yesterday about the craziness of the Olympics, and the pressures that we are all under during the Games. We were talking about how the world has different time zones and maybe they should add another just for the Olympics. For the media here, there is absolutely no consistency to our eating and sleeping patterns and time is just different. When a bus is 10 minutes late at home, it usually is no big deal, but here at the Olympics, when you are under deadlines all the time, ten minutes seems like an eternity. And those deadlines can be really daunting.

When I first photographed the Olympics, there really was no such thing as social media and the deadlines were in the hours, not the minutes. I remember being in Beijing and people were saying, take your time getting us images because it is still in the middle of the night back home. But those days are long gone, and we live in a world of immediacy. The team does not want to wait for hours to get my photos, they want them as quick as I can deliver them. And I am not alone in this. The media here are either working for entities that expect images right away, or they are freelance and competing to get their images picked up by the different news outlets around the world, therefore earning them an income.

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Photographing the Tokyo 2020 Summer Olympic opening ceremony with the Canon EOS R3 (maybe)

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[A little while back, we caught our friend Jeff Cable’s post about him getting the Canon EOS R3. This is very exciting news for anyone who is waiting for a possible Canon R3 announcement in September. Jeff could absolutely not confirm if he even took the camera with him to the Tokyo Olympics, so the title is 100% my educated guess. Anyways, for anybody out there who likes Photography, sports, and the Olympics, Jeff’s blog is a must. This is it from your friendly editor, it is all Jeff from now]

Two nights ago was the long-awaited Opening Ceremony of the Tokyo 2020 Olympics (and yes, they still call it that even though we are in 2021). In some ways, it was like all the other openings I have done in the past, and in other ways, it was completely different.

The first major difference, of course, was that there were no spectators in the audience. But we were still required to be in our photo positions hours in advance and not allowed to move around the stadium at all. Normally we are packed in to our sections, but this time there was a seat in between each of us. I have to admit, I liked that part since it gave me room to have my equipment spread out around me. I always shoot with two cameras at these events, one with a long zoom (in this case the Canon 200-400mm) and one wide lens (this time I used the new Canon RF 15-35mm) for the firework shots.

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If you wanna shoot Usain Bolt for an ad, you have to do it in Jamaica

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I think that if someone did a survey, Usain Bolt would be one of the most loved athletes in the world (actually, I am pretty sure there is such a poll somewhere). You just have to love this man, and here is another reason why.

Usain Bolt insists that anyone who wants to shoot him for an ad will do so in Jamaica. And there is some reason behind it.

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This Camera Ensures a Photo Finish at the Olympics

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Since 1932, vaunted Swiss watchmaker Omega has served as Official Timekeeper at the Olympic Games 26 times. This year at the Rio Olympics, Omega is once again providing finish line cameras to provide officials and the public with the most precise view of the athletes.

The current generation of cameras, dubbed the Scan ‘O’ Vision debuted at the 2010 Vancouver Winter Olympics. The current version, Myria, is now capable of taking 10,000 scans per second; a dramatic improvement from 2,000 sps at the 2014 Sochi Winter Olympics. But the camera isn’t the only improvement.

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Canon and Panasonic’s Sponsorship of The Tokyo 2020 Olympics Could Cost As Much As $126 Million; Potentially Earning $10 Billion

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Canon and the Tokyo Olympic Games organizers have announced on Tuesday that the Japanese camera manufacturer will be the official still camera and desktop reprographic hardware provider for the event.

While the financial terms of the deal were not disclosed, Yahoo Sports reveals the price of being an Olympic sponsor.

Sponsors will be divided into three groups, with just one company selected in each category:

  • “Gold Sponsor” – bidding is said to begin at 15 billion Yen ($126M*). This is $26M higher than the estimated price Coca Cola paid for the 2012 London Games.
  • “Official Sponsor” – the reserve for this group set at 6 billion Yen ($50M)
  • “Official Supporter” – between 1 to 3 billion Yen ($8.4-25.2M)

Canon however will most likely pay a significantly lower amount as it has partnered with the Japanese Olympic Committee to be a domestic sponsor, rather than a worldwide sponsor of the International Olympic Committee.

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