Hacking Photography - one Picture at a time
Tamron has updated their list of Di and DI II series lenses confirmed to work with the Nikon Z6 and Z7 cameras. The firmware updates, which started to come in November 2018 had only been tested with the Nikon Z7 at the time, and Z6 compatibility was more of a “well, it should work” sort of thing.
Now, though, Tamron has tested and confirmed that the following six F mount lenses will work with the Nikon Z6 when used with the Nikon FTZ mount adapter if they’re running the latest firmware.
Battery problem? Nooo! More than 5,500 pictures.
I have read in several places that the battery only allows 300 pictures. This is a complete lie. With a single battery, I am able to shoot more than 5,500 photographs without recharging. All were shot in RAW. I also had activated the stabilizer in normal and sport. The camera was in airplane mode. I do not know if this affects a lot.
I think that only using the electronic viewfinder, you could easily shoot 7000 or 8000 photographs. In addition, I must note that I used a 2-year-old battery that I used to use for my old Nikon d750 for the test.
So, it looks like the new Z mount 14-30mm f/4 S lens isn’t the only thing coming out of CES from Nikon today. They’ve also announced that three new pretty major features are coming to Nikon’s Z6 and Z7 mirrorless cameras in a new firmware update. And they’ve announced a filmmaker’s kit to take advantage of one of those features.
Which of these features is the biggest will depend mostly on what you use the camera for. For photographers, you’re getting Eye AF. For filmmakers, The Nikon Z6 and Z7 will soon be able to output ProRes RAW video when recorded externally to the Atomos Ninja V. Finally, Nikon is the first manufacturer to announce future support for the new CFexpress cards.
At CES 2019 in Las Vegas, Nikon announced that Z series of lenses is going wide: NIKKOR Z 14-30mm f/4 S is the latest addition to the Z family. It’s not only the first ultra-wide lens for the Z system but also the world’s first ultra-wide full-frame lens that lets you attach filters on the front.
Last month, Chinese company KIPON announced the first line of third-party lenses for Canon EOS R and Nikon Z cameras. ELEGANT, a line-up of five prime lenses for both Nikon and Canon, is now available for ordering in case you want to treat your full-frame mirrorless camera with a new lens.
Sometimes, branding or naming products doesn’t always go as a company intends. They call it one thing, they want us to call it that thing, but then the general public calls it something else. Apparently, Nikon’s two new mirrorless cameras are a case of this.
According to Nikon, they’re not the Nikon Z6 and Z7, they’re the “Z 6” and “Z 7”. The space is, apparently, important, although the world doesn’t seem to care – or have noticed.
Canon EOS R and Nikon Z are getting the first third-party lenses. Chinese company Kipon is releasing ELEGANT, a line-up of five prime lenses for both Nikon’s and Canon’s full-frame mirrorless cameras.
Nearly two months ago, we dove into the Nikon Z7 and showed you what was happing inside all the way down to the sensor. Today, we did the same with the Z7’s standard resolution counterpart, the Nikon Z6. At 25 megapixels and just under $2000 MSRP, the Z6 is encroaching on the Sony A7 III’s turf. The A7 III has proven itself to be a high-performing, tuned down version of the A7R III, “the basic model”, delivering beyond what the market is accustomed to at that price point. So, does the Z6 meet this new standard for the $2000 camera body? The specs certainly check out, but what about the build? Is the Z6 as well built as the Z7, or did Nikon cut corners to meet the lower price point?
There have been a few issues reported with the Nikon Z7’s video capabilities. Talk of banding and pixelation that come as a result of how the Nikon Z7 captures full frame 4K. DPReview has just posted the below test footage, though, shot with the Nikon Z6 and it shows that it’s a very different animal, getting much closer to the Sony A7III in terms of quality.
You can find out more about John on his website and follow his adventures on YouTube and Facebook.
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.
To see more of his work please visit his studio website blurMEDIAphotography, or follow him on Twitter, 500px, Google Plus or YouTube.
JP’s photography is available for licensing at Stocksy United.
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