Some of the specifications for the possible replacement of Nikon D810 were released a while ago. Now there are new updates concerning Nikon D820, and the one that catches most attention is that D820 might have the same autofocus system as Nikon D5. This means 153 focus points, 99 of them being cross type and 55 selectable.
There are always new photographers trying to figuring out which system to buy into. There’s also experienced photographers considering switching. They post on Facebook and forums to ask the opinions of others. 99% of the responses will be suggesting the brand they themselves use. It’s inevitable, really. They promote what they know, without really knowing what the person asking the question wants to shoot. So, seeing comparisons can be a good way to get a little insight into how each system handles.
This video from The Slanted Lens is a bit of a departure from what we’ve come to expect. But, it can be a valuable one, especially if you want to shoot portraits. Jay and his team put the Nikon D810, Canon 5D Mark IV and Sony A7R II head-to-head in a variety of real world shooting situations. They try not to come to any real conclusions, but just demonstrate how the different systems compare. This way, you can make up your own mind which is best for you.
It’s clear that the Pentax K-1 is out to impress and if the sharpness increase with its Pixel Shift technology weren’t enough for you already, the dynamic range boost it provides will definitely do the trick.
DPReview have had the K-1 for a little while now, running it through a battery of tests, and in the current round they put the dynamic range to task, reporting that it challenges that of medium format cameras.
It’s a sound many of us either take for granted or have been conditioned to tone-out entirely, the ‘clack’ a camera makes when the mirror lifts and shutter fires. But there’s something magical about it.
Like the roaring exhausts of two supercars, no two camera shutters sound the same. They have their own personalities defined by the format, camera design and speed at which the shutter goes off.[Read More…]
It is never a good idea to say that the mega-pixel war is over, but it looks like we are having a rest at around 40-50 MP with most pro cameras providing enough resolution. So why would one camera is better than the other?
Actually, once we remove the ‘how does it feel for you‘ argument, I am not sure any “same-level” camera is that much better than the other. With that in mind, the team from Fstoppers took three cameras to the test: The Sony a7RII, The Canon EOS 5DS R and the Nikon D810.
A while back I wrote about how High ISO Has Revolutionized Photography.
With the release of the Sony Alpha 7 II and other high ISO low light DSLR champs like the Nikon D810 – and now that moonlight is a viable light source, I think its safe to say that the realm of high ISO, low light photography has reached the mainstream.
That leaves dynamic range as the final frontier.
I was recently camping with my family at Bruce Peninsula National Park when I happened to be in a situation where I was photographing my son exploring the grotto – a natural limestone cave on the shore of Georgian Bay – at sunset.
After reviewing the photos in Lightroom, I realized that it is the crazy awesome dynamic range of the Nikon D800 that made these images even possible.
In this article, I will explain how I captured these photos and how I stretched the dynamic range with Lightroom – no HDR or multiple frames required.
On Vimeo, Rusty Sanoian explains that the footage was captured using the Sony A7R II in a Nauticam housing, using the Sony F4 16-35 lens, Sony 28 F2 lens with the Sony 16mm Fisheye converter and a Magic Filter.
Wondering how the new Nikon D810 compares to the Canon 5D Mark III? Jay P. Morgan, from The Slanted Lens, got his hands on both and decided to throw the two in the ring together for a quick side by side comparison. Morgan puts the cameras through the phases as he compares color balance, sharpness, details, low light performance, and overall image quality. Watch the clip and feel free to leave your own analysis of which DSLR takes the crown in the comments section.
If you’ve been wondering what Nikon’s new camera, the D810, provides the in the video realm, you are gonna drool over this film from Preston Kanak. The movie called Every Moment Counts was shot entirely on the D810. The film is (wonderfully) graded so it does not really show the movie ‘out of camera’ but it definitely shows what the camera is capable of, in some challenging conditions. (Look for low light, contrasty scenes and fine details)
The movie, aside from displaying impressive Nikon stance is certainly a gem: