Among so many great moon photos out there, it doesn’t happen all too often anymore that one of them makes you stop scrolling and just stare in awe. This is what happened to me when I saw this magnificent moon photo by Andrew McCarthy. Then I read that it’s an 81-megapixel photo, stacked from nearly 50,000 exposures. I reached out to Andrew curious to learn more, and he kindly shared the details of his process with DIYP.
Long exposures are a lot of fun to shoot and experiment with. Although they can take some time to create (they are long exposures, after all), you’re never quite sure what you’re going to get until it’s finally over and the shutter closes. But they’re a lot easier to shoot than most people think. In this video, Pierre Lambert breaks down the process into simple steps.
Did you know that meteors can be colorful? Our eyes can’t detect the different colors of meteors, but our cameras can. Photographer Dean Rowe managed to capture a magnificent, colorful meteor during Geminid meteor shower. He was kind enough to share with DIYP the details of his photo and tell us how he made it.
Three years ago, TinyMOS introduced TINY1, the world’s smallest astrophotography camera. Now they’re launching NANO1, which is three times smaller than its predecessor. With the new model, it looks like the smallest astrophotography camera has just got even smaller. Yet, despite the size – the NANO1 is more powerful than its big brother in terms of specs.
Night street photography presents a lot of technical challenges that some photographers avoid it altogether. However, that doesn’t mean you shouldn’t push yourself and try it at all. Remember that anything is possible with the right mindset… and the correct settings. In this Pierre T. Lambert‘s latest video, he shows you a few tips to increase your chances of getting killer street shots at night.
Shooting outdoors at night scares a lot of people, or they simply don’t enjoy it. They’re worried that their gear can’t stand up to the job or that their abilities can’t. When the sun goes down, their kit goes away. The day’s over, what’s the point? It’s dark, it’s miserable, and you have to ramp up your ISO to ungodly levels, and the “rules” seem to go out the window.
Surprisingly, one such person was Peter McKinnon. But, as all of us must do if we hope to push ourselves, Peter stepped out of his comfort zone. He went out to force himself to shoot photos at night. In this video, he talks about his experiences and offers some great tips for those wishing to try it for themselves.
Whether you’ve already taken street photos at night or not, make sure to give it a try! Although it may seem challenging at first, it’s just a matter of how much you embrace the darkness. Here are 5 tips to help you get started or improve your night street photography even more.
Do you have the key to the stars? Italian photographer Alberto Ghizzi Panizza asks this question in a marvelous photo he took one night in his home country. When I saw this photo, I couldn’t take my eyes off of it. It looks like a keyhole through which you can see a whole other world – the sky full of stars and the Milky Way. DIYP contacted Alberto, and he was kind enough to share the details of how he took the photo with us.
Kurt Bradley is a former competitive driver turned motorsports photographer. He’s shot top-level international racing events such as Formula 1, MotoGP, and WEC, but also attends regional track days and car shows, plus the X-Games.
Kurt has experience with photographing the unique setting of nighttime road racing. Few races go into the night – two of the most famous are the 24 Hours of Le Mans and 24 Hours of Daytona – but the visuals are one-of-a-kind. Kurt attended Daytona this year and was able to share some his insights from the race, which he shot for Jalopnik, a popular automotive blog.