Photographer Andrew McCarthy has recently published a breathtaking image of the Solar System. The photo is a composite made from the images he took, but what makes it even more impressive is that all the photos were taken from his own backyard. Andrew shared some details with DIYP and explained how he got all the photos, as well as the final image.
Did you know that meteors can be colorful? Our eyes can’t detect the different colors of meteors, but our cameras can. Photographer Dean Rowe managed to capture a magnificent, colorful meteor during Geminid meteor shower. He was kind enough to share with DIYP the details of his photo and tell us how he made it.
If you have access to dark and clear skies, you should have a great opportunity to catch Comet 46P / Wirtanen leading up to it’s closest approach on December 16th. It’s great timing as there’s barely any moonlight to interfere with viewing the comet, too!
This is the second installment of my new series called The Process. Each time I’ll take you through the planning, shooting and processing of an image. On this post, I’ll also be sharing how to find the comet 46P, how I shot my images, and taking a special first look at the new Sigma 40mm f1.4 ART lens!
Let’s get going!
Photos or videos of storms rarely fail to impress. Still, some just capture your attention on the first sight and take your breath away. Tel Aviv-based photographer Sam Jakobson made this amazing photo of a lightning storm that did just that for me. He was kind to share some details and tell DIYP more about how he took this amazing image.
One of the most frequently asked questions I get is how I shoot long-exposure photos from the cockpit and how they end up sharp, despite flying at roughly 950kmh / 500kts through the air. I will try to answer that question in more detail, going through the process and challenges step by step. Hopefully it sheds some light (pun intended) on the techniques I use and for the pilot-photographers among us some valuable and easy-to-use tips for your next night-flight.
Only a few short years ago, the idea of handheld photographs of the Milky Way would’ve been a thing of fantasy. Now, though, thanks to fast ultrawide glass and the super high ISO performance of today’s cameras, it’s a whole different story. This is proven by photographer Alyn Wallace. He shoots the Sigma 14mm f/1.8 Art lens on his Sony A7SII in this video where he does exactly that.
Photographing the Milky Way is something many aspiring night sky photographers only dream of. As is capturing brilliant storms full of bright lightning flashes. Both the Milky Way and night time storms have such a visual allure, that keeps photographers coming back for more.
In this timelapse short film, titled The Perfect Storm, Martien Janssen managed to capture both. At the same time. It’s a perfect storm not only in name, but in meaning, too. To capture either of them well, on their own, is impressive. To get the two together really is amazing. Shot over a period of 14 months chasing storms in the Philippines, the final result is just beautiful.
Yesterday we showed you South of Home Photography’s beautiful photographs of the New Zealand winter night sky. If you’re just starting out with astrophotography, it can be difficult to know where to begin. How should you plan? Is your gear up to the challenge? Do you need specialist equipment? What settings should you use?
Today we discovered a guide that’s going to help you get started in learning how to shoot your own astrophotography images. Created by photographer and blogger Lisa Row, this five part series is a great way to get yourself up and running with the minimum amount of hassle.
If you are looking for some good night photography dates, be aware that the nights between the August 12th and August 14th will be the best for shooting the Perseids shower.
If you always wanted your very own selfie in front of the Milky Way – its actually not that hard to do!
Here’s what you need:
- DSLR camera with good high ISO performance.
- Fast, sharp wide angle lens.
- Remote shutter release.
- A wide open really dark location.
- Lightroom or Photoshop for post-processing.
Continue reading and I’ll tell you how I took these Milky Way selfies step by step.