Shooting in bright sunlight can be tricky, even though there are ways to make fantastic photos using nothing but natural light. Still, you may need to add some strobes to even out the light, and there are some tricks that will make it look more natural and appealing. In this video, Dan and Sally Watson host Miguel Quiles, who shares four helpful tips for everyone who want to mix strobes with sunlight.
Shooting outdoors with natural light only can be demanding and tricky, especially if you’re shooting on a sunny day. But, although it’s challenging, it’s definitely not impossible to take impressive portraits even in the harsh midday sun. In this video, Miguel Quiles teams up with Dan and Sally Watson to bring you four quick and useful tips for shooting when you’ve got nothing but sunlight available.
Sometimes the hardest lighting setups to achieve are actually the ones that look the easiest. For years I’ve wanted to emulate that dappled lighting you see through leaves on a sunny day, or that rippled light you see at the bottom of a swimming pool when the wind catches the water. Like I said, this should be relatively easy to recreate in a studio in theory, as every natural light setup is only ever one light. How hard could that be? (<- photo-nerd pun)
Even though harsh midday sun is far from an ideal lighting situation, sometimes you’ll have no other choice. In this video, Jay P. Morgan shows you four ways to make the best of that direct sunlight and turn it into your advantage. He demonstrates three setups that only use the sunlight, and the fourth one adds a strobe to the equation. But in all cases, you’ll end up with great portraits even in the otherwise unflattering direct sunlight.
I often use flash with my own work, but natural light can be a wonderful thing. Especially when it comes from a directional source. In this slightly NSFW video, photographer Anita Sadowska discusses setting up for and shooting a lingerie session in her apartment. It’s interesting to hear the observations Anita makes about the light entering through the windows of the room as it changes throughout the day, and how it affects her shot.
Natural light or artificial light? Sure, it’s a matter of preference, but photographers Manny Ortiz and Jessica Kobeissi made an interesting challenge out of these two approaches. They had three rounds of photographing the same model in the same studio. Jessica used only natural light, and Manny added off-camera flash. Let’s check out the results and see which you prefer.
How do you know when you’ve found “good light?” In this video, photographer Sean Tucker will try to answer this question. This is the first video in a series that deals with finding and using good natural light in your work. Since photography literally means “writing with light,” Sean’s goal is to help you learn “how to write with it.”
Sometimes our photos end up being underexposed by accident, or because of poor lighting conditions. But what about doing it on purpose? Photographer Manny Ortiz admits he tends to underexpose his photos for one or two stops. In this video, he talks about why he does it and about the benefits of this approach.
Different times of day give you different light and of course, it’s something to count on when photographing outdoors. In this video from CreativeLive, photographer Frans Lanting shares some tips to remember when you go out shooting landscapes. They will help you get great photos at any time of day, no matter the position of the sun.
Natural light is a valuable “tool” of every travel and documentary photographer. Most of us don’t really like shooting in the harsh midday sun, but sometimes there’s no other choice, especially when your time at a location is limited. In this video, photographer Mitchell Kanashkevich shares tips that will help you get the best of any lighting conditions. He will guide you through all weather conditions and parts of the day and teach you how to get the best out of the light they give you.