Watch as NatGeo photographer gets jumped by a giant tiger-lion mix
If you want to inspire your little one to get interested in photography, you may consider this new Barbie: a National Geographic photojournalist. In collaboration with NatGeo, Mattel has introduced a series of career dolls, and this one will certainly thrill the photographer and the inner kid in all of us.
According to a recent report, the latest Disney layoffs would impact National Geographic, considering that it was acquired by Disney earlier this year. And it seems to be true – NatGeo has issued the official announcement that it’s closing the Your Shot platform.
National Geographic is facing criticism after posting an article containing a manipulated photograph by photographer Beth Moon of the Botswana night sky. It shows Baobab trees silhouetted against the Milky Way. The criticism is over the fact that the Milky Way has been quite obviously manipulated, showing several cloned areas of the Milky Way.
Although it sparked some controversy, Steve McCurry’s “Afghan Girl” is an iconic image that has influenced and inspired many people. Tony Northup wanted to talk about how this image inspired him, but then he learned the story behind it – and it wasn’t pretty. The truth behind how this legendary photo was taken is sad and disturbing, and Tony shares it in this video.
Perhaps you remember the heart-wrenching video of a starving polar bear taken by National geographic Paul Nicklen in December 2017. He and Cristina Mittermeier photographed and filmed the poor animal on the Baffin Islands in Canada, and at the time related the bear’s condition with global warming. However, in a recent article, Mittermeier admits that National Geographic “went too far” connecting climate change with the particular starving polar bear.
Wildlife photography and filming has come an extremely long way in the last few decades. This is thanks in large part to organisations like the BBC and National Geographic. The development of cameras and ingenuity of their teams has allowed them to see things that were never before possible, and they continue this trend today.
National Geographic recently posted an article and video on their website covering some of their photographic inventions since founding the Remote Imaging Lab in National Geographic’s Washington, D.C. headquarters.
As a kid who grew up with a shelf filled with yellow spines, I can attest to the rhythm and general predictability of a National Geographic cover. With few exceptions (most notably those holographic covers from the 1980s), cover photography from the 1970s, 80s and 90s followed a familiar pattern of a far away place, strange creature, or “exotic” face in saturated color. We were armchair explorers living vicariously through the eyes of those famous photographers – Indiana Joneses with a camera.
Now, more than ever, racism is a touchy subject. National Geographic’s April issue is being devoted entirely to the subject of race. Naturally, this is going to upset a lot of people. No matter what one’s thoughts on the subject, somebody’s going to be upset by those thoughts and opinions. But National Geographic is holding their hand up and taking responsibility for their own actions.
They challenged John Edwin Mason, a professor of African history and the history of photography at the University of Virginia to investigate the history of their own coverage of “people of color” in the USA and around the world. Now, National Geographic editor in chief, Susan Goldberg, admits “our coverage was racist“, and that needs to be acknowledged before they can move forward.