I thought this was quite a weird and odd video at first. It wasn’t until I was a little while in that I finally realised what he was getting at. But if you’ve been struggling to understand the histogram but you have an ear for music then this video from Tim Shields is a pretty good analogy to help you figure it out.
One of the biggest struggles with making video content is finding good music at a decent price. There are two main models out there for music licensing. On one, you pay per song and on the other, you pay a subscription which provides access to all their content for you to use in your videos for as long as your account is active.
A new music service called Audiio appears to be based on the latter, offering an annual subscription for $199 per year (pretty standard these days), but to celebrate their launch, this $199 price will get you a lifetime subscription to their service if you sign up within the first 60 days.
Fisheye lenses are useful for different purposes, from scientific to artistic. But there’s one field where their unique look has been consistently popular from the early ‘60s to this very day: album covers. In this interesting video, Vox brings you a brief history of fisheye lenses. It explores why they have been such a popular tool, both for album covers and music videos, for nearly 60 years.
September 21st, 1979. Forty years ago, British rock photographer, Pennie Smith immortalized the destruction of a Fender P-Bass guitar by Paul Simonon of The Clash on the stage of The Palladium in New York City, on gorgeous B&W 35mm film.
Her soft-focus, grainy image with its blown-out highlights and development stains has been dubbed by numerous publications and music fans, “the Greatest Rock ‘n’ Roll Photograph of All-Time.”
Fifty years ago, half a million people gathered at Woodstock to celebrate peace and love. Photographer Henry Diltz was the official photographer of the historic event. He took thousands of photos at the festival, and to this day people ask him to use his images. In this marvelous short film, you can hear Diltz’s story and watch the iconic festival through his lens.
Light painting gives you plenty of possibilities to create colorful and trippy images. The team behind Wango Tango Music Festival wanted photos like this for its performers, so they invited Jason D. Page to help them turn their idea into reality. They had to work fast and managed to take 50 celebrity light painting portraits – each of them in a single take! Jason has shared some of these photos with us, along with the backstory of how they were made.
If you’re an avid concert goer and a photographer, you may want to bring your two passions together. And if this is the case, Rachel and Daniel of Mango Street have a perfect video for you. In about four minutes, they give you plenty of tips to get you started with concert photography. And it’s not just about gear and shooting – but also about getting the pass and editing the photos after you bring them home.
I love creative music videos and stop-motion movies, and we’ve featured quite a lot of both here on DIYP. Still, it looks like directors always find new ways to amaze us. The video for a song UnAmerican by Said The Whale brings music, creativity, and stop-motion together in a fantastic way. It seems like it was made with visual effects, but no – there are no effects whatsoever. The video was made using only physical, printed photos. Over 2,000 of them!
Rock en Seine is one of the main music festivals in France. This August, photographer Pierre-Louis Ferrer was invited to cover the 16th edition of the event. There was no dictated theme: the photographer had complete freedom to give his vision of the festival. He chose to stay true to his usual photographic style, so he shot the festival’s atmosphere in infrared. As a result, he created unique, funky, and even eerie festival images we don’t get to see every day.