You might think that it looks like DJI just announced what is essentially their Mavic gimbal on a stick. And you’d be right, it does look a bit like that. But there’s a bit more to it than that. Yes, it’s a tiny 3-axis motorised gimbal, but this is no ordinary stick. This is the new DJI Osmo Pocket. A teeny tiny handheld 3-axis gimbal that shoots 4K 60fps video.
Although it’s been teased for a few weeks, Zhiyun has now officially announced the new Crane 3 LAB 3-axis motorised gimbal stabiliser, along with complete specs. Lens adjustments have been expanded to include zooming as well as focus, it features a new articulated handgrip, and it can stream 1080p video to your mobile device for remote monitoring and control.
Ever since the release of the Zhiyun Crane 2 with its 3.2kg load capacity, other companies seem to be pushing the boat out just a little further each time. The original MOZA Air came out to match it, followed by the DJI Ronin-S, which can handle a rather impressive 3.6kg. Now, Gudsen has announced the new MOZA Air 2 which takes a whopping 4.2kg.
Gimbals are wonderful things, but just walking around holding a gimbal gets really boring really quickly, especially for the viewer. But that’s what often happens. Every shot looks like a “gimbal shot”. We’ve seen the same thing happen with drones, too. And like a drone, a gimbal can be a valuable storytelling tool, offering some unique shots.
In this video, the guys from COOPH show us six creative ways we can use gimbals to make more interesting footage. Footage that can help us tell a story and not just look like your typical gimbal footage.
Focusing is one of the biggest challenges when using a gimbal. It’s a simple fact of physics. If you’re moving and/or your subject’s moving, then they’re going to be moving in and out of the plane of focus. So, you need to be able to adjust it while you film, right? Well, maybe you do sometimes, but there are plenty of shots you can get with the focus locked.
In this video, filmmaker Chrystopher Rhodes at YCImaging shows us four ways to deal with focus on a gimbal to get great shots. And he does it without using autofocus or a follow focus unit.
Ever since I got to play with the original Zhiyun Crane at Photokina 2016 I’ve wanted to put one of these things to work and see how it handles. I’ve used a number of smaller gimbals for phones, but the ability to load up a DSLR or mirrorless camera offers huge benefits. I almost never invest in the first generation of anything, but then they released the Zhiyun Crane 2.
GearBest got in touch with us to see if we wanted to check one out for ourselves and how it might help with the content we create here on DIYP. With The Photography Show and other events coming up where we need to shoot video, it seemed like a great opportunity to give it a good workout and really put it through its paces. But it’s quickly become one of my favourite video creation tools.
Gimbals are probably the single coolest development in filmmaking tech in the last few years. Catering to everything from phones & action cameras to big DSLR & dedicated video camera rigs. They’ve become extremely popular, but they do take a little getting used to. There are ways to get the best out of them and results that you’re really happy with.
I have three gimbals myself. My most recent is the Zhiyun Crane 2 (review coming soon) which I’m planning to use for a shoot this weekend. So, this video from Matti over at TravelFeels comes at just the right time to serve as a reminder. In it, Matti goes over five great tips and techniques to help you get the most out of your gimbal.
Well, this is pretty awesome news. Zhiyun have updated its 3-axis motorised handheld gimbal for DSLRs & mirrorless. To be clear, this is the “Crane-2”, it is not “Crane v2”, which is a revision of the original Crane. I know, it’s confusing, but that’s what it is.
Zhiyun have doubled the load capacity with the new Crane-2 to a whopping 7lbs. They’ve also added an integrated follow focus control, an OLED display, and battery life has increased from 12 to 18 hours.
Getting clean stable footage is often one of the more difficult challenges with video. Especially while you’re still figuring everything out. Recently, we showed you several tips for getting stable handheld footage. Even relatively smooth handheld footage, though can benefit from a little extra assistance.
As technology advances, there are many ways to make your footage more stable. Using both software and hardware solutions. This video from YouTuber eevnxx goes through four of those methods to help get your footage as smooth as possible.
Handheld motorised gimbals are fantastic pieces of kit. Whether it’s for an action camera, phone, DSLR or even a RED camera, they do their job extremely well. One thing that’s been an issue for a lot of people so far, though, is that they’re not really “all weather”. Even though your phone or camera might be in some kind of waterproof housing, trying to operate a gimbal in the rain isn’t exactly the best idea.
This has been a bit of an issue for me, personally, too. Living in the almost perpetually wet UK, I am at the mercy of the weather when I want to use mine outdoors. Feiyu are starting to solve this problem with the release of the new Feiyu G5 3-axis handheld gimbal for action cameras. Designed specifically for the GoPro Hero5, which also features built in weather proofing, it will also work with other action cameras, too.