Our Moon is covered with various mineral deposits that show in different colors you can capture in a photo. Photographer Alexandru Barbovschi has recently done it, showing our moon in its colorful beauty and in great sharpness and detail. But he also captured the ISS transiting in front of it, which made the result even more impressive.
Photographer Andrew McCarthy has already shared with us some epic images he created mainly from shots taken at his own backyard. There was this composite of the Solar System, and this magnificent photo of the moon stacked from 50,000 images. This time, Andrew has gone even further and revealed hidden colors of the moon by stacking as many as 150,000 images!
The resulting image is a detailed, colorful photo of the moon as you’ve never seen before. Each color presents the mineral content of our moon and Andrew shares how he took and processed the photos to achieve the final result.
Landscape photography by moonlight can provide a different way of producing wonderful and mesmerizing photographs in both color and black and white. The mood conveyed in moonlight photography can be quite different than in other lighting circumstances.
Photographing by moonlight has its own set of challenges. But with a few setting and technique adjustments to your normal shooting routine, it can produce outstanding results.
Photographing landscapes under moonlight can be tricky, there’s no doubt about it. You’re fumbling around in the dark trying to get everything ready to take the shot, and your exposures can often be so long that you might only get one or two chances to actually capture the scene you want.
In this video, Karl Taylor shows us how we can meter a moonlit night scene to figure out a good exposure quickly and then how to turn that into the exposure we really want.
The Sony a7S is well known for the quality of its groundbreaking high-ISO video, with an endless amount of test videos posted online.
Back in September of last year one video rose above the rest when Carbon Studios released a short film lit entirely by moonlight, aptly named ‘Moonlight’.
Blown away by the video, a director by the name of Sam Shapson said he “felt compelled to apply what they’d accomplished to narrative”, and the result is the first narrative film ever to be exclusively lit by moonlight. Of course this film was also recorded with the a7S.
Unlike ‘Moonlight’, however, which was mostly recorded using ISO 12,800 and just two scenes used settings of up to 32,000, ‘Refuge’ was shot at ISO 51,200.
The resulting video is, unsurprisingly, far from perfect, but the camera’s low light capabilities are absolutely incredible.