Do you get a bit envious at those epic photos of the Moon from other photographers? I admit – I do! But guess what? We can take awesome Moon photos, too. If you still haven’t tried it, B&H has an ideal tutorial for you. In this short, yet informative video, Maria Perez shares with you some tips that will help you to get started.
The next big celestial event of this year is the super moon appearing on March 9th. It goes by names like Super Worm Moon, Crow Moon, Sap Moon, and Lenten Moon. Since this is the last full moon of the astronomical winter, it is related to the beginning of Spring. Birds return to their summer habitats, earthworms come out and temperatures begin to rise.
Shayne McGuire captured the Snow Moon in Antarctica this weekend. The name ‘Snow Moon’ has its origin from Native American tribes. Yesterday evening she experienced that everything lined perfectly up. In addition, the moon took on a beautiful red color tone as it hovered above the horizon.
Photographers with an affection for the moon are in for a huge treat in 2020. According to astronomy experts, the year will offer thirteen full moons. That includes two supermoons and even a blue moon.
October, in particular, will be exciting. The month promises two full moons, with the second one being a blue moon. If you have already started planning for Halloween, you may consider changing plans – the blue moon will appear right on Halloween. In any event, a blue moon will assuredly add an eerie quality to Halloween. For moon enthusiasts, depending on the weather, it will undoubtedly be a trick or treat evening.
I’ve been fascinated with the idea of incorporating the moon into photos whenever possible. And so, with the 50th anniversary of Apollo 11’s moon landing on July 20th, I was excited by the possibility to shoot something special for the occasion: Putting a man on the moon. The man here is Ty Johnson, a paramotor pilot, in Cedar Rapids, Iowa. As NASA will tell you, getting a man to the moon is harder than it looks. This is how we did it.
Photographer Andrew McCarthy has already shared with us some epic images he created mainly from shots taken at his own backyard. There was this composite of the Solar System, and this magnificent photo of the moon stacked from 50,000 images. This time, Andrew has gone even further and revealed hidden colors of the moon by stacking as many as 150,000 images!
The resulting image is a detailed, colorful photo of the moon as you’ve never seen before. Each color presents the mineral content of our moon and Andrew shares how he took and processed the photos to achieve the final result.
Among so many great moon photos out there, it doesn’t happen all too often anymore that one of them makes you stop scrolling and just stare in awe. This is what happened to me when I saw this magnificent moon photo by Andrew McCarthy. Then I read that it’s an 81-megapixel photo, stacked from nearly 50,000 exposures. I reached out to Andrew curious to learn more, and he kindly shared the details of his process with DIYP.
NASA’s OSIRIS-REx probe is tasked with the mission of obtaining a sample of 101955 Bennu, a carbonaceous near-Earth asteroid. Discovered in September 1999, Bennu has a 1-in-2,700 chance of hitting Earth at some point. But, if it does, it’ll happen long after we’re all gone at some point between 2175 and 2199.
OSIRIS-REx arrived at Bennu in December 2018 after a two-year journey, and it just sent back a pretty interesting photo. On first glance, it doesn’t look that amazing, but we see here is Bennu (the big bright dot on the right), along with the Earth and Moon (the two smaller dots on the lower left) 71 million miles away.
On 3 January 2019, a Chinese spacecraft Chang’e 4 became the first to land on the far side of the Moon. After the successful landing, the rover will explore the Von Kármán crater that has never been explored before. And for us back on Earth, the lander’s cameras captured the first image of the “dark side of the Moon.”
NASA’s Apollo Program was an audacious mission to send astronauts to the moon – a national goal set by President John F. Kennedy’s in a bold speech in 1961 that was an ongoing part of the Cold War. NASA’s use of photography aboard spacecraft originated during the Mercury Program when John Glenn carried two cameras during his Mercury-Atlas 6 program: 1) a Leica 1g for ultraviolet spectrascopic photos, and 2) a modified Ansco Autoset (which was a rebadged Minolta Hi-Matic by the Ansco Company) which took the first human-shot, color still photos.