At NAB 2019, Gudsen announced the new Moza Slypod. It’s a kind of slider/monopod hybrid that looks pretty weird but is also very cool. When we saw it, we were intrigued, so we went to have a chat with them about the Slypod to find out more about how it worked and what it can do.
I see a lot of new products come through my inbox. There are a lot of people out there right now really pushing to try to create something new and interesting. Something that makes us rethink everything we thought we knew about a particular type of product or process. They don’t always work, but sometimes something comes along that challenges the norm.
I’m not suggesting that the new Lumapod tripod sits in one particular camp or the other, though. I’d have to try one before I could make any kind of judgement. But it definitely looks a little strange. It packs up into what looks like a giant minimalist light sabre handle. But when you open it up, it’s a monopod with feet… and string.
This is an odd one, and I’m curious what you guys think. When I first saw this, I thought “that’s the dumbest thing I’ve ever seen”, but a couple of friends said it looks quite useful to them. The more I thought about it, I could see potential uses. But some of the claims made in the Steadify’s Kickstarter campaign are a little off-base.
The first of those being that it is “the first wearable stabilizer”. You can see what they mean by “wearable stabilizer” from the photo above. But that not really true, as this idea’s been floating around for years (and you can find similar for about a third of that price on eBay).
I own, maybe 8 tripods. I also have a monopod, couple of sliders and a gimbal. Each of these has heads which take some form of tripod plate. A way to attach your camera to the device. But the big problem with them is that they all typically tend to use different tripod plates to each other. This means lots of switching out plates on-set as you need to move from one to another.
This number of camera supports might seem excessive, but I am not alone. Many folks out there own a number of tripods, sliders and other units, especially if they shoot video as well as stills. This video from Jordy Vandeput shows us how we can standardise all of our tripods to make swapping out a breeze, saving a lot of time.
I mentioned in a post earlier today how valuable I’ve been finding monopods in my video work more often lately. They’re such a valuable, but often underrated tool on set. But the things monopods allow you to do aren’t just for video. Many techniques cross over into the world of stills photography, too. In this video, filmmaker Mason Mashtare shows us five great tips for using monopods during a shoot.
Cameras becoming smaller and easier to manage has led to monopods becoming more popular as a preferred camera support. As many are coming to the world of video from photography, a lot of folks already own one, so it’s only to be expected. They offer more mobility with a sort-of stabilised handheld feel to them.
Tiffen’s new offering, though, takes video support to quite an extreme. Capable of holding up to 25lbs (11.3kg), the new Steadicam Air is a lightweight carbon fibre monopod with an easy foot pedal for quick height adjustments. And it weighs only 3.5lbs (1.6kg).
It’s rare that I actually see new ways to utilise a tripod. When these videos pop up, they’re invariably just a rehashing of somebody else’s tips and tricks. It’s not that I think I’ve seen or know them all already, but it’s just rare that I see something new. Maybe you have seen or even attempted these techniques before, but I haven’t.
This video, though, from Cinecom, takes us through five great ways to use a tripod that you might not have considered before. Specifically, the tripod shown in the video is the MeVIDEO Travel Tripod, but these tips can be used or adapted to work with just about any of them. I’ll definitely be trying out a couple of these
Do you use a monopod? It’ definitely a useful tool for photographers and filmmakers, and it comes in handy when we can’t use a tripod. Jordy Vandeput from Cinecom gives you a few tips how to make the use of monopod creative in the videos. In his brief tutorial, you will see five ideas to maximize the use of your monopod and make it useful in different kinds of situations.
Shooting video from a tripod isn’t always the easiest thing to do. They’re big, unwieldy, and while they serve a fantastic purpose, they’re not always fit for purpose. At sporting events, for example, it can often be difficult to turn quickly enough to follow fast action. For regular events where you’re mingling with other people, they just get in the way. This is where monopods step in.
Libec have today announced their new fluid head Hands-Free Monopod (HFMP). While other free standing monopods are available, this one is specifically designed for the heavier rigs many of us find ourselves using for video. It has a thicker centre pole, stronger clamps, and bigger, locking feet. It comes in two flavours, monopod-only, to which you can attach your own head or as a kit. The kit includes the monopod and pan tilt head, which can also double up for use with regular 65mm bowl head tripods, too.
Monopods are a wonderful tool to have if you need that extra little bit of image stability or happen to have a heavier lens attached to your camera.
And while you can certainly shell out some dough to pick up a Manfrotto or something along those lines, it’s also possible to save the cash and make your very own using nothing more than a broomstick, thanks to this clever tip from MAKE.[Read More…]