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Sony Japan finally dumps all A-mount lenses from its online inventory

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If Sony hadn’t already made it crystal clear that the A-mount was dead last May when they removed all of their A-mount cameras from their website. Minolta’s legacy has now been pretty much thrown into the abyss.

It’s not too terribly surprising, really. The A-mount was created by Minolta way back in 1985. It was inherited by Sony during their acquisition of Minolta in 2006 and they haven’t released an A-mount body since 2016. E mount is most definitely the future of Sony – especially now Sony finally has an E mount flagship body in the form of the Sony A1.

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It looks like Sony’s finally killed off the A-mount camera system

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Sony’s A-mount – or, to be more accurate, what was originally Minolta’s A mount – finally seems to have been killed off. As spotted by Sony Alpha Rumors, Sony has removed all of their A-mount DSLR and DSLT camera from their product database on the Sony website. Retailers around the world are also now showing Sony A-Mount cameras as “No longer available”.

It’s not an entirely unexpected turn of events, however. Sony’s gone full-on into its E mount line, and now that they’ve released an actual flagship mirrorless camera with the Sony A1, their lineup is pretty much complete and there’s really no need to hang on to those old legacy products anymore.

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Patent shows the $5,500 Leica SL 16-35mm was actually designed by Konica Minolta

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Remember when Huawei released the P9 and everybody got excited over its cameras because they had Leica written on them? And then there was the whole controversy over exactly how much involvement Leica had with their development? Well, it seems here we have another item bearing the Leica name with questionable origins. According to a patent recently filed by Konica Minolta, the $5,500 Leica Super-Vario-Elmar-SL 16-35mm f/3.5-4.5 ASPH lens is actually their design. Not Leicas.

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Shooting the same model with 3 different vintage lenses

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Photographer Mathieu Stern is crazy about vintage lenses, and his collection contains some pretty unusual pieces. For his latest video, he chose three vintage prime lenses of different manufacturers and focal lengths. He used them to photograph the same model on three different locations, and you can compare the results and check out how each of the lenses performs for portrait photography.

For the comparison, Mathieu used Konica Hexanon 28mm f/3.5, Industar 50-2 50mm f/3.5 and Minolta Rokkor 100mm f/2.5. He paired them with his Sony A 7II and shot some photos around the city.

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Between the frames – A story of friendship and loss

In December, I went along to my friend Paul’s leaving do. He was departing the UK to live with his family in the US, and was spending his last few weeks visiting friends in Britain and Europe before the big move.

This was the turn of his London friends to get together and toast his departure – a Christmas dinner in an Indian restaurant, and a chance to wish him well for a new stage in his life.

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