Milky Way is such an inspiring subject for everyone who enjoys shooting the night sky. Travel photography blog Capture the Atlas has published their annual selection of the best 25 Milky Way images. And oh boy, are they inspiring! We bring you some of them below, and I’m sure you’ll enjoy them just like I did.
In this article, I will share how I shot a Milky Way panorama, and how I later stitched the images in Lightroom. But, first some background.
Last summer we spent our vacation in Tuscany, Italy. Spending almost a week on a wine farm in Italy didn’t create any standing ovations initially. Then it struck me that the Milky Way season had just started in southern Europe. Once this was established, I started envisioning how cool it would be to shoot the Milky Way core, and perhaps even a few panoramas. My only concern was light pollution. Would it be possible to capture what I envisioned at the location we stayed at, or would I have to spend hours in a car to find a decent spot?
It turned out that this small wine farm where we stayed, just outside Castellina in Chianti, was perfect. On our second evening, I headed out when it was dark enough for night photography.
From the middle of August, it is dark enough for night photography here in the southern parts of Norway. The milky way season lasts to approximately December this far north. I try to head out as often as I can when there is no moon and the forecast predicts a clear sky.
It is always a delight to see the milky way in-camera, but bringing it out in post can often be challenging. One of the key challenges is that the night sky requires quite a different approach than the ground.
When it is very dark I prefer to shoot a few extra very long exposures for the ground to make sure I have enough shadow detail to work with.
Astrophotography is one of the most fascinating genres in photography. It allows us to see the world around us in a way that’s difficult or often impossible to see with the naked eye. For many of us, the issue is simply too much light pollution, but even when we do make the effort to go somewhere dark, we can still struggle, especially if we want to photograph the Milky Way.
In this video, Diana and Ian from Lonely Speck explain the basics of photographing the Milky Way from the gear and planning to the actual process of shooting it.
Arlington, Texas, was long in the lead when it came to being this summer’s family vacation destination. However, sometime in May we arrived at that we wanted to revisit Italy. Last time we didn’t make it to Tuscany, so there was no doubt that this would be the area to stay and explore. Some friends had recommended agroturismos, that is, wine farms. Initially I had my strong doubts about staying at a farm of some sort, but when it struck me that it was milky way season in Italy in July my misgivings somehow vanished.
After all it was a family vacation where photography would be second priority, so I wasn’t thoroughly convinced that I would get my shots. And besides I had no idea whether light pollution would put an effective stop to my milky way hopes.
Star stacking is a commonly used technique among astrophotographers. It helps you to reduce noise and end up with better images of the night sky. But how many photos should you stack to get the best results? The answer isn’t as simple as “take X photos and stack them.” But, Michael Ver Sprill aka Milky Way Mike shares some tips to help you determine the ideal number of photos to stack.
The Milky Way looks impressive in photos, and it’s a favorite subject of many astrophotographers. You can give it a new dimension in your images by capturing it in a panorama. In this video, photographer Mike Smith shares a step-by-step guide for creating a Milky Way panorama, from setting up your camera to stitching the images together.
Huawei P30 Pro seems like an impressive phone when it comes to its camera specs. Singapore-based photographer Justin Ng put it to a test and took some awesome photos with Huawei’s latest flagship phone. He shot handheld in the middle of the night and managed to capture the Milky Way and star trails using nothing but his smartphone camera.
A couple of weeks ago I was blessed with a sight that truly left me in a state of awe. Shortly after leveling off onboard United 534 from Honolulu to Los Angeles, I tried my luck with some astrophotography over the crisp Pacific Ocean skies.
Having had some experience with these types of images in the past, I frantically began setting up. I mounted onto my window a LensSkirt lens hood (basically a black cover that blocks out reflections) and began taking a series of images. Unfortunately for me, the Boeing 777 was going through a light area of turbulence, and my images were blurry and revealing some cabin reflections. I packed up my stuff and opted to get some rest, but without success…