Hacking Photography - one Picture at a time
Well, this is kinda cool. It appears that Fujifilm isn’t doing everything they can to forget film exists, after all. It was mentioned last July that Fuji might be planning to bring back some black & white film, and now they’ve just gone and made it official.
They’re starting with Neopan ACROS 100II. Technically, this isn’t a reintroduction. It’s a new formula, which Fuji says gets around the issue of raw material availability in the old ACROS 100 formula.
Introduced last year, Kodak Ektachrome 35mm is based on the old Kodak Ektachrome E100G E6 slide film that was made up until 2012. A lot of people were eager to check out the newly produced rolls, and when it was announced at the beginning of this year that it would be coming in 120 roll medium format, as well, a lot of people got very excited.
Now, Kodak has posted a status update via Instagram saying that they will be running a “coating trial” of the medium format version in “late July”.
The news of Ektachrome’s triumphant return to the world was a big deal when it was first announced. One of the many historic flavours of film that we thought had disappeared from our lives forever was coming back. It’s two years since Kodak Alaris told us Ektachrome would be coming back to 35mm. But now, it’s also coming to 120 roll film as well as large format sheet film.
Sometimes, you come across a DIY film camera that’s just beautiful in its simplicity. The LIMES 120 is one such camera. Made from an old Hasselblad medium format film back, it shoots 120 roll film and sports either an Industar 110mm f/4.5 lens and a tea can, or a pinhole.
Created by photographer Daniele Sandri, a comparison of the camera was recently posted to the Branco Ottico website to show off each of the two lenses.
There hasn’t been a lot of information about the Fujifilm GFX 100S yet, but some photos have been discovered on Instagram. They were actually posted to Instagram back in October 2018 by gao3366, but nobody seems to have noticed them until they were sent to Fuji Rumors.
The four images were posted as a single Instagram post, so you’ll have to flick through them in the embed, but they show the GFX 100S from the front, top, rear and side views, being held in a hand to give you a sense of overall scale.
Hasselblad has expanded their XCD lens system for three new lenses and a teleconverter ahead of Photokina 2018. The latest additions to the X-system are the XCD 2,8/135, the XCD 4/21 and the XCD 1,9/80 – the latter being Hasselblad’s fastest lens ever with the aperture of f/1.9.
After plenty of rumors about the affordable and compact Fujifilm GFX 50R and the 100MP GFX 100S, now it’s official: Fujifilm has launched the GFX 50R for preorders and announced the development of the GFX 100S. The GFX 50R retails for $4,500, which isn’t exactly a pocket change, but it’s still $1,350 cheaper than the Fujifilm GFX 50S.
Dora Goodman is a creator of beautiful handcrafted and customised analogue film cameras. She’s always had an obsession with handmade objects, and cameras afford her many options to pursue that. She loves to design and build her own cameras from scratch. And for the last two years, Dora’s been working on an Open Source modular camera design that others can build for themselves.
Sometimes, we see something that we want to make a photograph of. But we don’t just want to grab a quick snap and go on our merry way. We instantly have a vision in our heads. We know how we want that final image to look. But we can’t. We don’t have our gear with us, or it’s the wrong type of weather or time of year. Whatever.
That’s how photographer Nick Carver felt when he stumbled across this liquor store while visiting his future in-laws in Santa Barbara. Instantly he fell in love with it and knew he had to photograph it. He’s been waiting a long time to do it, but he finally has, and he documented his process of shooting it on super wide 6×17 medium format film.
Everybody seems to be getting into film photography these days. New photographers are discovering it for the first time, and many who made the switch from film to digital are now adding it back into the mix. But the film choices today aren’t quite the same as they were in film’s heyday. In this video, Jay P Morgan compares a whole bunch of 120 medium format colour and black & white films from Ilford, Kodak, Fujifilm and CineStill.
You can find out more about John on his website and follow his adventures on YouTube and Facebook.
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.
To see more of his work please visit his studio website blurMEDIAphotography, or follow him on Twitter, 500px, Google Plus or YouTube.
JP’s photography is available for licensing at Stocksy United.
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