Dora Goodman is a creator of beautiful handcrafted and customised analogue film cameras. She’s always had an obsession with handmade objects, and cameras afford her many options to pursue that. She loves to design and build her own cameras from scratch. And for the last two years, Dora’s been working on an Open Source modular camera design that others can build for themselves.
Sometimes, we see something that we want to make a photograph of. But we don’t just want to grab a quick snap and go on our merry way. We instantly have a vision in our heads. We know how we want that final image to look. But we can’t. We don’t have our gear with us, or it’s the wrong type of weather or time of year. Whatever.
That’s how photographer Nick Carver felt when he stumbled across this liquor store while visiting his future in-laws in Santa Barbara. Instantly he fell in love with it and knew he had to photograph it. He’s been waiting a long time to do it, but he finally has, and he documented his process of shooting it on super wide 6×17 medium format film.
Everybody seems to be getting into film photography these days. New photographers are discovering it for the first time, and many who made the switch from film to digital are now adding it back into the mix. But the film choices today aren’t quite the same as they were in film’s heyday. In this video, Jay P Morgan compares a whole bunch of 120 medium format colour and black & white films from Ilford, Kodak, Fujifilm and CineStill.
Building your own camera can be a whole lot of fun. Lucas Landers has been building them for a little while now. His latest creation is the Landers AL6, a 6×6 medium format camera. People have made 6×6 medium format cameras before, but this one’s not your typical DIY project that anybody can do at home. It was made using a mix of techniques including 3D printing, sand casting, welding and milling.
While many of us may not have the resources to craft something like this ourselves, it’s still interesting to see how it’s done. Fortunately for us, Lucas recorded videos showing the entire construction of the camera from start to finish. It’s a 9 part playlist, and it really is fascinating to watch.
It’s Fujifilm’s turn to make their new announcements this week, and they’ve got some that GFX medium format shooters are going to enjoy. First up, there’s the new Fujifilm GF 250mm F4 R LM OIS WR lens. It has a field of view equivalent to just under a 200mm lens on a 35mm body. So suitable for both longer distance outdoor portraits, as well as shooting closer wildlife.
But to help with the wildlife side of things, there’s also the new GF 1.4X TC WR teleconverter. Priced at an eye watering $849, it’s not exactly cheap, but if you shoot medium format digital, the word “cheap” probably isn’t in your vocabulary. Fuji haven’t forgotten macro shooters in the new announcement, though, offering both new 18mm and 45mm extension tubes.
Regular DIYP readers will know that I’ve been researching 3D printing recently. My goal is to see how one might be able to help me with my photography and video tasks. Primarily to keep things organised. There’s SD card cases, battery covers, lens cap clips, charging station doohickies and all kinds of goodies on sites like Thingiverse. But I also want to have some fun, too.
One photographic collection over on Thingiverse that’s particularly cool belongs to user Schlem. He’s created a whole bunch 3D printed pinhole cameras. Most of them are medium format but there are one or two large format ones, too. One of them is even stereoscopic. He’s put all the models up so you can download and print your own, and the results coming from some of these cameras are just amazing.
Pinhole cameras are about as old as photography gets. They’re such a simple and basic concept that’s withstood the test of time and are still very popular today. While many modern photographers opt to get a pinhole body cap for their DSLR or mirrorless, it’s easy enough to make your own. In fact, there are many different ways to make one.
I’ve been following YouTuber Joe Van Cleave for a while now. And in between the typewriter and office supply videos, he puts out some great analogue photography content. Some of it covers photographic technique, sometimes it’s a new camera he’s just bought, and occasionally it’s something he’s built himself. And that’s what he’s done here, with these medium format PVC pipe pinhole cameras.
First introduced by Kodak back in 1888, the box camera is one of the simplest forms of camera out there. Popular until halfway through the 20th century, they started to disappear as 35mm SLRs and rangefinders started to take over. Although not as popular as they once were, film is seeing a resurgence and they’ve come back into demand. So much so that Hamm Camera Company have started up a Kickstarter campaign to launch the NuBox 1, a new medium format box camera with interchangeable lenses.
Hasselblad have just announced the new H6D-400c. A 400MP monster of a camera, but there’s a catch. All is not quite as it initially appears. Yes, it can produce 400MP images, but it’s not a 400MP sensor. It’s still a 100MP sensor, but it uses pixel shifting, taking multiple shots to form a single higher resolution image. Six shots this case.
As well as this, the H6D-400c offers a four-shot multishot mode which allows the camera to record full red, green and blue values from every pixel. A very cool technique that should (theoretically) yield Foveon-like quality from a Bayer sensor.
In recent tests from DxO, the camera of Google Pixel 2 takes the first place as the best mobile device camera they’ve tested so far. According to the sample images, it really does a good job, but how does it stack up against a professional camera? Tyler Stalman has decided to check it. In this video, he and photographer Jason Eng test Google Pixel 2 and a Hasselblad medium format system in different lighting conditions, and compare the results.