You’ll find ultra-wide-angle lenses in many landscape photographers’ gear bags. While they can be amazing for landscapes and cityscapes, they come with some challenges you’ll notice when shooting with them. Mark Denney gives you five of them, along with some tips on overcoming them.
As a landscape photographer, perhaps you’ve been advised not to increase your ISO over 100 or 160. I’ve seen this piece of advice many times, and I know a few people who rely on it way too much. But should you really stay at the lowest ISO at all times? Should astrophotography be the only time you increase it? In this video, Mark Denney goes over two situations when using higher ISO is a must. As a bonus, he shares a useful trick to help you determine just how high you can go without fear of compromising image quality.
When you edit a landscape photo, it’s easy to get carried away. I know I’ve been guilty of it even years after being into photography. And many times, it’s not even easy to see when you’ve gone overboard. In this video, Mark Denney gives you six signs that will help you recognize when you’ve gone too far with the image editing. And when you learn to recognize them, they’ll help you improve your post-processing skill.
It’s that time of the year when we buy, make, and get presents. And everyone loves presents, right? Still, there are some that will make you put an awkward smile on your face, say “thank you,” but never use them in your life. Mark Denney has come up with a list of such presents for landscape photographers. So, here are the seven things he thinks you should never buy to a landscape photographer. Would you agree?
While most landscapes seem to be photographed with pretty wide lenses and is often the key selling point of wide and ultrawide lenses, they don’t have to be. You can shoot landscapes with just about any lens, and they can be particularly interesting when you use a long telephoto.
But shooting landscapes with telephoto lenses isn’t always straightforward. It’s easy to mess things up and ruin your composition. One particularly common mistake is what Mark Denney calls “scene stuffing”, and in this video, he explains what it is and how to avoid it.
There are plenty of reasons to use telephoto lenses in landscape photography. However, it doesn’t come without some difficulties, and you’re bound to make some mistakes. In this video, Mark Denney addresses the four most common mistakes people make when using telephoto lenses for landscape photography. You may be guilty of them as well, so check out the video and Mark’s tips for improving your photography.
Incorporating reflections in your shots is a great way to create balance, harmony and symmetry. What’s more, the reflection itself can become the foreground interest in your landscape shots. And just like all techniques, there are ways to master this one too. In this video, Mark Denney gives you five tips (and bonus tip) for getting perfect reflections in your landscape photos.
One of the biggest issues with landscape photography is ensuring that you have enough depth of field to cover the entire front-to-back distance of the scene you want to capture. With some lenses, sure, if your nearest subject is at least a certain distance away, and your aperture’s small enough, you can get pretty close. But the only way to really ensure complete front-to-back sharpness is with focus stacking.
It’s a technique that’s more commonly associated with macro, where you often have a paper-thin depth of field. But it’s also very effective for shooting landscapes, too. In this video, Mark Denney walks us through his process for shooting and then compositing stacked images for maximum focal range.