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How to improve your TLR’s focus with just a piece of foil

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December 13, 2018 by Pedro Cardoso 2 Comments

If you have a TLR camera you can try this simple trick, that can help you to focus more easily. And if you like, you can share this content with your friends.

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How manual-focus and vintage lenses made me a better photographer

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July 12, 2018 by Dominik Vanyi 11 Comments

I have been a commercial and wedding photographer for over 13 years. And from the beginning, I have been using Canon DSLR cameras and a variety of auto-focus lenses for the Canon EF system.

Switching to another camera system/brand did cross my mind because I made a substantial investment into lenses for the Canon system. Meanwhile I have gathered over 15 EF and EF-S lenses.

But in 2016 I decided to try a mirrorless camera and bought a SONY A7 r-II.

Because lens adapters exist that allow me to use my existing Canon glass on a Sony mirrorless camera I did neither plan nor anticipate that I will buy lenses especially for the SONY system. At least that was the plan.

But little did I know…

[Read More…]

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Samyang announces 50mm f/1.2 adding to “XPert” lens series for Canon

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February 20, 2018 by John Aldred 1 Comment

Samyang has now officially announced their new XP 50mm f/1.2 lens. It’s the third in the “XPert” series designed specifically for full frame Canon EF users. It adds to the XP 24mm f/2.4 and XP 85mm f/1.2 announced last September. Unlike the 24mm f/2.8 EF lens announced last month, this is a manual focus lens, to match rest of the XP series.

Designed to take advantage of 50MP+ and 8K resolutions, the XP line is built for premium quality. It houses 11 elements in 8 groups, with ultra multi-coatings to minimise distortion, aberration, flare and ghosting. 9 aperture blades help to create pleasing out of focus “bokeh” with that bright, wide, f/1.2 maximum aperture.

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How zone focusing will help you to get better street photography

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January 2, 2018 by John Aldred 11 Comments

Zone focusing is a term that often seems to confuse people. But if you don’t know what it is, then it’s quite easy to understand why. It’s a common technique for a lot of subjects, and particularly for street photography. I often use it myself because it means I can just raise my camera, take the shot and know it’s in focus where it needs to be.

This video from photographer David Coleman explains exactly what zone focusing is, with several ways to implement it in your shoot workflow. Once mastered, it can be a fantastic way to let you shoot with confidence on the street, just knowing that your subject is in focus.

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4 ways to keep your subject sharp and in focus when shooting video

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August 9, 2017 by John Aldred 4 Comments

When you’re a one man video shooting band, keeping your subject sharp and in focus can be a huge pain. If you don’t have a focus puller following you around, or fancy remote control focus systems, it’s a constant struggle. That’s why we often see cameras locked off on tripods and sliders with static subjects that rarely move.

But there are some techniques you can use to keep your subject sharp and in focus when filming solo. Filmmaker Parker Walbeck demonstrates some of these techniques in this recently video. None of these techniques are always perfect, though, and Parker talks about the advantages and disadvantages of each.

[Read More…]

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3 tools to help you get super sharp manual focus shots

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February 1, 2017 by Jake Hicks 2 Comments

Last week we covered three of the main tips to bear in mind when trying to get sharper manual focus images. Ambient lighting, contrasting elements to focus on and actual focusing technique. Although all of these tips are essential in giving us the best possible chance to get more of our manual focus shots pin-sharp, there are still going to be times when we need a little helping hand to consistently nail those manual focus images.

So even though manual focusing is a pain you’ll be pleased to hear that there are a few additional tools available out there that are designed to help us nail that focus even in the worst possible circumstances.

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Tips on Getting Sharper Images with Manual Focus Lenses

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January 26, 2017 by Jake Hicks 2 Comments

Ever since Leica presented a camera at the 1976 Photokina with working automated focusing, autofocus technology has taken leaps and bounds in its advancement. Today’s autofocus cameras are nothing short of miraculous to the point at which it’s hard to imagine where the advancement can go from here. But photographers didn’t always have focusing this easy.

This article aims to provide you with three key areas that if followed correctly should practically guarantee nailing pin-sharp manual focus shots in no time.

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Shooting outdoor flash portraits with a 50 year old M42 lens on a modern mirrorless body

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January 25, 2017 by John Aldred 9 Comments

It’s no secret that I’m a big fan of M42 and other older manual focus lenses. I’ve been using them for years with my DSLRs. They have imperfections, suffered from very random quality control, that give each one a slightly unique look and feel. They often have characteristics that can’t be reproduced with modern “perfect” glass and post production. So, whenever I see my favourite photographers also using them, I get interested.

This time, Texas based portrait photographer, Francisco Joel Hernandez has discovered the Russian-made Jupiter 9. Out of all the M42 lenses I own personally, this is tied with the Helios 44-2 as a favourite. We’ve featured the Jupiter 9 before, but Joel’s video shows a couple of neat tricks for working with this lens on location. The big one dealing with the flare this lens is often prone to.

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Samyang kicks off its new Premium line of lenses with an 85mm f/1.2 and 14mm f/2.4

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September 12, 2016 by John Aldred 14 Comments

Samyang have today announced two new lenses to start their Premium range. An 85mm f/1.2 and 14mm f/2.4. These new lenses, Samyang say, offer “unprecedented resolving power”, built for 50MP stills and up to 8K video productions. Also known as Rokinon, Samyang has become quite a formidable competitor lately.

Both of the new lenses are full frame manual focus lenses. This may disappoint some folks who were hoping for autofocus. Though, personally, I don’t see it as a problem. Lenses as wide as 14mm are typically manually focused anyway. When everything a few inches past your lens is in focus anyway, it’s not an issue. For the 85mm.. Well, given the notoriously slow AF on Canon’s 85mm f/1.2, you might as well manual focus anyway.

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Kerlee jump into the lens market with world’s first super fast 35mm f/1.2 for full frame cameras

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June 19, 2016 by John Aldred 9 Comments

It seems to be a thing these days for unknown brands to suddenly be jumping into the lens market with things we actually sometimes want and need in our photographic lives. Now, it’s Kerlee’s turn.

The new Kerlee 35mm f/1.2 lens is being pushed as the “World’s First” such lens for full frame cameras, with versions for Canon, Nikon, Sony and Pentax. There is the Voigtländer 35mm f/1.2 available for Leica M, but that’s not an SLR, so doesn’t really count.

[Read More…]

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Dunja Djudjic is a writer and photographer from Novi Sad, Serbia. You can see her work on Flickr, Behance and her Facebook page.

John Aldred is based in Scotland and photographs animals in the studio and people in the wild.

You can find out more about John on his website and follow his adventures on YouTube and Facebook.

JP Danko is a commercial photographer based in Toronto, Canada. JP
can change a lens mid-rappel, swap a memory card while treading water, or use a camel as a light stand.

To see more of his work please visit his studio website blurMEDIAphotography, or follow him on Twitter, 500px, Google Plus or YouTube.

JP’s photography is available for licensing at Stocksy United.

Clinton Lofthouse is a Photographer, Retoucher and Digital Artist based in the United Kingdom, who specialises in creative retouching and composites. Proud 80's baby, reader of graphic novels and movie geek!
Find my work on My website or follow me on Facebook or My page

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