Hacking Photography - one Picture at a time
Pergear has been going a bit nuts lately on the low-budget lenses. It was only in March that they released their 35mm f/1.6 and 50mm f/1.8 lenses with the 7.5mm f/2.8 fisheye just last month. Now, they’ve sent one fo their existing focal lengths into overdrive and announced the new Pergear 35mm f/1.2 manual focus lens.
Designed for Micro Four Thirds and APS-C mirrorless cameras, it’s available in MFT, Nikon Z, Canon EF-M, Fuji X and Sony E mounts. The best bit? It’s only $109.
Meike has just announced a new 50mm f/1.2 lens a fast, yet affordable prime for Canon mirrorless cameras. It retails at only $359, which is around 1/7 of the price of Canon RF 50mm f/1.2. So, let’s dive in and see what you get.
Pergear has announced their new 7.5mm f/2.8 Fisheye lens for Micro Four Thirds and APS-C mirrorless systems including Nikon Z, Canon EF-M, Sony E and Fuji X. At $129, this manual focus lens is aimed squarely at low budget shooters looking to add a bit more fun to their photography.
The lens features a full metal body construction, weighing in at around 320g. As it’s a fisheye, there’s no front filter thread, due to the bulbous front element. Although it’s a manual focus lens, infinity sits at around the 1-metre mark, so as long as you’re not doing anything super close-up, the entire world is in focus.
I don’t shoot on a gimbal all that often. When I do, it’s usually for b-roll. But I’m usually doing it with manual focus lenses. It presents some challenges, but they’re pretty easy to overcome. Sure, plenty of cameras have autofocus these days when shooting video, and it’s getting better and better all the time, although it’s still not perfect.
Imperfect systems that are quite easy to confuse are the problem that wedding photographer and filmmaker Matt Johnson has with autofocus when shooting on a gimbal, too. So, in this video, he talks about three of his top tips for shooting video on a gimbal using manual focus lenses.
Shortly after IBC last year, an unknown China-based lens company called Dulens appeared, announcing a new 85mm f/2.0 lens. It’s a full-frame lens for DSLRs and they say it was designed by the same optical engineers behind the Kinefinity Mavo Prime range of cinema lenses.
News Shooter got their hands on one to have a play with a couple of months, and it’s been listed as available in China since then. Now the Dulens APO 85mm f/2.0 lens is available to pre-order for US customers priced at only $539 (this is a pre-order price, it’ll go up to $599 after it starts shipping) and it comes in both Canon EF and Nikon F mounts.
This one’s been anticipated for a while now, with lots of hushed talk and whispers whenever its name was mentioned. But it’s finally official. Cosina has now announced the new super-bright aperture Voigtlander NOKTON 60mm f/0.95mm lens for Micro Four Thirds cameras.
On the Micro Four Thirds cameras for which it is intended, it offers a field of view equivalent to that of 120mm focal length on a full-frame body. As such, it’s designed primarily for portraits, and should offer a look with depth of field similar to something like the Sigma 105mm f/1.4 Art, but with a slightly tighter field of view. Of course, it has an extra stop and a bit of brightness over f/1.4 for shooting in lower light conditions or at lower ISO to reduce noise.
Samyang has just announced a pair of manual focus lenses for Nikon Z cameras. They are a wide-angle 14mm f/2.8 and an 85mm f/1.4, just like the recently announced lenses for Canon RF.
Samyang has announced two new manual focus lenses for use on the Canon EOS R. EOS RP and future RF mount cameras. Taking two wild extremes, one is an ultrawide Samyang RF 14mm f/2.8 full frame lens offering a 116° field of view. The other is the Samyang RF 85mm f/1.4 lens, aimed squarely at portrait shooters.
If you have a TLR camera you can try this simple trick, that can help you to focus more easily. And if you like, you can share this content with your friends.
I have been a commercial and wedding photographer for over 13 years. And from the beginning, I have been using Canon DSLR cameras and a variety of auto-focus lenses for the Canon EF system.
Switching to another camera system/brand did cross my mind because I made a substantial investment into lenses for the Canon system. Meanwhile I have gathered over 15 EF and EF-S lenses.
But in 2016 I decided to try a mirrorless camera and bought a SONY A7 r-II.
Because lens adapters exist that allow me to use my existing Canon glass on a Sony mirrorless camera I did neither plan nor anticipate that I will buy lenses especially for the SONY system. At least that was the plan.
But little did I know…
You can find out more about John on his website and follow his adventures on YouTube.
His videos have over a hundred million views, have been extensively published by news outlets, and has even received recognition from a few film festivals, such as International Ocean Festival
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