Sony a7RIII was recently announced, and it has still been causing comments from photographers of all genres. While the first experiences were positive, there were also disappointments concerning astrophotography and the “Star Eater” issue.
This topic may not be strictly related to photography. But, deals with an important aspect of our lives photography can affect – relationships. If you’re a portrait or fashion photographer, your significant other might feel uncomfortable when you’re photographing someone from the opposite sex. And in this video, you’ll hear some thoughts on overcoming this problem. Photographer Manny Ortiz and his wife Diana share their story in this honest, personal video. They both dealt with jealousy, and they share how they managed to overcome it. So if you and your partner have the same problem because of your photography business, this video can be helpful.
The new Sony a7R III has brought some improvements many of their users have been waiting for. Still, there are debates whether or not it is worth the upgrade. Photographer Manny Ortiz has tested out the new camera from Sony, and he votes “yes” on the upgrade. In his latest video, he gives five reasons why he’ll switch from the a7R II to the a7R III. Let’s see if you agree these reasons are worth the upgrade.
Do megapixels really matter? Well, of course they do, but they don’t take the first place when it comes to the importance. According to photographer Manny Ortiz, a good dynamic range is what you should look for in a camera. In his latest video, he shares why both are important – but also why dynamic range matters more.
No matter what genre of photography you’re into, I’m sure you have your favorite lens(es). Manny Ortiz does mainly portrait and has two lenses he’d recommend to any portrait photographer out there. The 50mm and the 85mm are his lenses of choice, and he explains why he thinks every portrait photographer should own them. Let’s see if you agree.
Many photographers with crop sensor cameras dream of switching to full frame sensor. But is it really essential for raising your work to a next level? Photographer Manny Ortiz has created a real-world comparison of the photos taken with a full frame and a crop sensor camera. He shot with a full-frame, $5,000 Sony A9 paired with Sony 85mm 1.4 G Master lens. His crop sensor camera is $1,400 Sony A6500, paired with Zeiss 55mm F1.8. Can you tell the difference between the results?
As photographers, you’ll often have to deal with the unknown. You won’t always be able to scout locations before the shoot, and sometimes you’ll just have to work with what you have. Photographer Manny Ortiz shares three tips that will help you shoot even in really bad locations. You need to take the most of what you have, and these tips will show you how to do it.
Before the proliferation of speedlights and portable strobes over the last few years, people always asked me why I’d take flash out in the daytime. It was often difficult to formulate an answer that they’d accept. They never really “got it” unless I took them on a shoot with me so they could see first hand.
This video from photographer Manny Ortiz embodies the answer in my head, though. Essentially it’s about having options. Sometimes the natural light will give me exactly what I want, and sometimes it won’t. In the horrible British weather, for me it’s more often won’t. So, I take flash with me.
There are many rules in photography, but few of them are set in stone. When it comes to photographing people, though, there are a few rules that are simple common courtesy. As well as a few that are just a really good idea.
In this video from photographer Manny Ortiz, we learn 5 Dos and 5 Don’ts of working with models. The tips don’t just apply to actual models, though. Model in this context is really just any human subject. With the assistance of his wife Diana, we get to also hear things from the perspective of the person standing in front of the lens, too.
Shooting on location presents all kinds of lighting challenges. You’re at the mercy of the weather, and thus the light. And which light is “best” is a huge matter of personal preference. Some prefer the softness of a cloudy overcast day. Others like that harsh bright direct sunlight. Although the latter is not always that flattering.
There are things you can do to overcome this bright harsh sunlight, though. This video from photographer Manny Ortiz shows us his process, and how he works through these challenges. And it might surprise you to see that not all of them require the use of flash.