Did you know that using an electronic instead of a mechanical shutter can affect a background in your images? After a subscriber pointed it out to Manny Ortiz, he tested it on a Fuji and a Sony mirrorless camera. And indeed, it turned out that an electronic shutter may not be the best option when you shoot portraits.
Photographers, don’t let your job destroy your marriage
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Being passionate about photography and doing it for a living has plenty of great sides. But, there are some downsides as well, and they can affect your private life. In this video, Manny Ortiz and his wife Diana get honest and personal about how photography can negatively affect marriage. It’s a cautionary tale and an inspirational story for all of us, as we all sometimes tend to take relationships for granted and we find it hard to switch off from work.
Light modifiers compared: when to use beauty dish, softbox or umbrella
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There are different ways to modify studio lights and adapt them to your shooting needs. In this video, Manny Ortiz compares three popular modifiers: a beauty dish, a softbox, and an umbrella. He uses all three in the studio to show you what to expect from them and how to use them to achieve a nice, flattering light.
Sigma 135mm f/1.8 for Sony E-mount does an impressive job for portraits
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When Sigma 135mm f/1.8 DG HSM Art lens was first announced, it was available in Canon EF, Nikon F and Sigma SA mounts. But, Sony shooters can now get it with a native Sony E mount too, and Manny Ortiz tested it out. In this video, he’ll show you what it’s like to shoot portraits with this lens, and from his experience – Sigma 135mm f/1.8 Art does a pretty good job.
These are the advantages and challenges of shooting portraits with a 50mm f/0.95 lens
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The first two things that come to my mind when someone mentions an f/0.95 lens are “bokeh” and “low light capabilities.” And sure, these are both great. However, shooting with a lens this fast isn’t all sunshine and rainbows. In this video from Manny Ortiz, he’ll show you the good and the bad sides of photographing portraits with a lens like this, and he’s using a Mitakon 50mm f/0.95.
Quick tips for photographing in harsh sunlight without flash or reflectors
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The golden hour is probably the time when most of us would choose to take photos. But, there will be times when you’ll be forced to shoot in a harsh midday sun, for one reason or the other. You can bring reflectors, strobes, or try to find or make a shade. But in this video, Manny Ortiz will give you some quick tips on how to embrace the direct sunlight and turn it into your advantage without any gear but your camera and lens.
These seven photography accessories will make your life much easier
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Each of us has our favorite set of photography accessories we can’t imagine our life without. In this video, Manny Ortiz shares with you seven of his absolutely favorite items. Not all of these are essential for photography, but they will make your life and work a lot easier.
Everyone takes bad photos: here’s some inspiration if you feel bad about your work
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If you’ve been into photography for a while, you know that there are days when your photos turn out bad no matter how hard you try. It’s frustrating, especially when you compare yourself to all those wonderful, inspiring photos other people take. Well, here’s a bit of inspiration and reality check from Manny Ortiz. He admits that he also takes bad photos, and shares a photo shoot to demonstrate it and show you that there’s nothing to feel bad about.
Why a 24-70mm lens is perfect for wedding photography
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Just as Taylor Jackson is explaining how the 24-70mm lens sucks for weddings, up comes Manny Ortiz. He believes the opposite. He says the 24-70mm f/2.8 lens is vital for weddings and that every photographer should own one. They’re two polar opposite views. In this video, Manny explains why he thinks a 24-70mm should be in everybody’s bag.
Two photographers going head to head, natural light vs. strobes
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Natural light or artificial light? Sure, it’s a matter of preference, but photographers Manny Ortiz and Jessica Kobeissi made an interesting challenge out of these two approaches. They had three rounds of photographing the same model in the same studio. Jessica used only natural light, and Manny added off-camera flash. Let’s check out the results and see which you prefer.
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