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Check out the high ISO performance of the Canon EOS R5

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With a lot of the overheating controversy from the video crowd (which Canon has been working on), we have to remember that ultimately the Canon EOS R5 is primarily a stills camera. And it’s a rather good one, too. It has top-notch autofocus that even beats Sony in some aspects and plenty of speed when it comes to shooting.

But how does the ISO stand up in the real world? We’ve seen some tests in more controlled conditions, but out in the wild things can often be a little different. In this video, Lindsay Adler took her EOS R5 out for a spin on the streets of New York to do a night time fashion shoot to see just how well it handles.

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Canon’s ISO4,500,000 camera was used to shoot this documentary in the Amazon

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When a company like Canon, or, well, any company, really, produces a camera that claims to shoot as high as ISO 4,500,000, such as the MH20F-SH, it makes one wonder if it’s all just a marketing gimmick or if it’s actually really any good at the extremely low light levels that demand such high sensitivity.

Well, when Award-winning artist and director Lynette Wallworth released her documentary Awavena in 2018, which documented the Yawanawa in the Amazon and the Ayahuasca vision quest, it was met with much praise. The film’s director of photography, Greg Downing, has now spoken about some of the filming challenges and how the MH20F-SH helped to overcome them.

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Canon has developed a new sensor with 20-stops dynamic range that’s good down to 0.08 Lux

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Canon has developed a new CMOS camera sensor that offers a high dynamic range of up to 20 stops, with super high low light sensitivity. The LI7050 is a 1/1.8″ CMOS sensor is an impressive little beast, but this is just early days.

The sensor is quite small (measuring only 7.11 x 5.33mm) and captures only a mere two megapixels. It’s also a rolling shutter, not a global shutter. So, there is still a way to go before we might start to see this kind of tech in a full-frame camera, but Canon says it will go on sale to gear manufacturers as early as October.

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Google launches Pixel 4, a smartphone that lets you shoot the Milky Way

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Information about Google Pixel 4 has leaked quite a few times so far, and we were especially curious about its astrophotography capabilities. The phone is now officially out, along with its bigger cousin, Google Pixel 4 XL. Let’s see what they’re capable of and if the latest Pixel phone will make photographers happy.

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Leaked photos show what Pixel 4’s “astrophotography mode” is capable of

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Just like the previous models, the upcoming Google Pixel 4 smartphone will be aimed at photographers. In a recently leaked promo video, we saw that it will feature a dedicated “astrophotography mode.” But now, there are some sample photos that show us what exactly Pixel 4 is capable of when shooting in the dark. And I have to admit, it looks promising.

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Google Pixel 4 will have a dedicated astrophotography mode, leaked video shows

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The upcoming Google Pixel 4 smartphone will be aimed at photographers just like its predecessors. And this time, it looks like astrophotographers will have something to look forward to. According to a recently leaked promo video, the Pixel 4 will take good photos even in the dark, and it could even have a dedicated astrophotography mode.

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The Lumix S1 – My Top Camera of 2019

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Here’s me, a mirrorless user for about three years now and exclusively mirrorless for the last 18 months. It stands to reason that it wasn’t going to be long before I got my hands on the Lumix S1 to put it through its paces. So, I hired one from Lenspimp and gave it a 10-day test drive.

It’s impossible to discuss this camera without making comparisons; after all, that’s what product development is all about. It’s evolution. Over ten days out and about with the Lumix S1, I built up a pretty clear picture of how this camera measures up to others in the marketplace.  It intrigued me to see the path Lumix has taken with the S1.

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The new Panasonic S1 might just be the new low light video king

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There’s been a lot of buzz around the new Panasonic S1 full frame mirrorless camera. Some of it good, some of it not so good. People like to complain about the size and weight, and the fact that it doesn’t have a flippy out LCD like the GH5. But how about the good? Well, cinema5D has been having a play with the Panasonic S1, and when it comes to low light performance, they feel it could be the new king in town.

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Sony A7III vs Nikon Z7 vs Canon EOS R vs Fuji X-T3 vs Pocket 4K low-light shootout

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Low-light high-ISO performance has become the new megapixel war, particularly when it comes to video. And this year, there have been a lot of new cameras released trying to push those limits.

In this video, YouTuber and filmmaker, Max Yuryev puts five of them to the test. He compares the Sony A7III, Nikon Z7, Canon EOS R, Fuji X-T3 and the Blackmagic Pocket Cinema Camera 4K to see which is the low-light king.

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These are the advantages and challenges of shooting portraits with a 50mm f/0.95 lens

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The first two things that come to my mind when someone mentions an f/0.95 lens are “bokeh” and “low light capabilities.” And sure, these are both great. However, shooting with a lens this fast isn’t all sunshine and rainbows. In this video from Manny Ortiz, he’ll show you the good and the bad sides of photographing portraits with a lens like this, and he’s using a Mitakon 50mm f/0.95.

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