I accidentally stumbled across Bryce Mironuck’s images on 500px this fall. He is one of those rare undiscovered gems whose landscape images were a joy to discover. When I began examining his body of work it struck me how well balanced his images are and, not least, that they are characterized by strong compositions and a pleasant visual impact. In this interview we get to know Bryce a little better and also learn about how he approaches landscape photography.
If there is one thing I have grown to love about photography, it is the ability to capture, control, and manipulate time. Photography is giving us the option to see things in ways that are impossible to achieve with our naked eyes. This opens up a whole new world of creative options.
While cameras do offer us a fair amount of control using ISO, shutter, and aperture, we sometimes need to look at other options to get extremely long exposures. This is particularly true where there is a lot of light around. Add that to the wide shots you can get with a Sigma 14-24mm weird construction, and you soon realize the need for something like the Haida M15 filter holder system.
Light painting provides so many creative opportunities, and we’ve seen plenty of stunning images in this technique so far. French photographer Fabrice Wittner merged light painting with and stencils and created a series of complex and unusual portraits. They all look otherworldly and mystical – and they were all painted with light.
Even though Flickr has gone through so many changes, I still haven’t left it. And from time to time, this platform helps me to discover photos that steal all my attention. So, when I opened the front page a few days ago, I saw a photo named Downside Up and it made my jaw drop. It was taken by Tim Gamble, a photographer and a UK Brand Ambassador for Light Painting Brushes.
After staring at this impressive photo for a while, and opening it again the following morning, I knew I needed to know more. So, I got in touch with Tim. He kindly shared the photo with DIYP and told us how it was taken: entirely in-camera, at a single exposure!
They said it couldn’t be done, that I was wasting my time, that it was impossible to take a time exposure photo of a daytime missile launch… in color… directly into a Florida sunrise… from ten miles away.
If anybody would know, Arch Smith would.
With so many ways to be creative in photography, I get really excited with many ideas for a photograph. One area I find very interested is sports action photography, but with a twist. It’s great to capture that split-second moment and have that frame frozen, but I wanted to explore capturing the motion and freezing the action all in one go. Above you can watch the video of me using this technique with some karate students.
Long exposures are a lot of fun to shoot and experiment with. Although they can take some time to create (they are long exposures, after all), you’re never quite sure what you’re going to get until it’s finally over and the shutter closes. But they’re a lot easier to shoot than most people think. In this video, Pierre Lambert breaks down the process into simple steps.
With long exposure photography, you create unusual, surreal worlds in your photos. UK-based photographer Tim Gamble specializes in long exposure light photography and makes breath-taking artwork. One of his photos really caught our eye, so we wanted to hear more about how it was taken. We chatted with Tim about the photo he titled Love is a Burning Thing, and he shared with DIYP some details on how it was created.
One of the most frequently asked questions I get is how I shoot long-exposure photos from the cockpit and how they end up sharp, despite flying at roughly 950kmh / 500kts through the air. I will try to answer that question in more detail, going through the process and challenges step by step. Hopefully it sheds some light (pun intended) on the techniques I use and for the pilot-photographers among us some valuable and easy-to-use tips for your next night-flight.