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Sony FX3 V2.00 update adds LOG shooting modes, LUT imports and Timecode sync

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Sony has released a new Version 2.00 firmware update for the Sony FX3 mirrorless cinema camera. The new update adds some of Sony’s professional cinema line features into the camera, including additional LOG shooting modes, the ability to import your own LUTs as well as timecode sync for when you’re shooting multiple cameras.

The new LOG shooting modes with LUT monitoring, Sony says, “create a smoother post production workflow by enabling Cine El, Cine El Quick and Flexible ISO modes for recording with the S-Log3 gamma curve”, letting you get a more useful preview of your shot while maximising the dynamic range of the recording itself.

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This deep dive looks into LOG vs RAW footage and how they differ for colour grading

These days, whenever a new camera is released – particularly one geared towards video – I see two questions that come up repeatedly for days. “Does it have a LOG profile?” and “Can it shoot raw?”. They’re valid questions, but there are some pretty big differences between the two. In this video, the team at Syrp Lab take a deep dive into both to show how they differ and the potential problems you can run into.

In short, log footage tries to emulate the range of brightness that our eye is capable of seeing, but once you start to great it, it can fall apart pretty easily. Raw footage, on the other hand, contains much more data with a greater bit depth – and bit depth is explained in the video – offering a lot of latitude in post to adjust clips to match each other and give an overall artistic great. But it comes at a cost of space and computing power.

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Sigma fp to receive LOG profile and RAW over HDMI video next year through firmware update

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Our friends at Cinema5D had the chance to chat with Sigma recently at Inter Bee 2019 in China. Naturally, they chatted about the Sigma fp mirrorless camera. If you’ve not been keeping up, the fp is a camera capable of shooting full-frame 12-Bit CinemaDNG RAW. But those are huge files. So, other options are required for those who want to keep file sizes down or to be able to record RAW to an external device like the Atomos Ninja V.

Sigma says during the interview that a future firmware update coming in 2020 will add a LOG picture profile, and provide RAW video output over HDMI. They also say that if you do choose to shoot CinemaDNG, you will be able to play it back in-camera – something it can’t currently do.

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FiLMiC Pro LogV2 update brings 12 stops of dynamic range and 140Mbps video footage

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The folks at FiLMiC Pro have released a new update that brings LogV2 to the app. It claims to offer up to 12 stops of dynamic range and provides footage bit rates as high as 140Mbps. Log first came to FiLMiC Pro in early 2017, but now it sees a pretty significant update.

According to the test video above from the iPhoneographers, LogV2 offers up to two and a half stops more dynamic range than the “natural” camera with the latest iPhone XS Max, and even the older iPhone SE and 6S see up to about a stop and a half increased dynamic range.

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