Marko Stamatovic was born on 13th February 1977 in Kragujevac. Graduated at the Faculty of Philology and Art, Department for Graphic Design in 2008. The member of ULUPUDS (National Applied Arts & Design Association) since 2008, department for the artistic photography and design. So far he has 23 solo exhibitions and participated in over a hundred salons and group exhibitions in the country and abroad, while his works have been published in many publications and magazines like Politika, REFOTO, Novi Magazin, Svetlost, CityWalker, Digital, Digital Camera, Mobil, Danas, Blic, National Geographic Serbia, Smithsonian Magazine, Wanderlust, Tourist World, BLUR, Arts Illustrated, Independent, The Telegraph , Guardian etc etc.. Currently works as a professor of Art in Kragujevac, while he delivers his knowledge about graphics, photography, costimography and puppet design as an art director of photo&design studio „Marko Stamatovic Studios“. Also works as contributing photographer of National Geographic Serbia Magazine. Director and founder of the first festival of artistic photography in Serbia FOTORAMA[Read More…]
I don’t know about you, but I’m super paranoid about my gear when I travel, which is pretty often these days. I am a big fan of ThinkTank bags and so have all my lenses, batteries and cameras in carryon ThinkTank bags, which may or may not weigh the required 7kgs that most economy class limits require.
It’s not often that a behind the scenes or tutorial video goes over the entire process of an image’s creation. Usually, they cover only a specific aspect of it. Often that’s just the gear used, just the lighting set, or just the post work. Great if you want help with a particular element of a shoot, but they don’t really provide the entire picture (no pun intended).
In this video, portrait photographer Francisco Hernandez goes over his entire process for creating this shot. He covers everything from how he found the model to picking the location through to actually shooting & post-processing the final shot.
A few weeks ago, a model friend of mine, Rachelle Kathleen, and I were planning to meet for a fun little photo shoot. Instead of searching out the usual beautiful locations around where we live, I had the idea to do just the opposite. I wanted to go somewhere “ugly” by all conventional photography standards, and then see what we could do with it, and Lowe’s seemed like the perfect option.
The Gnarbox (pronounces narbox) comes with an impressive promise. It will provide editing, backup, and preview for your videos (and stills) with no laptop while you are on the go.
We chatted with Will Africano, COO and co-founder of the Gnar box at Photo Plus Expo and got a glimpse of the device. If the Gnarbox will live up to the hype they created, this box is probably going to be in everyone’s kit.
Before the proliferation of speedlights and portable strobes over the last few years, people always asked me why I’d take flash out in the daytime. It was often difficult to formulate an answer that they’d accept. They never really “got it” unless I took them on a shoot with me so they could see first hand.
This video from photographer Manny Ortiz embodies the answer in my head, though. Essentially it’s about having options. Sometimes the natural light will give me exactly what I want, and sometimes it won’t. In the horrible British weather, for me it’s more often won’t. So, I take flash with me.
Shooting on location presents all kinds of lighting challenges. You’re at the mercy of the weather, and thus the light. And which light is “best” is a huge matter of personal preference. Some prefer the softness of a cloudy overcast day. Others like that harsh bright direct sunlight. Although the latter is not always that flattering.
There are things you can do to overcome this bright harsh sunlight, though. This video from photographer Manny Ortiz shows us his process, and how he works through these challenges. And it might surprise you to see that not all of them require the use of flash.
Sometimes even in the crappiest conditions you can make great photos. Although, I thought this was impossible in the part of the city where I live. However, this video from Jordan Matter helped me change my point of view. It shows you how to choose great locations for your headshots even when you’re limited to a very ugly neighborhood.
Jordan wanders around the neighborhood he says to be the ugliest in New York City (I don’t know which one it is, though). Only one block around his studio, he and his model Juliette Garrett managed to find five locations to make excellent portraits.
Elliott Montello is an Anglo Argentine living in Vancouver BC. Living life a s a Director, Cinematographer and self proclaimed pinball wizard, Elliot has been involved with numerous music videos and movies. A life long fan of the Mad Max films, he wanted to create his own apocalyptic world but with more of a 21st century feel than the eighties infused originals.[Read More…]
It rarely rains where I live, sadly (or happily) this is not the case for many. And if you are shooting outdoors in extreme weather there are quite a few things that you can do to help your gear survive.
And it is not just uber extreme conditions that would freeze your camera, even lesser elements can cause your batteries to stop functioning or the LCD significantly drop its refresh rate.
B&H shares quite a useful video on how to improve your chances of getting a good shot. Of course there is a vast array of rain covers, tip-les gloves and silica gels, but there are some more clever tips on that video. Those three tips from the video are priceless: