With their usual fanfare, Tamron today announced a new 17-35mm f/2.8-4 Di OSD lens for full frame cameras. Available in Nikon F and Canon EF mounts, Tamron says that the goal with this lens was to produce something that offers “easy portability” while retaining “superb image quality”.
Fujifilm is finally getting some long fast glass for its X series of cameras. Announced today, the Fujifilm XF 200mm f/2 OIS WR Lens with XF 1.4x TC F2 WR Teleconverter. Offering a full frame equivalent field of view to a 300mm lens, this is the longest Fuji X system lens by a long shot.
Also announced today is a new wide zoom, the Fujifilm XF 8-16mm f/2.8 R LM WR. Also designed for the Fuji X series, this lens offers a 12-24mm full frame equivalent field of view.
When the Sony A9 was announced, it seemed the ideal alternative to the Canon 1DX Mark II or Nikon D5. The ultimate sports or wildlife shooter. But the biggest complaint was Sony’s lack of long glass to go with it. Now, We’ve known Sony has been working on a 400mm f/2.8 GM OSS lens, but it’s been a long wait for it to see reality.
Rumoured back in May 2017, it got a lot of Sony shooters excited. It also got a lot of Nikon and Canon shooters who’d been considering a switch excited, too. Then, it was reported to be out in the wild during this year’s Olympics. An announcement has taken much longer than anybody expected, but it’s finally here.
It looks like Yongnuo aren’t the only cheap Chinese manufacturer looking to expand into lenses. Although, while Yongnuo does typically make the products onto which their names is emblazoned, Neewer generally doesn’t. They simply buy and brand. Which makes this Neewer 35mm f/1.2 APS-C lens for Fuji X and Sony E mount (coming soon) particularly interesting.
Laowa has announced four rather interesting lenses. Well, three interesting lenses and one’s kind of a “huh?”. It’s an odd assortment to release all at once, but all four lenses do boast a little something special.
It’s Fujifilm’s turn to make their new announcements this week, and they’ve got some that GFX medium format shooters are going to enjoy. First up, there’s the new Fujifilm GF 250mm F4 R LM OIS WR lens. It has a field of view equivalent to just under a 200mm lens on a 35mm body. So suitable for both longer distance outdoor portraits, as well as shooting closer wildlife.
But to help with the wildlife side of things, there’s also the new GF 1.4X TC WR teleconverter. Priced at an eye watering $849, it’s not exactly cheap, but if you shoot medium format digital, the word “cheap” probably isn’t in your vocabulary. Fuji haven’t forgotten macro shooters in the new announcement, though, offering both new 18mm and 45mm extension tubes.
Not on the heels of NiSi, SLR Magic have now announced their new cinema lenses at NAB 2018. The SLR Magic MicroPrime CINE E-Mount lenses are designed for full frame Sony mirrorless cameras. Four lenses kick off the new series at 25mm, 35mm, 50mm and 75mm focal lengths, and they’re currently on display at NAB.
The new MicroPrime CINE lenses feature internal focusing mechanisms and are each balanced to provide a similar weight distribution. This allows you to switch between lenses with a gimbal mounted camera without having to rebalance it each time.
Well, this is a bit of a surprise. Popular filter maker NiSi is getting into the cinema lens market. Kicking off the launch, they’re introducing five brand new cinema lenses ranging from 25mm to 100mm (with a possible sixth 18mm lens on the way). The lenses will be available in Canon EF, Sony E and PL mounts and offer a nice variety of focal ranges right off the bat.
Offering a 135° field of view, Lomography’s new Naiad 3.8/15 Art Lens builds on the Neptune Convertible Art Lens system. The 15mm lens was hinted at as far back as May last year when the system was initially announced. Neptune is designed as an expandable system, so now the new lens is finally here.
One of the things I was most interested in checking out during The Photography Show were the new Sigma lens offerings. Those are the 105mm f/1.4 DG HSM Art lens, aimed primarily at portrait photographers, and the 70mm f/2.8 DG Macro Art. So, I sat down for a chat with Paul Reynolds of Sigma Imaging UK. I wanted to find out why the 70mm f/2.8 wasn’t available for Nikon, and I also hoped to get some insight on a release schedule for the new Sony E Mount versions of their existing and new prime lenses.