We didn’t think the Nikon Nikkor Z 58mm f/0.95 S Noct would be announced today with the new Nikon Z6 & Z7, but now we know for sure. Even though Nikon did announce some new lenses today, the 58mm f/0.95 was not amongst them. What Nikon has announced, though, is that they’re working on it. But they’ve announced it with more certainty than those early Nikon mirrorless camera teases.
It wasn’t much of a surprise that Nikon would announce new lenses to go along with the new Z6 & Z7 mirrorless cameras. Even if there hadn’t been plenty of rumours about new glass, it was pretty much a given. So, we have the new Nikkor Z 35mm f/1.8 S, Nikkor Z 50mm f/1.8 S and Nikkor Z 24-70mm f/4 S lenses. But we also have a new FTZ lens mount adapter that looks pretty interesting.
Although Samyang have been making manual focus F Mount lenses for a while now, their autofocus efforts seem to have been elsewhere. And while Sony and Canon might have drawn all of Samyang’s attention in the past, it looks like that’s changing.
Today, Samyang has announced the new Samyang AF 14mm F2.8 F for Nikon F Mount. Yes, their first entry into the world if Nikon autofocus is a 14mm ultrawide full frame lens. A lens that has the entire world in focus once you’ve focused more than 5ft in front of you.
Fujifilm is finally getting some long fast glass for its X series of cameras. Announced today, the Fujifilm XF 200mm f/2 OIS WR Lens with XF 1.4x TC F2 WR Teleconverter. Offering a full frame equivalent field of view to a 300mm lens, this is the longest Fuji X system lens by a long shot.
Also announced today is a new wide zoom, the Fujifilm XF 8-16mm f/2.8 R LM WR. Also designed for the Fuji X series, this lens offers a 12-24mm full frame equivalent field of view.
When the Sony A9 was announced, it seemed the ideal alternative to the Canon 1DX Mark II or Nikon D5. The ultimate sports or wildlife shooter. But the biggest complaint was Sony’s lack of long glass to go with it. Now, We’ve known Sony has been working on a 400mm f/2.8 GM OSS lens, but it’s been a long wait for it to see reality.
Rumoured back in May 2017, it got a lot of Sony shooters excited. It also got a lot of Nikon and Canon shooters who’d been considering a switch excited, too. Then, it was reported to be out in the wild during this year’s Olympics. An announcement has taken much longer than anybody expected, but it’s finally here.
It looks like Yongnuo aren’t the only cheap Chinese manufacturer looking to expand into lenses. Although, while Yongnuo does typically make the products onto which their names is emblazoned, Neewer generally doesn’t. They simply buy and brand. Which makes this Neewer 35mm f/1.2 APS-C lens for Fuji X and Sony E mount (coming soon) particularly interesting.
Laowa has announced four rather interesting lenses. Well, three interesting lenses and one’s kind of a “huh?”. It’s an odd assortment to release all at once, but all four lenses do boast a little something special.
It’s Fujifilm’s turn to make their new announcements this week, and they’ve got some that GFX medium format shooters are going to enjoy. First up, there’s the new Fujifilm GF 250mm F4 R LM OIS WR lens. It has a field of view equivalent to just under a 200mm lens on a 35mm body. So suitable for both longer distance outdoor portraits, as well as shooting closer wildlife.
But to help with the wildlife side of things, there’s also the new GF 1.4X TC WR teleconverter. Priced at an eye watering $849, it’s not exactly cheap, but if you shoot medium format digital, the word “cheap” probably isn’t in your vocabulary. Fuji haven’t forgotten macro shooters in the new announcement, though, offering both new 18mm and 45mm extension tubes.
Not on the heels of NiSi, SLR Magic have now announced their new cinema lenses at NAB 2018. The SLR Magic MicroPrime CINE E-Mount lenses are designed for full frame Sony mirrorless cameras. Four lenses kick off the new series at 25mm, 35mm, 50mm and 75mm focal lengths, and they’re currently on display at NAB.
The new MicroPrime CINE lenses feature internal focusing mechanisms and are each balanced to provide a similar weight distribution. This allows you to switch between lenses with a gimbal mounted camera without having to rebalance it each time.