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Samyang parfocal AF 24-70mm f/2.8 for Sony FE has now been announced globally

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Samyang (AKA Rokinon and Bower) has launched their first zoom lens with the new Samyang AF 24-70mm f/2.8 FE, a wide-angle to short telephoto lens with a constant f/2.8 aperture for full-frame Sony E-Mount cameras. The lens had previously been announced only in Thailand, but now the announcement appears to be global.

Autofocus lenses have been part of Samyang’s lineup for a while now, although they were primarily specialising in manual focus lenses. But Samyang says that after five years of “in-depth research and communications” with its customers, they now want to target more of the mass market to better meet photographers needs.

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“Great Joy” launches full-frame 60mm T2.9 1.33x Anamorphic lens and 1.35x Anamorphic adapter

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Seems to be a big anamorphic thing going on lately. We’ve had the launch of Sirui’s full-frame 50mm T2.9 Anamorphic lens, stacking Anamorphic lenses with Anamorphic adapters and now we’ve got the new “Great joy” 60mm T2.9 1.33x Anamorphic lens and 1.35x Anamorphic adapter being launched through Kickstarter.

The new Great Joy 60mm T2.9 lens offers a 1.33x anamorphic aspect ratio. The adapter provides a 1.35x anamorphic aspect ratio. When stacked together you’ve got 1.8x anamorphic, offering some pretty wide field of view. Of course, like other anamorphic adapters, you can also put this one onto a regular lens to give it that anamorphic look.

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7Artisans releases their new 25mm f/0.95 lens for APS-C mirrorless and MFT

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7Artisans has released their new 25mm f/0.95 manual focus lens for APS-C mirrorless and Micro Four Thirds. The lens was first teased in September, but now it’s finally official, available and all of the specs are published. The lens is designed specifically for mirrorless cameras, being available on Sony E, Fuji X and Nikon Z APS-C mount options, as well as MFT.

That nice wide f/0.95 maximum aperture will let in a lot of light and allow for some pretty shallow depth of field, despite being made for APS-C and MFT cameras. On APS-C it offers a field of view equivalent to about 37.5mm on full-frame and on Micro Four Thirds it’s about a 50mm full-frame equivalent field of view.

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Sirui goes full-frame with a new 50mm T2.9 1.6x Anamorphic cinema lens

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Famous for their popular APS-C anamorphic lenses, Sirui has stepped out with a new full-frame 50mm T2.9 1.6x anamorphic lens providing a 2.8:1 aspect ratio. As per usual for Sirui lenses, the new 50mm T1.9 is being launched via Indiegogo. You’d think by now they’d be in a position now to just develop a lens, announce it and put it up for sale, but I guess not.

Going up to full-frame marks a nice upgrade for Sirui and with their prices, it puts them in a fantastic position for capturing the entry-level full-frame market. With more full-frame cine cameras (and video-focused mirrorless cameras) coming onto the market at lower prices these days, it makes a lot of sense for them to step up.

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Pergear announces its all-metal 10mm f/5.6 170° fisheye lens for APS-C and MFT mirrorless

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Pergear has released their new 10mm f/5.6 fisheye lens for APS-C mirrorless cameras and Micro Four Thirds. It’s been released in Sony E, Fuji X and MFT mounts, but unfortunately for Nikon shooters, the company has confirmed to DIYP that isn’t coming in Z mount flavour (at least, not yet). But for those systems it is available on, it features a full-metal construction and comes with a very low $89 price tag.

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Samyang’s $975 AF 24-70mm f/2.8 parfocal zoom for Sony has been released, but only in Thailand

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Well, this is odd. I stumbled across a leak from over the weekend about the new Samyang AF 24-70mm f/2.8 FE parfocal zoom lens for full-frame Sony E mount cameras and then spotted over on Mirrorless Rumors that it had actually been released… Except, strangely, it seems to have only been released in Thailand, of all places.

What makes this particular lens special over other 24-70mm lenses out there is that it’s parfocal. This means that as you zoom the lens from one extreme to the other, the focus distance does not change. This is typically more in line with lenses geared towards video rather than photography and is normally quite pricey. Although this one seems to be a bit of a bargain at only $975.

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Tamron can’t keep up with the demand of the 18-300mm f/3.5-6.3, delays shipping indefinitely

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Surprise, surprise: shortly after announcing the 18-300mm f/3.5-6.3 lens, Tamron seems to be unable to keep up with the demand. The shipping of the lens has been delayed, and the company doesn’t know when exactly it will start shipping it again.

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TTArtisan announces its first autofocus lens for five full-frame and APS-C cameras

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TTArtisan, famous for its inexpensive manual focus lenses has decided to go autofocus, and they’ve done it in quite a big way coming to five different camera systems at once. Announced today, TTartisan AF 32mm f/2.8 is a full-frame autofocus lens, although a couple of the new mounts are for APS-C cameras.

In full-frame flavours, the new lens will be coming in all three of the major mirrorless camera mounts. That means Sony E, Nikon Z and Canon RF. Yes, they’re going where other 3rd party lens manufacturers fear to tread. On the APS-C side of things, it’ll be available for Fuji X mount and, strangely, Canon EF-M for the dying EOS-M system.

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Tamron officially announces new 35-150mm f/2-2.8 and 28-75mm f/2.8 G2 lenses for Sony E mount

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Well, there’s not much that we didn’t already know about the specs of these two lenses, thanks to a pretty much total leak of everything a couple of weeks ago, but Tamron has now officially announced their new 35-150mm f/2-2.8 Di III VXD and 28-75mm f/2.8 Di III VXD G2 full-frame zoom lenses for Sony E mount cameras.

Described by Tamron as a “travel zoom”, the 35-150mm f/2-2.8 is the first Sony E mount zoom lens that maxes out at an f/2 aperture. It features Tamron’s VXD motor, which they say offers fast and precise autofocus and is compatible with Sony’s Fast Hybrid AF and Eye AF systems. The 28-75mm f/2.8 G2 is the second iteration of a pre-existing lens that also sees the newest VXD motors.

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Irix releases its new cine-based 30mm f/1.4 lens for photographers

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Well, this is new. Typically, with companies that produce photography and cine versions of the same lens, the cine version is something of an afterthought. It’s a stills lens design that’s thrown into a new housing to give it benefits for filmmakers – like a long focus throw and more standard dimensions. This time, though, it seems like Irix has gone the other way around.

They’ve now announced the new Irix 30mm f/1.4 lens for photographers. It’s essentially the recently announced Irix 30mm T1.5 cine lens, but in a housing more suitable for photographers rather than cinematographers. Like I said, it’s the other way around, but it might provide some nice perks for photographers.

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