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TTArtisan releases new 11mm f/2.8 full-frame 180° fisheye lens for Nikon F and Canon EF mounts

TTArtisan has announced a new 11mm f/2.8 Fisheye lens for full-frame Nikon F mount and Canon EF mount DSLRs. Yeah, I know, a DSLR lens in 2022! What are they thinking? Well, it looks like might be bringing out some dedicated mirrorless versions, too, although so far, it only appears to be Nikon F and Canon EF mount ones that are available – although they can be easily adapted!

The new lens offers a wide 180° field of view with an also wide f/2.8 aperture. It has a built-in lens hood and a minimum focus distance of only 17 centimetres. It contains 12 elements in 10 groups, including 4 high refractive index elements to help control distortion and spherical aberrations for improved sharpness. An extra-low dispersion element helps to reduce colour fringing and chromatic aberration.

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Yongnuo announces the 16mm f/1.8S DA DSM autofocus lens for Sony E mount APS-C

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Yongnuo has announced the new Yongnuo YN 16mm f/1.8S DA DSM lens. This autofocus lens is available in both Nikon Z and Sony E mounts. The lens popped up on the Yongnuo website to absolutely no fanfare whatsoever, but it’s also available to pre-order in the USA for $288. It has a very minimal layout with just a single ring for focus, an AF/MF switch, a custom function button and a USB-C socket.

It features a quiet DSM stepper motor, which Yongnuo says offers “quick start-stop response, high focusing accuracy, smooth autofocus” that’s quiet enough to use for video. The Yongnuo website only lists the lens as being available for Sony E mount, although B&H lists it as being available for both Nikon Z and Sony E. There’s no dropdown list on the pre-order page, so I think it’s probably just Sony E for now. Amazon agrees.

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AstrHori releases pictures and specs of upcoming 105mm f/2.8 tilt-shift macro lens

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105mm (and 100mm) f/2.8 macro lenses are pretty common. They’ve been the go-to macro lens for many Nikon and Canon shooters in the past and there are also equivalents available for Sony and L mount, along with a whole bunch of third-party options. One thing I’ve not seen before, though, is a macro of this focal length that’s also got tilt-shift capability. Well, it looks like Astr\hori’s about to release one!

The company has released images and basics specs for the lens, although there’s no word on an official announcement date or a price yet. It’s going to be available in Sony E, Canon RF, Leica L and Fuji GFX mounts, so it’s designed specifically for mirrorless. Naturally, for GFX, it won’t have as much range in the shift, due to the larger sensor. I’m a little surprised there’s no Nikon Z version coming, though.

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Sirui’s new Saturn 35mm T2.9 full-frame 1.6x anamorphic cine lens is smaller than a can of coke

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Sirui has announced their new Saturn 35mm T2.9 full-frame carbon fibre 1.6x anamorphic lens. Designed for lightweight and mobile shooting, the new lens is smaller than a can of coke and designed for use on cameras with gimbals and even FPV drone rigs – cinema ones, at least, not cinewhoops! The light construction is thanks to the use of carbon fibre in the lens barrel and it measures only 100-103mm long, depending on the mount.

It’s one of the few third-party lenses I’ve seen that comes in a DJI DL mount. So it can be used with the DJI Ronin 4D gimbal stabilised cinema camera. It’s also available in RF mount for use with Canon cameras and the RED Komodo and V-Raptor, as well as E mount for the entire range of Sony mirrorless and cinema cameras. It comes in two flare options and has a 1.6x squeeze ratio.

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Sigma’s compact 18-50mm f/2.8 DC DN Contemporary lens is now available for Fuji X Mount

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Sigma has announced the new Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Fuji X Mount. Originally released in October of 2021 for Leica L and Sony E mount, this APS-C lens is now available to Fuji shooters. It’s pretty much the same lens, but with a new mount, so it has all of the same specifications with the same internals and external appearance. It just has a larger customer base.

The new addition expands Sigma’s Fuji X mount lineup now to four lenses, along with the 16mm f/1.4 DC DN Contemporary, 30mm f/1.4 DC DN Contemporary and 56mm f/1.4 DC DN Contemporary fast prime lenses released earlier this year. Although this is the first zoom lens Sigma is releasing for Fuji shooters, they’ve kept with a fast aperture lens having a constant f/2.8 throughout the zoom range.

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Nikon goes back to the classics with an all-black Nikon Z fc and new 40mm F2 SE lens to match

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Adding to the standard look and the six existing “premium” colours, Nikon has added an all-black camera to the Nikon Z fc lineup that’s giving me serious Nikkormat FT3 vibes! Specs-wise, it’s no different to the regular Nikon Z fc, which means it still doesn’t have a port for a remote trigger, but the new all-black look does look very cool and is perhaps even more accurate to the “retro” feel of old Nikons.

Along with the new all-black Z fc, Nikon has announced a new Special Edition 40mm f/2 SE lens which offers a similar retro feel with an old-school knobbly focus wheel and even a knurled area to simulate an aperture ring (even if it doesn’t actually spin) as well as a control ring. It fits in very well with the look of the Nikkor Z 28mm f/2.8 SE released last year. Internally, it’s essentially the same as the standard 40mm f/2, but it’s very different on the outside.

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Nikon’s Nikkor Z 600mm f/4 TC VR S features a built-in 1.4x teleconverter for 840mm f/5.6 reach

Hey, guess what? Yeah, that’s right, more gear announcements. This time it’s Nikon’s turn with their new Nikkor Z 600mm f/4 TC VR S lens. This 600mm monster has a maximum aperture of f/4 and a built-in 1.4x teleconverter to give you the equivalent of an 840mm f/5.6 lens without any extra hardware required. Of course, for more extreme needs, it’s also compatible with Nikon’s Z mount 1.4x and 2x teleconverters, too.

The autofocus is powered by Nikon’s Silky Swift Voice Coil Motor (SSVCM) with an optical encoder to ensure precise positioning with high-speed motorsports and wildlife. Its built-in Vibration Reduction provides up to 5 stops of stabilisation or 5.5 stops when using a Nikon Z camera that supports Synchro VR. It’s built to handle extreme situations and is fully weather-sealed from dust, dirt and moisture.

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Funleader announces the new Caplens 18mm f/8 Pro slim bodycap lens for Sony E and Fuji X mount

I’m loving these weird and wonderful lenses that have been coming out over the last few years. It’s great to see the kinds of things companies are trying out, just to see how they’re received. Laowa’s Probe lens and the just announced AstrHori probe are two such examples of new weird lenses that have popped up. Funleader’s Caplens is another. And now they’ve updated their 18mm f/8 with a new “Pro” version.

The new Funleader Caplens 18mm f/8 Pro is a refresh of the original Caplens 18mm f/8 launched in 2019 via Kickstarter. It offers a minimum focus distance of only 30cm, shaving half a metre off the original lens, all the way out to infinity in several steps.

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The new AstrHori 28mm f/13 2x Probe macro lens is half the price of Laowa’s 24mm f/14 Macro Probe lens

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Relatively new and unknown lens manufacturer, AstrHori, has announced a new 28mm f/13 2x Probe macro lens. It offers a waterproof design, allowing you to submerge the end into liquids while keeping your camera save above the water level, and comes in at about half the price of Laowa’s 24mm f/14 2x Macro Probe Lens.

The new AstrHori lens full frame and is available in a whole bunch of different mounts including Sony E, Leica L, Nikon Z, Nikon F, Fuji X, PL, Canon RF and Canon EF-M. Its working distance is a mere 10mm from the end of the lens, allowing you to get extremely close up to your subjects and it has a variable f/13-40 aperture.

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TTartisan’s new 27mm f/2.8 is a $159 autofocus pancake lens for Fuji X cameras

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TTartisan has announced their newest lens. This time, it’s an autofocus one and it’s for the Fujifilm X mount camera system. The TTartisan 27mm f/2.8 is compatible with pretty much all Fuji X cameras, offering a field of view equivalent to around 41mm on full-frame. It’s a very compact pancake-style autofocus lens that should be ideal for travel and street photography.

The all-metal construction lens has an f/2.8 aperture, which isn’t super wide but wide enough for many uses. It’ll still see quite well in the dark while offering a shallower depth of field with close-up subjects. It has an STM stepper motor AF system for smooth and quick operation and a USB-C interface for upgrading the lens firmware.

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