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This guy chops up Leica M6 and other cameras to turn them into weird exploded art pieces

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The artwork of Fabien Oefner is going to hit people on this site in one of several ways… The first will be “Wow! That’s freaking awesome!”. The second will be [Insert Ryan Reynolds “But why?” GIF here]. The third will be screams of blasphemy with lots of tears. If there’s another response I’ve not thought of, let me know in the comments.

Once you see Oefner’s work on Instagram, you’ll quickly understand why the potentially polarising reactions. He likes to take things apart, but not in the traditional sense. He doesn’t dismantle them. He casts them in resin and then slices them up. like slivers of an MRI. Then, he sets them in their new permanent form.

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Leica’s M10 range now lets you fix perspective distortion in-camera with new firmware

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Leica has released a new firmware update for the M10-P, M10-R and M10 Monochrom cameras that adds a new Perspective Control feature to the camera for correcting perspective distortion. It’s designed to help get your horizons straighter and to stop vertical lines converging with each other as they get further away from the camera.

It’s a similar effect to using tilt-shift lenses to correct the issues inherent with photographing something on-axis, except this is done digitally. It’s more like the effect you might use in Lightroom or Photoshop than using an optical solution. Except here, it all happens in-camera.

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Leica has re-released its iconic Noctilux-M 50mm f/1.2 ASPH

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Leica has announced a reissue of their Noctilux-M 50mm f/1.2 ASPH lens. As the name suggests, it’s designed for the Leica M mount. Its optical design is virtually identical to the original Noctilux-M 50mm f/1.2, released in 1966, which they say provides the same classic, vintage feel. It’s the third reissue of Leica’s M mount Classics range, adding to the Summaron-M 25mm f/5.6 and the Thambar-M 90mm f/2.2.

Two versions of the lens are being released. The first is the standard black, which is available in all of the usual places. The other is silver and a limited edition of 100 units available only at Leica stores.

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One of three Leica prototype lenses sells for $290,300 at an auction

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I guess we’re all used to Leica gear being expensive. But when it’s rare as this Vario-Elmar-M 3.5-5.6/28-75mm ASPH. prototype lens, it gets even pricier. This Vario-Elmar prototype is one of only three existing in the world, and it was recently sold at an auction for a whopping €240,000, which is more than $290,300 USD.

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Watch: What’s it’s like to restore an 85-year old Leica

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Restoring an old camera and giving it a new life is something truly special. Especially if it’s a heritage, and it’s almost a century old. Max from Analog Insights inherited an 85-year-old Leica, and it looked like it was beyond repair. But a friend helped him bring it to life and take some neat shots with it as if it were new. In this video, Max shares the story of his new old camera, as well as some photos that he took with it.

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Nine things that make Leica Rangefinders different from other digital cameras

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If someone would ask me what digital camera brand is the most different from all the others, I would definitely answer Leica. A couple of weeks ago I bought my first Leica rangefinder, after using virtually every other camera brand on the market. I went for the cheapest one available, the Leica M8. In this article, I have written down my notes on what the biggest differences are from other digital cameras I have used over the years.

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Irix cine lenses are now available for Z, RF and L mounts

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Irix has finally announced that their 11mm T4.3, 15mm T2.6, 45mm T1.5 and 150mm T3.0 Cine lenses are now available for Canon RF, Nikon Z and Leica L mount camera systems. Until now, these lenses had only been available in Canon EF, Sony E, Arri PL and Micro Four Thirds mounts. The Irix Cine lenses are based on their popular photography lenses, some of which we’ve reviewed here on DIYP before.

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