An integrated flash can come in handy for photographers, but it’s useless for vloggers and video makers. However, a new Canon patent could resolve this. It shows a set of LED lights integrated with the pop-up flash to provide DLSR video makers with a continuous light source.
Spiffy Gear has produced some pretty interesting products over the last few years, including the very popular Light Blaster, and Spekular LED lights. At NAB 2019, they have debuted a new type of LED light, designed for wearing, wrapping around things and placing in tight spaces where you want to add just a little bit more light. It’s called Lumee, and DIYP caught up with Spiffy Gear at the show to find out all about it.
Ring lights can be a lot of fun, and they’ve certainly become more popular over the last few years, especially for video. And while ring lights have come down in price a lot, you’re still looking around at least $110 for a basic one that can only do daylight and tungsten (if you’re lucky).
But what if you could make one for less than $30 that would give you every could you could think of? That’s what YouTuber Peter Drazy does in this video, using just an off-the-shelf strip of LEDs and a wire frame for making wreaths. Oh and a whole lot of sticky tape.
This is the last part of a three part mini-series of articles on LED lights for photographers. Part 1 looked at the pros and cons of commercial level LED lighting for photographers, so if you missed it, Do LED Lights Have a Place in Your Kit? – Part 1: Pros & Cons. Part 2 saw us test the viability of using coloured LED bulbs in our strobes, including what to look for and what I recommend. Here’s the link to that one too if you missed it Do LEDs Have a Place in Your Kit? Part 2: Coloured LED Modelling Bulbs.
This is the second part of a three-part series of articles on LED lights for photographers. Part 1 looked at the pros and cons of commercial level LED lighting for photographers so if you missed it, here’s a link – Do LED Lights Have a Place in Your Kit? – Part 1: Pros & Cons.
In this weeks article, I aim to test a selection of cost-effective, coloured LED bulbs that can be used in your strobes instead of regular tungsten modelling bulbs. Are they any good? What creative options can they provide to us? And is it worth spending a little more to get some decent ones?
In this article, I look at what LEDs actually are, how they started out and where they sit in the world of photography now. Many photographers have switched over to using LEDs, but do they have a place in your kit and why aren’t we all using them?
To avoid making this one article ginormous, I aim to separate it out into three parts. Part 1will be the pros and cons of LEDs, part 2 will be testing a variety of coloured LED bulbs in our strobes and part 3 will cover using them on a model shoot including advice and lighting diagrams.
One of the biggest issues when it comes to continuous LED lights is power. For photographers, they’re just nowhere near as bright as strobes, and for filmmakers, they want to know that they can replace their high power hot lights that they’ve been using for years. But LED manufacturers are often quite vague or confusing with their light output.
It’s not intentional, there’s just not really an easy universal standard when it comes to comparing constantly evolving LED technology with tried and tested hot lights. So, in this video, Jay P Morgan looks at some of the more powerful LED lights on the market to see how they really stand up to traditional hot lights.
I’ve been following Ivan Miranda’s channel on YouTube now for a few months. It’s not a photography or video channel, though. It’s about 3D printing. As the year has gone on, I’ve been getting more into 3D printing myself, and Ivan shows off some fantastic projects that he creates on his channel. So it’s been a great one to follow.
Occasionally, though, he does a collaboration with somebody that takes things in a slightly different direction. This time around he’s working with fellow YouTuber Tom Stanton, to mount a huge strip of LED lights to a drone. This resulted in Ivan making what is essentially a 3 metre long DIY PixelStick (a really long stick covered in addressable LEDs).