So, just how bright is a 1,000 Watt stadium LED light? Well, Matt Perks wanted to find out, so he got one. And, as it turns out, it’s pretty bright. It’s not every day you get to see something like this up close and personal, and it’s interesting to see how a massive powerful light like this is constructed.
If you shoot with artificial lighting, you can go with off camera flash or continuous LED lights. Of course, each approach has its good and bad sides. In this video, Francisco Joel Hernandez discusses pros and cons of using continuous LED lights for portraits. So if you’ve been thinking of getting them for portrait photography, this might help you make the final decision.
Last year, lighting gel company, Rosco acquired LED lighting specialists DMG Lumière. Although only founded in 2014, DMG Lumière was quickly recognised for its innovative products for film, television and broadcast. We all knew at the time that this would be an interesting mix of companies and talent that would probably go on to produce something quite special. Now, it seems, they have.
The Rosco MIX, is a new colour changing LED panel based on DMG Lumière’s previous form factors. What makes these special though, is that unlike traditional bicolour, RGB or RGBW LED panels, these contain six differently coloured LEDs to produce a wide array of colours. Famous for their high-quality lighting gels, Rosco’s new light won’t even need them.
Just after we got done comparing the LitraTorch vs the Lume Cube, Litra announces their next generation of LED action light. The new LitraPro offers the same rugged build as the Torch but raises the bar with full spectrum bi-colour LEDs.
Litra is calling the new LitraPro a “new category of compact, rugged, professional lighting” and it does seem to fit the bill. It sits in size between the tiniest of tiny action camera lights and small on-camera LED lights like the Aputure AL-M9. But how its light output will compare is currently unknown.
Ever wondered how you can create volumetric lighting and light rays in both your stills and video? Well in this blog post and video I will show you how to create them the practical way using just card, smoke and light, and it’s great fun!
The development of LED lights over the last couple of years has been quite interesting to follow. 10 years ago, LEDs were the last type of light I’d use for any kind of serious video work, but since then they’ve come a very long way. They’ve become more consistent and colour accurate with high CRI & TLCI, more powerful, and more versatile.
Westcott’s new Solix LED light, though, has a particularly unique feature. An integrated speedring for connecting directly into softboxes. It’s an interesting design that allows the light to keep a small form factor while still offering the use of modifiers.
LEDs are developing at a ridiculous pace lately. They’re getting more colour accurate and much more powerful. The power of LEDs often comes at some expense, though. While LEDs do run much cooler than traditional tungsten lights, they can still get rather hot.
In this video, Matthew at DIY Perks unboxes a very beefy 500 Watt LED. After hooking up the power, we see just how bright it is. What’s particularly crazy about it, though, is that the LED itself isn’t much bigger than a postage stamp. Everything else is just to extract the heat to prevent the LED from burning itself out.
I have been using hardware store LED bulbs for both photography and video in the studio for a while (click here for a DIY three light studio setup) – but every time I pass the lighting aisle in my local big box hardware store I always take a look to see what’s new and improved.
Well on a recent trip to Lowes I found some really cool LED strip lights that work quite well for both photography and video – continue reading for details…
Bitbanger Labs, makers of the popular Pixelstick light painting tool are at it again. This time it’s a module LED strip which bears more than a striking resemblance to the Spekular lighting system released just last month. But, it has a few rather significant differences. Foremost amongst them being multiple colour options, as well as remote control straight from your phone.
The project is being launched through Kickstarter, and it’s already over halfway towards its goal. It’s an interesting concept, for sure. While it seems aimed more toward effects lighting than realistic lighting, it’s an interesting system. For simulating effects like firelight or red alerts on a submarine, it could be just the ticket.
If you’re new to studio portraits, there’s just so much to learn about the light. Also, you have a choice between strobes/speedlights and continuous LED lights. If you can’t decide where to start, the latest video from Joe Edelman could be helpful and get you on the right track.
In this video, Joe breaks down the differences between these two types of lighting. You’ll learn their main uses, and also why it’s good to use one or the other in different situations.