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The Microcosmos of Winter: How I shot ice crystals in sub-zero temperatures with an extreme macro lens

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In the “Microcosmos of Winter,” I wanted to show never-seen-before footage of a soap bubble that starts to freeze. I previously tried to film this two years ago with my Sony 90 1:1 and Raynox DRC-250, which only allowed me to shoot at about 2X magnification. However, the weather in Germany at that time was simply too warm for it to work.

Two years later, and with suitable cold conditions of -10°C, I was ready to try again. This time, I was armed with my Laowa 25mm, which has a 5:1 magnification, allowing me to shoot extreme macro detail.

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These mesmerizing extreme macro images of eyes are like windows to other worlds

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They almost look like aerial photographs of glacial meltwater flowing into Icelandic lakes. But these are no fluvial waters. These are extreme macro close-ups of the human eye, taken by portrait photographer Markus Hofstätter.

The abstract nature and varied colors and textures are all part of the beauty of these images. Markus has been fascinated by eyes for many years but devised a method to capture even more close-up images. Markus tells DIYP that he started this project around 4 years ago and is finally ready to unveil it.

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Venus Optics launches L-mount version of four of its popular lenses

Venus Optics has released quite a lot of interesting lenses over the past few years. And now, four of the most popular and most unusual ones are available in L-mount. Venus Optics has just launched the L-mount version of two wide-angle lenses and two macro lenses: 4mm f/2.8 Fisheye, 9mm f/2.8 Zero-D, 24mm f/14 2X Macro Probe, and 25mm f/2.8 2.5-5X Ultra Macro.

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Venus Optics expands their Z-Mount and RF-mount range with 12mm f/2.8, 25mm f/2.8 and 100mm f/2.8 lenses

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Earlier this year, Venus Optics launched two wide-angle lenses for Nikon Z. The company is now expanding its Z-mount line, along with the Canon RF mount line. Three of Venus Optics’ most popular lenses are now available for Nikon’s and Canon’s full-frame mirrorless cameras. The 12mm f/2.8, 25mm f/2.8, and 100mm f/2.8 already exist in a few other mounts, but they are now available to Nikon Z and Canon RF users as well.

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This is all the shiny new camera gear announced at this year’s WPPI

WPPI has been a good one this year for gear announcements. We’ve got the very impressive looking new Sony A7III camera and a whole slew of new E-Mount Art series lenses from Sigma. A couple of new entry level bodies from Canon as well as the new EOS M50 mirrorless. We’ve also seen a new AD200 competitor appear from Cactus who say it’s only just the beginning. Oh yeah, and then there’s that funny robotic speedlight from Canon.

There were a few items we didn’t cover, though. So, let’s have a look at everything that was announced. All the stuff we told you about and all the stuff we didn’t in one place.

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Laowa announces two new lenses: 25mm f/2.8 2.5-5X Ultra Macro and 9mm f/2.8

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Laowa has introduced a couple of interesting lenses so far. Now they’re adding two new primes to their family: 25mm f/2.8 2.5-5X Ultra Macro and 9mm f/2.8 Zero-D. Both lenses come in several different mounts and promise high-quality image at a pretty affordable price. Check out the specs and a hands-on review after the jump, and see if there’s something new to add to your gear bag.

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