Now that you know more about your mechanics and attributes of your kit lens, the time has come to look at the creative use of the wee plastic beasty and we’ll start with macro first, this is by far the longest of the three Kit Lens Masterclass articles so grab a cold drink and some snacks.
In Part 1 we looked at the potential issues and problems relating to kit lenses, now tis the time to turn our attention to the terrific upsides of owning and using the cheap as chips but under-rated kit lens, this section will be the shortest not because there are problems I want to skirt around but because there positives are easily explained.
So your kit lens is rubbish, you know this for a certainty because numerous photo blogs and camera test sites have told you so. It’s been confirmed repeatedly by a wide array of couch based photo experts on all the forums of great repute and finally the first shots you have taken with it seem to be less than fully impressive. Besides that, there was this nice guy in the camera shop told you that you’d really need a better more expensive lens if you were going to get even half serious about your photography.
Don’t worry most kit lenses are not brilliant when measured or assessed in any empirical way, but realistically your kit lens was almost a freebie so what have you got to moan about. In any case, without meaning to insult anyone, most kit lenses are capable of better results than most photographers are capable of delivering.
Typically, DSLR cameras aren’t really ever about fashion over form. Almost every high-end model out there comes in a bulky black, various buttons surrounding an LCD screen, and an interface that just assumes you know exactly what you’re doing. And then there’s the Pentax K-S1, a mid-range DSLR camera that’s set to come in colors as vibrant as the entirety of Guardians of the Galaxy.
Yesterday, I posted an article about Instagram, and it talked about the new generation of photographers growing up today with smartphones. If it wasn’t for smartphones, many of those people probably wouldn’t have ever gotten into photography, and the minimal touch screen interfaces they’ve been accustomed to are all that they probably know when it comes to using a camera. For older generations, that’s the equivalent of using a disposable or a compact point-and-shoot. With Pentax’s new K-S1, Ricoh attempts to build a bridge that fills that learning gap and draws younger photographers closer to the DSLR world.
There was an article recently here in DIYP about 5 reasons why you should own at least one prime lens, I strongly agree to this. I normally tell the new photographers that the next lens they should buy is a prime lens. Here is the thing though, after buying a prime lens make sure not to sell your kit lens too fast. Here are my 6 reasons why you should keep your kit lens. I am a Nikon shooter, so expect Nikon examples, but everything here is true for Canon too).