When you first start shooting in a studio, it’s very exciting – but it can also be overwhelming. There’s so much to learn about studio lighting and so many mistakes that you’ll make. In this video, Karl Taylor mentions nine of the biggest mistakes photographers make when they first start shooting with studio lighting. Of course, we all learn from or mistakes, but let’s try and flatten that learning curve, shall we?
When taking photos, it’s good to know what you should so, but it’s equally important to know what to avoid. In this video, Karl Taylor discusses eight things that we should avoid in portrait photography, yet we do them so often. Luckily, they’re easy to fix, so check out the video and make sure to have them in mind at your next shoot.
Photographing black products on a black background can give you elegant and dramatic shots. However, it can be tricky to separate your product from the background. In this video, Karl Taylor walks you through his process and shows you how he photographs dark products on a dark background.
Graduated ND filters will help you get perfect exposure in-camera when shooting landscapes and cityscapes. However, the area they cover sometimes just won’t cut it for the scene you’re trying to capture. Of course, you can sometimes fix it in post, but why not try getting it right in-camera?
In this video, Karl Taylor demonstrates a simple but effective technique of dodging and burning in-camera, relying on the old darkroom method. It will help you nail the exposure, preserve details in highlights, and it could save you some post-processing time.
Whether or not you like Salvador Dali’s work, it’s hardly possible you haven’t seen one of the most famous photos of him: Dali Atomicus. It’s on the TIME’s list of 100 most influential photos of all time. It was a result of collaboration between Salvador Dali and photographer Philippe Halsman and it was captured in 1948.
In 2017, almost 70 years later, photographer Karl Taylor has recreated this iconic image with modern tools and gear. Still, he remained faithful to the original and didn’t use Photoshop make the objects float. Just like in the 1948 photo – all the objects are suspended with wires. He shares the story of recreating this famous photo, and it was such a big project that even BBC documented it.
At some point, most of us will have to shoot a product. It may be for a paying client. Perhaps for a family member who wants to stick something on eBay. Or we might just want to show off our newest toy on Facebook. Whatever the reason, your life is generally going to be a lot easier if you can get things as close to the final image in-camera. It’s less time sitting at the computer, letting you get on with actually shoting.
This 20 minute video tutorial from Karl Taylor walks us through a cosmetics product photography shoot. The emphasis here is on lighting, and getting things as close to complete in camera as possible. There are, obviously, one or two tweaks that can still be made in Photoshop. But the differences between the image straight out of camera, and the final retouched shot are minimal.
Seascape photography isn’t something that’s really been high on my list. I’ve lived near beaches almost all of my life, but they’ve been a bit too featureless for my photographic tastes.
If you are lucky enough to live near a picturesque coastline, photographer Karl Taylor offers some great tips in his new video. Some of the tricks also work around lakes, rivers and other freshwater locations, too.
I primarily photograph people, but children are a subject I’ve generally stayed well clear of. I have nothing against them, and apparently I used to be one (my wife says I still am), but when it comes to photographing them, it just really doesn’t appeal to me.
If you’re a parent, on the other hand, your children may be your most photographed subject, and something you actively enjoy. In this video, photographer Karl Taylor is going to give you some tips and tricks to help you get the best shots you can of your kids.
Photographing landscapes under moonlight can be tricky, there’s no doubt about it. You’re fumbling around in the dark trying to get everything ready to take the shot, and your exposures can often be so long that you might only get one or two chances to actually capture the scene you want.
In this video, Karl Taylor shows us how we can meter a moonlit night scene to figure out a good exposure quickly and then how to turn that into the exposure we really want.
When Hasselblad recently announced their new H6D 50MP and 100MP cameras, one of the lucky photographers they had to help them shoot promotional images for the launch campaign and to test out the H6D’s capabilities was Karl Taylor.
While the results of this shoot have spread across the world over the last couple of weeks, Karl now presents us with a behind the scenes look into how the images were created.