We all get stuck in a creative rut every once in a while. Although it’s perfectly normal, it can still make us frustrated. In this video, Jordy Vandeput from Cinecom.net shares some advice on how not to lose your creative flow. He talks about his ways of staying inspired, but reflects on another important topic: how much does gear matter in this process?
If you have a good story in your mind, only a smartphone can be enough to turn the story into a movie. But if you’d like to spice up your smartphone videos a bit, Jordy Vandeput from Cinecom.net will show you how. In this video, he shares five cheap and simple DIY tricks for shooting with a smartphone. They will give your videos interesting transitions, effects, and even correct color balance, using only stuff you have at home.
Motion control hardware and even fully articulated robotic arms have drastically come down in price the last few years. To the point where they’re very affordable indeed. I even have one of my own on its way to me as I type this post. As a result, they’ve found their way into more and more video productions. Especially music videos, like Kendrick Lamar’s Humble (lyrics probably NSFW).
But what if you don’t have the cash laying around to buy one? Or just can’t justify spending that much for something you won’t use very often? Well, Jordy at Cinecom has come up with a great technique that allows you create a very similar looking effect, but without the robot. It’s all done completely manually.
Adobe Premiere Pro is one of the most popular video editing applications there is. But for newer users it can be a bit overwhelming. Even for experienced users, there’s always things we can do to improve our workflow. In this video, Jordy from Cinecom shows us is five favourite tips for faster editing in Premiere Pro.
If you’ve been making films or videos for any length of time, you quickly figure out how important it is to plan in advance. But for things like run & gun style documentary shooting or vlogs, that can be difficult. Even if you have a rough idea of what the day may entail, you never really know for sure until it happens. You’re often just shooting what you see, then trying to figure out how to tell the story in the edit.
But it’s still possible to think on your feet and come up with a story while you’re shooting. As Jordy Vandeput explains in this video, the trick is to figure out what’s going on, and how you want edit it to before you even hit record. Then let this edit in your head guide your shooting.