Lighting a room can be deceptively difficult. You’d think it would be straightforward, but it’s easy to do it badly if you’re not careful. In this video, Jay P Morgan walks us through five different lighting setups in one room. Jay uses LiteCloth LED panels for the demonstration, but you could just ass easily do this with most other types of continuous light or flashes with the right modifiers.
Even though harsh midday sun is far from an ideal lighting situation, sometimes you’ll have no other choice. In this video, Jay P. Morgan shows you four ways to make the best of that direct sunlight and turn it into your advantage. He demonstrates three setups that only use the sunlight, and the fourth one adds a strobe to the equation. But in all cases, you’ll end up with great portraits even in the otherwise unflattering direct sunlight.
Since the Samsung Galaxy’s exploding battery issue, people have become concerned about flying with Lithium-Ion batteries. TSA has some restrictions when it comes to carrying them on a plane, and it can be confusing and frustrating if you need to travel for a photo shoot. In this video, Jay P. Morgan shares plenty of useful information that will help you prepare your batteries for a flight and arrive happily and safely to your shooting destination.
Everybody seems to be getting into film photography these days. New photographers are discovering it for the first time, and many who made the switch from film to digital are now adding it back into the mix. But the film choices today aren’t quite the same as they were in film’s heyday. In this video, Jay P Morgan compares a whole bunch of 120 medium format colour and black & white films from Ilford, Kodak, Fujifilm and CineStill.
Flags, nets, and silks can help you control lighting in a variety of ways. You can shape, cut and diffuse light, and get much more control over your images. In this great video tutorial, Jay P Morgan shows you all the tricks you can do with different flags in order to shape light in your photos.
Panasonic says that the GH5S is a direct response to feedback they received from filmmakers about the very popular GH5. We got to check one out for ourselves during The Photography Show recently, and it does have some noticeable improvements.
It has a new sensor, dual native ISO, the maximum framerate has gone up to 240fps, V-Log L gamma curve is included, and a host of other features. The Slanted Lens put the two cameras through a range of side-by-side tests to see how well the real world experience matches up with the on-paper specs.
As film photography seems to be making a comeback, you may want to try it yourself. If you’ve never shot film before, choosing the right camera can be a confusing and intimidating process. But worry not: Jay P. Morgan and Kenneth Merrill will help you. In the latest video from The Slanted Lens, they discuss some of their favorite film cameras and why you should get them. If you’re still trying to decide which film camera is right for you, this video will help you pick.
Since its announcement at WPPI recently, the Sony A7III has been the hot topic around the camera body water cooler. A lot of people had a something to say in the day or two that followed after having tried it for a little while. But now we’re starting to see some proper hands-on reviews with tests to see just how it performs in the real world.
In this in-depth video review, Jay P Morgan takes the Sony A7III for a spin around Vegas. He gives it a pretty thorough workout to test the limits of Sony’s new “basic” mirrorless camera. Looking at it on paper, it certainly seems to set the bar rather high now for entry level full frame cameras. With high ISO, video, burst mode and autofocus tests we get to see if it stands up to those specs.
Along with buying camera gear, investing in lighting can cost you a lot of money. If you’re just starting out, it can all be a bit too much for your budget to handle. Jay P. Morgan has some budget DIY solutions for creating 3-point lighting setups. He suggests four setups that you can construct yourself on the cheap. Nothing should cost you more than $150.
I’m sure you’ve seen many photographers trying to emulate the “film look” in their digital photos. There are different techniques to achieve it, but you’ll often hear that the “film look” is a lie and only actual film can give you this effect. Photographers Jay P. Morgan and Kenneth Merrill have decided to do a little test and compare some film and digital images side-by-side. Can the “film look” be successfully replicated in digital photos? Or you can see the differences straight away?