No matter if you’re shooting photos or video, you may want to achieve some unique angles and access some places that are not easily accessible. In this video, Jay P. Morgan shows you a couple of ways to achieve unique camera angles and spice up your photo and video work.
As you might know, food photographers use a wide range of (sometimes weird) tricks to make food look more appetizing. In this video, Jay P. Morgan hosts food photographer Ed Rudolph. He shares ten tricks for styling food and drink to make it look fresh and delicious in your images. And this time, you won’t need to add shoe polish or shaving cream to your food.
Although meters in digital cameras have come a very long way and become extremely advanced, metering with film often isn’t so simple. With digital, even if your camera’s meter isn’t that great, you can quickly and easily see the results on the histogram to know if they’re right and adjust accordingly. But for film, we need to be a little more sure.
Should you switch from APS-C to full-frame? Or perhaps shoot large format? Does it matter? What will it change? Ah, so many questions. In this video, Jay P. Morgan and Kenneth Meryl have decided to test four sensor sizes side by side and give you the answers. They shot with a large format, a full-frame, an APS-C and a micro 4/3 camera. Here you can compare the images side-by-side and see for yourself how much of a difference there is.
The Panasonic GH5 has been a favourite of many video shooters since its launch early last year. Offering 10Bit 4:2:2 video, 5-axis stabilisation, decent stills quality and a whole bunch of other features, it was an instant hit. Earlier this year, Blackmagic announced the Pocket Cinema Camera 4K. Offering 4K DCI 12Bit RAW video and the same sensor as the Panasonic GH5S.
The whole “continuous vs strobes” choice is pretty easy if you shoot video. But for photographers, it can be a little more challenging. New lights of both types are coming out all the time, and a lot of photographers wonder which type of light they should go with. In this video, Jay P Morgan looks at the advantages and disadvantages of both types of lights to see what tasks they’re better suited to.
Light is vital to photography. Without it, we wouldn’t have photographs. Our sensors would just be recording blackness. Personally, I’ve always been a fan of making my own light. Mostly with flash, and mostly on location. This has meant that I’ve had to dip into the world of high speed sync a lot.
The Lume Cube, Litra Torch and similar lights have become quite popular since they first appeared. Powerful little LED lights that are just as tough and rugged as the action cameras they’re designed to be used with. But that’s not all they’re good for. Light is light, as they say, and you can use small lights for all kinds of uses.
Take this video, for example. In it, Jay P Morgan of The Slanted Lens uses 100 Lume Cubes to light up three different sets. And while it may sound complicated the same principles apply whether you’re using a hundred lights or just one.
Anybody who knows me knows that portable power on location is a big deal to me. Whether it’s being able to recharge batteries in the middle of nowhere or directly powering cameras and other devices, I need portable power. I usually use my lipo batteries, USB batteries, and more recently the Novoo AC power bank, but these aren’t the only options.
In this video, Jay P Morgan at The Slanted Lens looks at a range of products from IndiPro that allow you to get all kinds of different power options when shooting on location.
I’ve never had the chance to have a good look around an active film lab. I’ve been developing my own film at home for years now, and film labs have mostly died out since then. But there are still a few out there, and they seem to be making enough to stay in business, too.
Jay P Morgan at The Slanted Lens had the opportunity to get a good behind the scenes look at what goes on inside one of them. The Richard Photo Lab in Valencia, California. And, fortunately for us, he filmed it.