Photography and video conferences. Are they dead? Are they going to happen this year? Is it kind of the nail in the coffin for conferences? Because they were sliding before. Where exactly are they at? What’s going to happen and what can you expect coming in 2021 and 2022?
A probe lens like the Laowa 24mm f/14 open up a whole new world of creative possibilities. But this world costs around $1,600 and you may not be in the position to afford it right now. If this is the case, Jay P. Morgan has a video for you. He will show you how to made a rig that gives your videos a very similar look to a probe lens, but at a much lower cost.
Hi, this is Jay P. Morgan. Today on The Slanted Lens I’m back out here where we photographed last week. We photographed this little pizza cart called Dracari’s Pizza. It’s a great little cart with neon lights on it. I’ve been shooting food trucks for the last little while and have really enjoyed it. I still have the Hasselblad X-1 D. So I was not happy with the image I got here last week, it looks strobe-lit. The lighting was not integrated with the scene. And I felt like it kind of missed it. So tonight, I’m going to take that same image.
The Sony a1 checks about every single box I could possibly want in a camera. In this video, we compare the Sony a1 camera vs the Canon R5. Does Sony leave the Canon R5 in the dust? And what about price? Is the Sony a1 Worth It? Or would you choose the Canon R5? Who would pay this much and why? Let us know if you would choose one of these and why?
What are the restrictions for flying with Lithium Ion batteries? Today, we take a look at what you can fly with, what you can check in your bags, what you should carry on with you and what you shouldn’t take with you. What are the TSA and FAA Regulations for Traveling with Lithium Ion Batteries?
Hi, this is Jay P. Morgan. Today we’re going to take a look at batteries. What you can fly with, what you feel comfortable checking in your check bags, what you should carry on with you and what you shouldn’t take with you.
Hi, this is Jay P. Morgan. Today on The Slanted Lens we’re out here in Death Valley. I brought with me a little film camera I found a box in my office that I haven’t shot with in years. So I thought this would be fun to take it out to Death Valley and shoot some panoramic shots. It’s a panoramic film camera. I couldn’t afford the Hasselblad XPAN or the Fuji GX617, which made great panoramic shots. In that day they were expensive cameras, around $3,000-4,000 then. You can’t get them for under $3,000 now. So I bought this little Horizon 202.
Weird lenses are always fun, and they seem to be popping up quite regularly. But there isn’t much out there that’s weirder than this. This is a super wide-angle Iwerks f/2.0 lens, designed to project 70mm film. Here, though, Jay P Morgan is using it the other way around to get an ultra-wide view on the world shooting portraits in a local market.
Jay P’s shooting the somewhat ridiculous looking lens on the Fuji GFX 100 medium format camera – which still doesn’t cover the entire projection circle of this insane lens. Originally designed to project images inside a domed cinema, it actually works pretty well for shooting some interesting looking indoor portraits, thanks to that wide f/2.0 aperture.
If only people were creative in creating art as they are in coming up with scams. Photographer Jay P Morgan recently became a target of a scam that could make less experienced among you believe it was legit. But to stop you from being taken by it, Jay P shares his story and his recent experience. He’ll give you some tips and tell you some of the red flags to look for if you happen to get a similar offer.
When shooting street photography, you’ll most likely choose a small and discreet lens. But sometimes it’s worth experimenting with bulky ones, and Jay P. Morgan sure took it to a new level. He rigged a huge IMAX projector lens onto a Canon EOS R camera. He used a very DIY approach to make it work, but it was worth the effort because the photos are truly something else.
Equivalency is one of those topics that not only confuses a lot of people but also turns into some pretty heated arguments. It’s why people think that a lens of one focal length “turns” into another when you put it on a camera with a differently sized sensor. It’s why your depth of field both does and doesn’t change at the same time.
The video above was made as a follow-up to a video recently published by The Slanted Lens to ask does size really matter?. Naturally, when comparing medium format, full-frame, APS-C and Micro Four Thirds cameras, each with their own unique sensor sizes, it raises a lot of questions. And it did. So, this video is designed to answer them.