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The Nikon Z6 goes head to head with the Sony A7III with some surprising results

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With Nikon and Canon finally entering the fray and the whole Panasonic/Sigma/Leica alliance thing, it’s starting to get quite exciting in the world of full frame mirrorless. It feels a lot like when DSLRs first came into existence. Of course, we didn’t have Facebook then, so people were more concerned with shooting than measuring.

But these days, kit comparisons are inevitable, especially with the rate at which technology is advancing and new products are being released. In this video, Jay P Morgan looks at the Nikon Z6 and Sony A7III cameras. On paper, they’re pretty close, with both cameras having some slight advantages over the other in certain areas. Some of Jay’s results, though, are quite surprising.

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This is how some of the brightest LED lights from $500 to over $5000 compare in power

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One of the biggest issues when it comes to continuous LED lights is power. For photographers, they’re just nowhere near as bright as strobes, and for filmmakers, they want to know that they can replace their high power hot lights that they’ve been using for years. But LED manufacturers are often quite vague or confusing with their light output.

It’s not intentional, there’s just not really an easy universal standard when it comes to comparing constantly evolving LED technology with tried and tested hot lights. So, in this video, Jay P Morgan looks at some of the more powerful LED lights on the market to see how they really stand up to traditional hot lights.

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How to push and pull film for technical or creative use

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If you’re new to film, pushing and pulling it when developing is a bit like ramping the exposure slider up or down in Adobe Camera Raw or Lightroom. Except, here you’re doing it with a purpose when you shoot. Sometimes it’s for technical reasons. At other times, it’s purely an artistic choice. In this video, Jay P Morgan at The Slanted Lens tells us all about the how, when and why to pushing and pulling film.

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4 easy ways to set up great lighting for vlogs and video conferences

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If you want people to take you seriously, whether it’s in a vlog or a simple video conference with a colleague or client, you need to have good lighting. As photographers or filmmakers we’re supposed to know this stuff. So, having bad lighting on ourselves doesn’t really set a great impression.

In this video, Jay P Morgan at The Slanted Lens takes a look at how to easily light for vlogging, or any other time you might want to point a camera at yourself for a quick video. And it doesn’t even have to cost a lot of money – or any at all.

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10 tips for styling food and drink for photography

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As you might know, food photographers use a wide range of (sometimes weird) tricks to make food look more appetizing. In this video, Jay P. Morgan hosts food photographer Ed Rudolph. He shares ten tricks for styling food and drink to make it look fresh and delicious in your images. And this time, you won’t need to add shoe polish or shaving cream to your food.

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Three ways to get a good exposure on film with and without a light meter

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Although meters in digital cameras have come a very long way and become extremely advanced, metering with film often isn’t so simple. With digital, even if your camera’s meter isn’t that great, you can quickly and easily see the results on the histogram to know if they’re right and adjust accordingly. But for film, we need to be a little more sure.

In this video, Jay P Morgan at The Slanted Lens walks us through three ways of metering our shot when using film. Specifically, Kodak Portra 400, Fuji 400H and Portra 800.

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Yes, sensor size matters, but not as much as you think

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Should you switch from APS-C to full-frame? Or perhaps shoot large format? Does it matter? What will it change? Ah, so many questions. In this video, Jay P. Morgan and Kenneth Meryl have decided to test four sensor sizes side by side and give you the answers. They shot with a large format, a full-frame, an APS-C and a micro 4/3 camera. Here you can compare the images side-by-side and see for yourself how much of a difference there is.

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The Blackmagic Pocket Cinema Camera 4K goes up against the GH5 in this side-by-side video comparison

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The Panasonic GH5 has been a favourite of many video shooters since its launch early last year. Offering 10Bit 4:2:2 video, 5-axis stabilisation, decent stills quality and a whole bunch of other features, it was an instant hit. Earlier this year, Blackmagic announced the Pocket Cinema Camera 4K. Offering 4K DCI 12Bit RAW video and the same sensor as the Panasonic GH5S.

But how does the Pocket Cinema Camera 4K stand up against the GH5? That’s what Jay P Morgan and Kenneth Merrill Lars Lindstrom Andy Cao from The Slanted Lens look at in this side-by-side comparison.

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Continuous LED lights vs Strobes – what’s best for your photography?

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The whole “continuous vs strobes” choice is pretty easy if you shoot video. But for photographers, it can be a little more challenging. New lights of both types are coming out all the time, and a lot of photographers wonder which type of light they should go with. In this video, Jay P Morgan looks at the advantages and disadvantages of both types of lights to see what tasks they’re better suited to.

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