Not long ago, one of Peter Lik’s moon photos caused quite a stir. The community called him out for photoshopping the image, and Jared Polin has received the confirmation from Lik’s team. Yes, Moonlit Dreams is officially a composite.
There’s not much doubt that NASA produces some of the most amazing and unique photography the world gets to see. We often see behind the scenes talk about the gear they use and what they produce, but we don’t often get to hear about the photographic challenges they face. In this 21 minute interview, Jared Polin talks to astronaut Randy Bresnik to find out what it’s really like to shoot in the ISS and, of course, if they shoot raw.
In today’s world, where knowledge is available for free all over the Internet, is there still point spending one or two years in school and learn photography there? Also, are photography and lighting skills all the schools have to offer to make you a photographer? Jared Polin discusses all these questions in his latest video.
The news that Antonelli Institute is closing down was what triggered Jared to start this topic. After 80 years of working, this school is now educating their last generation of photographers and graphic designers. And it’s not the only school closing down in the past couple of years. So naturally, this raises a question – do we need photography schools any longer?
Sometimes ranting about things works. On Friday, Jared Polin of FroKnowsPhoto posted a rant in which he expressed his frustration with Live Nation about their policy of not paying photographers for their work while retaining the rights to the images.
After replying to a job ad looking for photographers to cover the opening of their new Ascend Amphitheater, Polin was informed that the position “is a great opportunity to build a portfolio.” In response, Polin made a video as an open letter to Live Nation CEO Michael Rapino. In his original bog post, Jared urged readers to “share this out with the world and lets make Michael Rapino hear that he needs to make a change inside his company and #RespectPhotographers.” And, apparently, it worked.
It’s been over a year since the first 512GB memory cards were announced, but it was usually their price that drew most of the attention, and it’s quite understandable why considering they can cost more than some DSLRs.
While we all knew that 512GB is massive, Jared Polin (aka FroKnowsPhoto) really drives it home in this video. After sharing with his viewers that the D4s can shoot over 13,000 RAW files, he was asked how many JPEGs could fit in the card.
It took a while for the card to load due to its ridiculous capacity but, the results show that some people will never again have to swap their memory card. EVER.
You know those places that look like the perfect place to live in? Like the apartment at friends or the one in Seinfeld? Well, those just got demoted to a shack statue with Jared Polin’s introduction of the $4,000 peephole.
Now, over the years we did share a hack that converted a peephole into a fisheye lens, but this is, I think, the first time we are sharing a lens (and DSLR) turned into a peephole.
Having spent a few days with Jared Polin (AKA FroKnowsPhoto) I have not seen him wear anything but a variety of ‘I shoot RAW’ T shirts. I am not sure he actually has any other shirts in the closet. Being a well coined photography term, Jared went to a New Jersey Six Flags wearing this shirt and was detained at the gates by security for wearing the I Shoot Raw shirt (after getting a ticket), and was asked to replace the shirt with another one.
Jared told the security that he is going to film the discussion and tried asking the security guards why he can not wear the shirt. To this he was replied with a series of recursive answers, ranging from ‘it is a family friendly park’, ‘it is up to management discretion’, ‘Several guards pointed up your shirt’ but they could not explain why the shirt was deemed inappropriate.
In the end, Jared had to go in the park and get a different shirt to be allowed in (see lead photo for his selection).