Hacking Photography - one Picture at a time
IRIX is a really impressive lens manufacturer that makes great lenses at affordable prices. Although they have been quiet for a while, after reviewing this lens, I can say that it was worth the wait. Today’s review goes over the IRIX 30 mm, their brand-new addition to their Cine lineup of lenses. It is a fascinating lens, to say the least, and there have been some improvements over previous generations that make the wait well worth it.
Irix has today officially announced their new 30mm T1.5 cine lens for Canon EF, Sony E, Arri PL, Micro Four Thirds, Canon RF, Leica L and Nikon Z mounts. Oh yeah, they’ve gone all out on the compatibility with this one. This brings the total Irix cine lens collection up to five, including the 11mm T4.3, 15mm T2.6, 45mm T1.5 and 150mm T3 macro.
Irix says that the lens is designed specifically for shooting with Ultra HD 8K cinema cameras and includes three extra-low dispersion elements, 2 high reflective elements and one aspherical element. They say it also offers virtually no focus breathing – which is what you want in a cine lens.
Irix has finally announced that their 11mm T4.3, 15mm T2.6, 45mm T1.5 and 150mm T3.0 Cine lenses are now available for Canon RF, Nikon Z and Leica L mount camera systems. Until now, these lenses had only been available in Canon EF, Sony E, Arri PL and Micro Four Thirds mounts. The Irix Cine lenses are based on their popular photography lenses, some of which we’ve reviewed here on DIYP before.
Irix has recently expanded their cinema line of lenses by the addition of a new wide-angle lens, the 15mm T2.6. We have received one of the first batches of this lens, and we started putting it to the test. The results so far are very promising.
As of right now, IRIX has 3 Lenses in their cine-lens lineup. They have the 45mm T1.5, which we reviewed here, the 150mm T3.0, and their 11mm T4.3. With the addition of their new 15mm T2.6, we see that IRIX is slowly building quite the portfolio of lenses. At first, I wondered if the 15mm would maybe be a little too wide and close to the 11mm. However, after some thinking, I thought that this lens would have a lot of use-cases for super 35 and my Blackmagic P4k.
Irix has today announced the addition of the new Irix Cine 15mm T2.6 to their cinema lens lineup. Teased a few days ago, it joins the 11mm T4.3, 45mm T1.5 and 150mm T3.0 Macro lenses in the Irix range of cinema lenses. Irix says that it’s designed for super-high-resolution 8K video, with minimal distortion, and compact and lightweight construction.
Like most cinema lenses, it features built-in toothed gears on the focus and aperture rings for use with follow focus systems and is weather sealed to stand up to a wide range of shooting environments. It’s available in several popular mounts, including Canon EF, Sony E, Micro Four Thirds and PL.
I’ve first seen the IRIX cine 45mm at PPE last year, when tradeshows were still a thing. On paper, it looked incredibly impressive for $1,200 so I was really hoping to take it for a spin. A few weeks ago, I got my hands on one and took it for a ride. TL;DR – The IRIX 45mm cine in an amazing deal for its price, with some nice features and a look that reminds me of the Zeiss CP.2 signature look.
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