Are you intrigued by infrared photography and its surreal colors? I sure am, but I still find it a bit… complex. If you also don’t know where to start, here’s an awesome video from Christian Möhrle of The Phlog Photography. In only three minutes, he’ll give you all the basics you need to know before you decide to shoot infrared yourself.
While Sigma is known as a lens company, most people don’t know they also make cameras. That was until the Sigma released the “fp“. The world’s smallest full-frame camera that can shoot 4k DNG raw hit the market.
Sigma has been making cameras for many years though. Not only they use a unique Foveon sensor, but most of their cameras also feature a user-removable IR-cut filter.
Now, shooting Infrared isn’t new – People have been doing it for years! While most cameras can’t shoot infrared there are companies who will remove/modify the IR-cut filter from your camera.
Light is something that all photographers and filmmakers need to master if they want to become good at their craft. The problem is, our eyes don’t see light the same way that our cameras do. Infrared is outside of the human spectrum of vision, but it’s not necessarily outside of your camera’s, and it can cause all kinds of problems with the colour of your footage.
I will start with a warning: Digital Infrared Photography it’s not easy & this will get technical fast.
It all started when I saw some awesome Instagram photos in infrared and I ordered an IR filter (an 88mm ice 760nm from B&H to be more precise) not knowing much about infrared. Filters usually range from 590 to 8-900 nm and usually, this kind of colored infrared shots are obtained with 590nm on a modded camera because it lets some visible light pass as well as infrared. But I had no modded camera and the wrong filter so I decided to try regardless and soon found out that my trusty DSLRs have well-made hot mirrors (the part of the DLSR that normally blocks IR from hitting the sensor) but later discovered that my phone’s sensor is quite sensitive to infrared and this is how my journey started.
They said it couldn’t be done, that I was wasting my time, that it was impossible to take a time exposure photo of a daytime missile launch… in color… directly into a Florida sunrise… from ten miles away.
If anybody would know, Arch Smith would.
There are two things common to many photographers. We’d like to be able to shoot infrared – because why not? It’s a lot of fun – and we probably have an old DSLR or mirrorless camera or six laying around somewhere just gathering dust. Photographer Davin Lavikka fell into those categories, so he decided to do something about
While there are many conversion services out there around hte world now, Davin decided to convert his old Sony A7R into a full spectrum camera all by himself. If you want to follow Davin’s lead and try the same, you do so at your own risk!
The DJI Mavic 2 Pro was made with high image quality in mind. And what happens when you modify the Mavic 2 Pro’s camera to shoot infrared? Well, you get a stunning and surreal aerial footage. Philip Bloom had his drone camera converted and here’s the video showing just how amazing it looks to shoot infrared video from air.
Before photography went digital, infrared imaging was possible using one of several infrared films available on the market at that time. Most of them were B&W (Like Kodak HIE or Rollei IR), but there was also some false color infrared film. One of the most renowned among them was Kodak’s EIR.
There’s something about floating around in a hot air balloon that just seems so peaceful and tranquil – despite the roar of burners blasting hot air into them. The views one can get from them are also quite astounding, too. And when you’re in one with a camera, they offer a level of control that a drone simply cannot.
Ted Forbes at The Art of Photography recently had his old Sony NEX-7 camera converted to full-spectrum. This means it can now see light outside of our human visible colour spectrum. He decided to take it up in a hot air balloon, and the results are just beautiful.
Rock en Seine is one of the main music festivals in France. This August, photographer Pierre-Louis Ferrer was invited to cover the 16th edition of the event. There was no dictated theme: the photographer had complete freedom to give his vision of the festival. He chose to stay true to his usual photographic style, so he shot the festival’s atmosphere in infrared. As a result, he created unique, funky, and even eerie festival images we don’t get to see every day.