When you shoot with artificial lighting, you have all the control over it. But, there’s a lot to have in mind if you want to get your shots just the way you want them. In this informative video, Joanie Simon of The Bite Shot discusses the three most important things that you should always keep in mind when photographing food with artificial lights. And even though she is focused on food photography, this is something everyone should have in mind when using studio lights.
If you’re unfamiliar with what lens flare is then it’s the hazy washed out areas in an image that appear far brighter than they should do. You usually can’t see flare with your own eyes but when you take a shot, there it is and often it’s an undesired effect that can ruin several aspects of your photo including contrast.
When you decide to take the step from natural light and start shooting with artificial lighting, you may not know where to start learning. Daniel and Rachel from Mango Street have teamed up with photographer Daniel DeArco to introduce you to the basics of studio lighting. And when they do it, it seems less scary and it will help you successfully take the first steps.
When I was getting started with photography, I knew that I had to learn how to light a subject indoors, but I couldn’t afford studio strobes – or even a hot shoe flash.
I ended up learning how to use artificial light by re-purposing a set of three 500 watt halogen work lights. They turned a room into a sauna, constantly blew fuses and occasionally melted down my DIY light mods, but they taught me how to visualize light.
So when I was putting together my second studio lighting class at Skillshare, I though that it would be fun to return to my roots and photograph a classic three light studio portrait using hardware store LED light bulbs.
In this article I will show you how its done.
Let’s face it; we’re not scientists and the name of this law could frighten many of us. The reality is that this is a very basic concept with a very technical name: the inverse square law of light.
When it comes to lighting subjects, whether you’re a wedding photographer of a feature film cinematographer, the possibilities given to you are endless. Sometimes you don’t know how you want to photograph something just because you might not know whether you’re doing it in the best way possible. With so many different ways to light something, it’s pretty easy to start doubting yourself, and it happens to us all the time.
Last week I shot an athletic portrait session for emerging fitness model Kristin Cavarzan.
In this article, I want to touch on the studio lighting setup that I like to use for athletic portraits, the benefit of using modeling lights, post production photo editing, the importance of unique photographs and where to find and hire models.