If there’s one early photography pioneer worth making a movie about, it has to be Eadweard Muybridge. He was a progenitor of motion picture and recognized for the iconic series of photographs titled “The Horse in Motion”. But it wasn’t just his contributions in photography that he became known for, for he also gained infamy for murdering his wife’s lover back in the late 1800s. It’s just been confirmed that Gary Oldman will be writing, directing, and acting in the photographer’s biopic titled ‘The Flying Horse”.
Ah, the infamous “monkey selfie” case has finally ended after a court ruled that monkeys can’t be copyright owners… But, now that the case is closed we might soon see the entire story on the big screen. Reportedly, Conde Nast Entertainment has bought the life rights for David Slater and wants to create a movie about this unusual legal case.
Vanity Fair has recently published their annual Hollywood issue. The photo taken by Annie Leibovitz features some amazing stars, such as Robert De Niro, Tom Hanks, and Harrison Ford. However, the photo caused reactions on Twitter not because of the superstars – but because of their “extra limbs.” Thanks to Photoshop fail and unfortunate position of the dress, Reese Witherspoon got an extra leg, and Oprah Winfrey got an additional hand.
I’m a sucker for old glass. Whether for stills or video, I’ve always been a big believer that the lens plays a massive part in getting “the film look”. It’s why I often shoot video and stills with old M42 and Nikon Ai-S lenses. Older glass just has character that modern lenses do not. Modern lenses are too perfect, too clinical.
In this video, DP Jody Eldred visits filmmaker Todd Fisher (brother of Carrie) to test out some of cinema’s most famous lenses. Or at least, lenses that shot some of its most famous movies, including The Godfather, The Shining and Casablanca. He tests each of them with a Blackmagic Ursa Mini Pro 4.6K, to see just how much of an effect each lens has on the image.
We’re constantly being told that “it’s not about the gear”, and to just go out and create with what we have. Typically by people with access to all the gear they could ever want. When Hollywood director Stephen Soderbergh recently held a Reddit AMA, he gave this exact same advice.
So, it’s nice, then, to see one of them, quite literally, putting their money where their mouth is. Hollywood trade publication Tracking Board reports that Oscar-winning director Stephen Soderbergh has just shot his latest film in secret using an iPhone.
Located at the foothills of the Blue Ridge Mountains in Virginia, the Library of Congress Packard Campus was originally built as a nuclear bunker. It stored $4 billion in gold, and would’ve been the location to which the President would have been taken had the need arisen during the Cold War. Now that this potential need no longer exists, it is home to 6.3 million pieces of the Library of Congress’ movie, TV and sound collection.
It has miles of shelves, 35 climate controlled vaults for sound recordings, safety film and video tape and 124 individual vaults for flammable nitrate film. It’s also a complete lab for the preservation and restoration of cinema’s finest moments. In this video, we get to take a look inside the Packard Campus, and see some of the archives and restoration rooms.
I always thought being the stills shooter on a movie set would be such great fun. It probably is, too. But when one hears stories and sees footage of them in action one quickly realises how stressful it is. Under constant pressure to get the shot, it must be perfect every time. Your images are going to sell the entire movie to the general public. You need to not only get the technical side perfect, you need to capture the mood and spirit of the characters, too.
In this two part video interview from AdoramaTV, we peek into the life of world renowned movie stills photographer Aidan Monaghan. It’s interesting to hear how his career evolved from architecture to landscape, then theatre, and how it all helped him get started shooting movies.
On a film set, the grip handles all means of camera support. Grips assist the cinematographer and gaffer in managing and sculpting the light. They also deal with safety aspects of cast and crew while working on set.
We all saw the big announcement a couple of weeks ago about Lytro’s new Cinema camera, but the folks over at No Film School sat down to have a more in-depth discussion with Lytro’s Head of Light Field Video, John Karafin, and got an exclusive look into some of the features and abilities of the Lytro Cinema camera system.
With a 755MP sensor offering 16 stops of dynamic range and framerates of up to 300fps, one could be forgiven for thinking that these were the most impressive points about this camera, but it barely begins to scratch the surface.
While Lytro might’ve exited stage left from the world of photography, they’ve set their sights on Hollywood and they’re looking real hard, as is their new camera.
Lytro Cinema is the world’s Light Field solution for film and television. This technological breakthrough capture system allows filmmakers to do things that simply haven’t been possible before, and may completely eliminate the need for techniques like green screen chroma keying, as well as a host of other feats.