I thought this was quite a weird and odd video at first. It wasn’t until I was a little while in that I finally realised what he was getting at. But if you’ve been struggling to understand the histogram but you have an ear for music then this video from Tim Shields is a pretty good analogy to help you figure it out.
We often hear that people meter with their histograms. And although that method comes with some caveats, it can be a fantastic way to meter your shot and fine tune your exposure. In this video, Becki & Chris (well, mostly Chris), walk us through what the histogram is, how to read it and how to apply it to your photography.
There are so many options for exposure tools available to us these days. Gone are the days of having to guestimate with the Sunny 16 and similar rules. Now we can know with almost absolute certainty that we’ll get the shot we want before we’ve even hit the shutter or started recording video. This video from Matti at TravelFeels shows us several ways that our cameras and other devices can help us get perfect exposure every time.
A camera’s built in meter often does a great job of making a “correct” exposure, but it’s not always what the photographer wants to capture. Despite how “smart” they’ve become, camera meters will still often get it wrong. They’ll blow out the sky to maintain the ground, or you’ll get a well exposed sky with your subject crushed to a black silhouette.
This three part video series from photographer Greg Benz walks us through the process from start to finish. It begins before we’ve taken the shot through to reviewing the raw file on the computer. We’re not talking about the “technically correct” exposure here. We’re talking about the right exposure. The exposure that, all things weighed up, gives you exactly the shot that you want.
If you’re not sure whether you’ve achieved good exposure, using a histogram is the best way to check it. But there are some misconceptions about histogram you’ll hear from many photographers, even the most experienced ones. On the other hand, there are some facts few people knows or shares. In this video, Matt Granger refers to the three most common facts and misconceptions about histogram. Did you know them?
The waveform is video’s answer to the histogram. Like a histogram it shows the brightness levels throughout your image. Also like the histogram, it can be confusing to those new to video or colour correction. While the information displayed is essentially the same, how it displays it is very differently.
This video from Aputure walks you step by step through what exactly the waveform is and how to interpret it. Once you learn how it works, it lets you quickly and easily see under or overexposure as well as colour or white balance issues. And when you are used to it, you won’t want to shoot or edit without it.
Histograms are handy things. They either confirm that you’ve nailed your exposure or let you instantly see if you need to adjust. But, they can be difficult for newer photographers to understand.
The histogram is based around a fairly simple principle, but one that many still struggle to get to grips with. Put simply, it’s a graph showing the relative proportion of brightness levels throughout your image.
Histograms have become an invaluable tool when assessing exposure. Combined with the ability to pick at a photo you just took, they have replaced the use of a light meter for many photographers. This is true for video as well as stills.
Photographer and videographer Cédric Hauteville started a new web series and his first episode deals with Histograms For Video. He covers the obvious like what a histogram is and how to use it, but also some more advanced topics like the importance of looking at a histogram along with the photo, and how to use histograms to judge the white balance settings.