The anamorphic look comes with a price, even if you buy an anamorphic lens that’s considered affordable. So if you’re on a tight budget, you can (anamor)fake it ‘til you make it. In this video, Mark Holtze will show you how to achieve the anamorphic look with a $35 vintage Helios lens.
Shooting with Helios-65, a lens so rare there’s no adapter for it
Most of us have heard (or owned) lenses from Helios 44 series. But photographer and filmmaker Mathieu Stern has found an ultra-rare Soviet lens with extraordinary bokeh. He got himself a Helios-65 50mm f/2, a lens so rare that there’s no adapter on the market for it. So, he 3D-printed his own adapter and put this vintage lens to a test.
Extreme lens modding with the Helios 44-2
I’m Tito Ferradans and today we’re here to work on a few upgrades to the Helios 44-2 Extreme mod. You probably watched the original video, as it is the most popular one in the channel. After finishing the mod and doing it over and over to fulfill ebay orders, I started to wonder about some other components I handled repeatedly for the mod.
Namely the optics. Not everyone wants polishing – which I can understand, and I myself prefer the unpolished version – so I kept staring at this black coating that covered the sides of the biggest glass elements. I decided to give it a go and try to take it off. In order to do that, I used what I had at hand: nail polish remover.
Taking sandpaper to M42 lenses to get that anamorphic look on the cheap
Tito Ferradans here for a lengthy video involving some serious modding and unique looks. Summer is here and DIY projects are up. A few weeks ago I was blown away by a few photos posted by one Victor Danell with a modified Helios 44. His process was to “polish” the glass elements with a strong abrasive and sand the inside of the barrel in order to increase how light bounces around.
The resulting effect is a light and wonderful glow to the brighter areas of the frame. It’s an effect I was trying to re-create in post since forever and having the opportunity to do it in-camera was just too much to resist. Then I pushed the concept a bit further, painted some things inside the lens, replaced the aperture and added a flare filter inside the lens as well.
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