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Hard light vs soft light and how it applies to still life, food and product photography

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The concept of hard vs soft light comes up all the time, particularly on YouTube, but it’s typically in relation to portraits and other photographs of people. It’s rarely given much air time when it comes to other genres where you have control over the light, like food and product photography or still life.

But in this video from V-Flat World, commercial product and food photographer Hudi Greenberger walks us through the principles of hard and soft light, how we can apply them to our small scale scenes and the overall effect that different relative sizes of light source will have on your shot.

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Lighting setup: Combining hard and soft light

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Trigger Warning: Yes these shots are of a young lady in her underwear and no that is certainly not necessary for this setup to work. Truth be told; we were working on a separate shoot and model, Grace kindly allowed me to quickly grab some of these shots to illustrate this article and lighting concept for you. The simple shots here are really only to show the lighting technique behind combining hard and soft light and what benefits it can have. Once you understand the reasoning and benefits of lighting in this way, you’ll quickly realise just how far you can take it and how versatile it can be.

Like I mentioned, this hard-&-soft-light-combined is a very simplistic concept at its core and once you see it in practice, you’ll quickly see how you can develop it further with other modifiers and setups. So although I don’t use this particular method myself any more today, I used it a ton when I started to play with it many years ago for headshots and hair campaigns. To understand the benefits of lighting with hard and soft light combined, let’s first look at what isolated hard and soft light means to us as portrait photographers.

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Hard vs soft light – 5 portrait lighting setups broken down to show you when to use each

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When shooting portraits, the difference between hard and soft light on your subject makes a massive difference to the final result. There are so many ways we can use both, and when it comes to photographing people, the challenges of hard light can be particularly tricky to work around. But knowing when to use each allows you to make better creative decisions.

In this video, John Gress walks us through five different lighting setups using both hard and soft light to see how they come together and how the different quality of the light affects your subject and how it makes the final image look. You may even want to mix the two from time to time.

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Three reasons to embrace hard light in your portraits

Many photographers prefer shooting portraits with soft light than hard light. There’s certainly a good reason for it: it’s more flattering on the subject, more forgiving, and requires less retouching. But does it mean you should discard the hard light? Absolutely not! Even though it can be more demanding to work with, there are reasons to love hard light and embrace it in portrait photography. In this video, Lindsay Adler shares three main reasons why you should do so.

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A comprehensive optical snoot review

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When photographers use terms like ‘hard’ and ‘soft’ light, it’s actually incredibly vague. You would rarely describe your meal as simply a ‘meat’ dish, so when a photographer says they are using hard light in a portrait, it’s just as open to interpretation as your mystery-meat.

Hard light can be anything from strong sunlight, to snoots, grids or even simple barn doors in a studio. But even with all that, none come close to the true crisp, brilliantly contrasty light of ‘Optical Snoots’.

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Understanding Light – Working with hard light

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Being able to look at an image and understand the lighting within it is not crucial to becoming a great photographer. But having the ability to look at another image you love and recognise the qualities that stand out to you will undoubtedly help you to become a better photographer far faster.

Last week we looked at how important being able to understand light can be and I also highlighted where many self-taught photographers struggle with this in today’s industry. If you missed last weeks article then I recommend you take a look to see some of the pitfalls self-taught photographers can struggle with as today’s article leads on from that.[Read More…]

This is why you should use soft light for portraits and how to make it

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The choice for shooting hard vs soft light is quite an easy one for many people. But if you don’t understand what the difference is, what difference it makes to your subject, or how to create it, soft light can be a bit of a mystery. Soft light is fantastic for portraits, though. It’s particularly flattering, especially to ladies, and isn’t that difficult to understand.

This video from Caleb Pike at DSLR Video Shooter walks us through how to get it and why we need it. Caleb uses his lights for video, although the principles are exactly the same for photography, too.

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This short movie shows the difference between diffused, double diffused and hard light

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Most large modifiers come with two diffusers. A big one for the outer rim and a smaller one that fits between the source of light and the big diffuser, right in the middle of the modifier. Of course, this begs the question how may diffusion layers do you actually need.

Photographer Francisco Joel Hernandez shares a short, yet informative video on how diffusion of strobes effects portraits (or any other type of shoot).

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Hard light vs soft light. What’s the difference and how do you do it?

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Following on from our earlier post about different types of light comes this one from Curtis Judd. The other video spoke about the various positions in which you can place a light, but it didn’t really cover quality of light. The size of the light source, how hard or soft it is.

The hardness or softness of the light can have just as much impact as the position of the light. So, in this video, Curtis goes over the difference between hard and soft light. How to achieve each, and the benefits and drawbacks of one over the other.

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Before and after: hard light, and overwhelming tones

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Ever since the middle of high school, I’ve been immensely interested in “the process.” You know, that middle bit between point A and point B that nobody but the artist ever sees. I’ve always loved peeking behind the scenes to see where something started and what kind of work and thought went into creating the finished product. To satisfy those of you who are like me, here’s another post in my Before/After series which not only shows you my images straight out of camera and the final product (hover over the image to see the before), but which uses each image to explain a bit more about what I do in post. If you’re just here for the freebies, enjoy the article! If you want to dig in way further, I cover every step of my post processing in my Editing + Consistency class. Enjoy, friends!

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