If there’s one thing in photography that never gets old, it’s light beams. Especially for interiors. You have the sun streaming through a window, lighting up the haze in the atmosphere and you get that nice beam of light that just seems to wrap everything in its warmth. But they’re difficult, if not impossible, to predict. In this video, Gavin Hoey shows us how we can make our own, any time we like, using flash.
When shooting portraits, shooting at a high or low angle is a good way to convey a message. But, the angle can also make a big difference when it comes to composition and the lighting, helping you make the best out of your shots. In this video from Adorama TV, Gavin Hoey demonstrates how a simple change of shooting heights can make a dramatic difference in your portraits.
I believe that all of us would connect circus with a giant tent. However, with some imagination and DIY magic you can turn even the smallest home studio into a circus. In this video from Adorama, Gavin Hoey will show you how to bring circus into your studio space, no matter how small it may be.
Christmas has gone. We’re almost to the new year. In a few hours, we’ll be there. But it’s never too late for a festive wintery themed photo shoot. Winter’s still going to be here for a while yet. In this video, photographer and educator Gavin Hoey walks us through his process to create this festive fine art composite portrait in the studio.
There’s only a couple of days left now until Halloween, but there’s still time to do a spooky horror photo shoot. And, why does it have to be during Halloween anyway? Any time is good for a bit of horror! In this video, Gavin Hoey shows us some great tips and techniques to light and shoot horror in a small home studio.
If we’re shooting in a small home studio, it can be a challenge to make images that look new and interesting. You often shoot the same images over and over because you’re limited on space. But there is hope! In this video, Gavin Hoey simulates what he says is a small pub stage, but I’ve seen similar shots to these from huge gigs in the past, too.
I’ve used smoke machines on shoots indoors before, and they never end up looking quite the way I expect. Thanks to this video from Gavin Hoey, though, I think I now know why. Obviously, I was using the wrong kind of smoke. In the video, Gavin shows three different liquids that can be used to create smoke, when and why you might want to use one over another, as well as how to light them.
Water is one of the most versatile subjects one can photograph. The very nature of water, though, means that it’s wet, so it can be messy and potentially dangerous. Working with it to shoot portraits in a home studio especially so. It’s not impossible, though. You just need to plan ahead, prepare properly, and perhaps have a friend along to help out.
As photographer Gavin Hoey demonstrates in this video, it can be done with very minimal equipment. With just one light, a paddling pool, and plenty of towels, Gavin makes short work of this session. Although, you might want a slightly larger pool than the one Gavin’s using.
At some point or another, anybody who shoots portraits is going to need to shoot outdoors in bright sunlight. Even if you actively try to avoid it, it’s going to happen one day. It’s just inevitable. Maybe you’re not a portrait photographer, but you have a fancy camera and a flash. Friends or family may ask you to shoot their photo. Sunny days might be beautiful, but often not for portraits, unless you have a bit of flash to offer a helping hand.
In this video from AdoramaTV, Gavin Hoey walks us through overpowering the sun. We see flash units of various power from small speedlights to large battery operated strobes. Even just a speedlight in a small softbox makes a massive difference. Going over to a more powerful flash produces dramatically different results.
As Gavin Hoey explains in this informative video tutorial on softboxes, soft light is generally preferred over a hard light when shooting portraits. There are a number of light modifiers that can help achieve soft light, but one of the most commonly used is a softbox. When choosing and setting up the correct softbox for the job, size and distance from the subject will make a huge difference in the softness of light it will distribute.[Read More…]