Ah, buying new camera gear. The most exciting moment in every photographer’s life. When you’re just starting, you sure need a bunch of stuff – but don’t rush! There are some things that you should never buy, no matter how tempting they seem, and in this video, Miguel Quiles gives you five of them. Let’s see if you agree.
We can argue forever if gear matters or not, and we won’t get anywhere. Sure, in some cases it does, but you don’t need the latest gear to take some epic photos. If you’re feeling frustrated because you can’t afford to upgrade, this video from Taylor Jackson could boost your confidence and inspire you to go out and shoot regardless of the gear that you have.
Even if you don’t suffer from the so-called Gear Acquisition Syndrome, I’m sure that you’ve bought some gear that turned out to be a bad investment. Evan Ranft sure has. In this fun video, he lists all the gear that was a totally bad choice and that he now regrets buying. Are any of these items on your list as well?
Some people see minimal gear as a limitation, while others rather see it as a challenge and possibility. Buying less gear will save you lots of cash, that’s for sure. But Joris Hermans believes that a minimalistic approach to gear is also good for your photography and creativity. Let’s see how it improves them.
Is there even such thing as too many lenses? Well, I’m afraid so. If you suffer from the so-called Gear Acquisition Syndrome, at some point some of your many lenses will serve for nothing but collecting dust. But how do you know the time to sell them has definitely come? How can you be sure you’re never gonna use them? Let Michael The Maven help you to answer these questions. In this video, he discusses how many lenses is too many to bring to a photo shoot, but also how many is too many to own and when you should definitely start getting rid of them.
The truth is never easy to swallow. Take for example to answer for the oh-so-popular question, what camera should I buy? Most will suffix this questions with something like “I heard that the new Canon 5dmk4 is awesome” or “I am considering starting with the Sony A7III” to add some background. This is a weird thing to ask, considering that gear does not make your photography better. Sure, some gear makes some types of photography possible, but it rarely makes it better. The right answer to this question will probably save you quite a lot of money, but also force you to take responsibility for your final photos.
In this short video, Pye Jirsa of SLR Lounge explains why the best investment in gear is never buying new gear. (ok, there is a point when that latest model does make sense, but it is usually far, far down the road).
It’s the perpetual question in photography. Should I upgrade my gear? It’s one that photographers seem to struggle with every day – because that’s how often new cameras seem to be getting announced these days. Everybody thinks they’re missing out on something wonderful and amazing when they don’t have the latest and greatest kit.
But do you really need it? Should you upgrade? That’s the answer that photographer Dan Watson attempts to answer in this video – as he walks into frame carrying a Nikon Z7, Canon EOS R, Fujifilm X-T3, Sony A7III and Sony A7RIII. The short answer, though, is that you probably don’t. Not really. Not if you need to ask the question.
We often hear stories from both sides of the fence on how much gear really matters. And there are many arguments both for and against Gear Acquisition Syndrome (GAS). We all go through the feelings of it at some point. I know I have. Whether or not we act on it is another matter entirely.
Photographer Sean Tucker decided that he was going to switch out his Fuji X100, a camera which he loves and often raves about, for an X-T20. So, he did exactly that. He picked up an X-T20 along with used 23mm and 35mm lenses. When he posted a photo of it to Instagram, he was hit with wildly varying comments, and lots of them. In this video, he talks about them, offers his response.
Recently there has been a spate of very sad, and ultimately defeatist articles decrying the “death of photography”. We have no shortage of examples. Seriously.
In all their pain and detailed examples of how the art and business of photography have been “ruined” (their words), I can find little to no examples of the basic, most important reason that photographers are falling behind.