It looks like Fujifilm takes weather sealing of its lenses very seriously. Steve Boykin of 35mmc recently lost a Fuji XF 23mm f/2 lens during a hike in the wilderness, firmly believing that he’d never find it. However, he did find it four months later, which is pretty incredible on its own. But what’s even more unbelievable that the lens is almost intact and it still works perfectly fine!
Along with the big announcement of the X-T30 mirrorless camera, Fujifilm has also announced a new lens you can pair with it. Fujinon XF 16mm f/2.8 R WR is a wide-angle prime for X-Mount APS-C Fuji mirrorless cameras. It’s small, lightweight and therefore ideal for everyday use and travels.
Fujifilm has just announced its latest GF lens, the Fujinon GF 100-200mm f/5.6 R LM OIS WR. It’s made for medium-format GFX system. The lens offers 5-stop optical image stabilization. It’s designed particularly with nature and landscape photographers in mind, but I believe portrait photographers could find it useful as well. Let’s dive into specs and see what you can expect from the latest Fujifilm’s telephoto zoom.
Fujifilm made me happy today with the announcement of their analog-digital instant camera. But they’re not done with the announcement for today. It’s time they make their medium format users happy with the release of two new lenses: Fujinon GF 23mm f/4 R LM WR and Fujinon GF 110mm f/2 R LM WR.
GF lenses are Fujifilm’s finest class of lenses. They were designed by amassing various technologies of Fujifilm and made fully unlock performance potential of the GFX 50S.
Anybody who has ever tried to shoot video with a photography zoom lens understands the frustration it can cause. It seems natural to want to use the lenses we already own with DSLRs and mirrorless that can record video. After all, why spend money on a lens we already own, right? But things are a little more complicated than that. Photography lenses aren’t designed for video.
This video from The Camera Store TV is both hilarious and informative. It highlights the big differences between photography and cinema lenses. Why cinema lenses cost more money, and why you often can’t pull off the same shots with even pro photography lenses. I’m not sure which is funnier, though, the general idea of the sketch, or the acting abilities of those involved.
Fujinon has announced two new cinema zoom lenses: MK 18-55mm T2.9 and MK 50-135mm T2.9. They are fast, compact, versatile, and affordable. If you are in the “Sony team”, you may want one for your camera, as they are compatible with E-mount cameras with Super 35mm-sized sensor.