Fujifilm announced the new X-Pro3 camera during the Fujifilm X Summit in Shibuya, Japan last month. The camera is now officially out and ready for preorders, and it brings some improvements over the previous models. But, it also comes with the redesign which relies on old film cameras and combines them with modern digital photography.
Nokishita likes to keep an eye on camera registrations, and they’ve got a list that they update fairly regularly as they spot new ones, and old ones become known. Their current list includes registration numbers from Canon, Nikon, Sony, Olympus, Fujifilm and Leica for cameras that have been registered with various bodies around the world but not yet identified or officially acknowledged.
During the Fujifilm X Summit in Shibuya, Japan last weekend, Fujifilm announced the X-Pro3 camera. It’s coming in three variants, all made from titanium for extra durability. It will be redesigned, so it comes with a hidden tilting LCD display. Fujifilm is introducing a few more improvements over the previous models, so let’s dive in and see what we can expect from the X-Pro3.
Fujifilm has just announced X-A7, the latest model of its X series of mirrorless cameras. It’s a lightweight, compact camera aimed at beginners, priced $700 along with a kit lens. But despite the low price and being an entry-level model, it still has a lot to offer to those who are just starting out.
It’s been a pretty common thing since the early days of Nikon’s VR and Canon’s IS, that you turn stabilisation off in lenses when using a tripod. As technology has progressed, turning off the stabilisation hasn’t been important. Fuji, though, has long said that IBIS should be turned off in cameras when shooting on a tripod, nothing has really been said about their lenses. At least, not until now.
The folks at Fuji Rumors spotted in the manuals for the Fujinon XF 16-80mm f/4 and Fujinon XF 200mm f/2 lenses that users are specifically advised to keep stabilisation turned on all the time, even when using a tripod.
Fujifilm has issued a service advisory for the recently announced Fuji GFX 100, citing issues with the “Lock” function on the side shutter located on the vertical grip. According to the advisory, some GFX 100 bodies have an issue which prevents the lock mechanism from functioning, to prevent accidental shots being taken when that button is not in use.
Included in the service advisory is a range of serial numbers for potentially affected bodies. I say potentially as Fuji note that some bodies have already had the issue addressed before being sold and are not affected. So they say to contact your local Fuji support/service centre to confirm.
When you talk about photography gear online, one thing is inevitable. Somebody will pipe up talking about how “the gear doesn’t matter, a good photographer can make a great image with a potato!”. Well, Linus and Brandon over at Linus Tech Tips decided to put this to the test.
Brandon is LTT’s DP. He has a lot of practical experience with a lot of gear in a lot of shooting scenarios. Linus is… Well, he’s Linus. He knows his tech, but isn’t exactly an expert when it comes to shooting photographs. In this video, Linus takes up arms with a Fuji GFX 50R vs Brandon with a Google Pixel 3 smartphone to see if skill or gear (or luck) is most important.
Fujifilm has just announced two new lenses for its two camera systems. The first is the 16-80mm f/4 R OIS WR, a versatile zoom for Fujifilm’s APS-C X-mount cameras. The second lens is the GF 50mm f/3.5 R LM WR, a compact prime designed for the medium format G-mount GFX system. Let’s check out more details and specs.
The folks over at Fuji Rumors have come across a Fujifilm patent showing a compact camera with two rear dials that synchronise with a top LCD in order to create a pair of virtual dials that can be assigned to different camera functions. Unfortunately, they didn’t link to the actual patent, so we can’t dig any deeper into Fuji’s thought process behind it, but we can speculate.