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September is Fuji month, with two X Summit and Fujikina events in New York City

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Fujifilm is holding not one but two events in New York City this September. The first is the X Summit event on September 8th, where they’re expected to launch a new camera. Two days later, on September 10th, they’re hosting a free Fujikina “interactive festival” event for anybody interested in photography to come and celebrate the 10th anniversary of Fuji’s X-Mount system.

The X Summit event is likely to be the announcement of the long-awaited Fujifilm X-H2 mirrorless camera with the company’s shiny new 40-megapixel 5HR X-Trans CMOS sensor. We may also see some new lens announcements, too – or at least an update. It’s likely that if the Fuji X-H2 is announced during the X Summit event, they’ll have at least one or two on display during the Fujikina event a couple of days later.

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Fujifilm X-H2S: Detailed first impressions

The Fujifilm X-H2S has many new and vastly improved features and capabilities, all in a package that’s different than the X-T lineup of cameras with traditional control dials. I’ve had a few days with my Fujifilm X-H2S and here’s my experience with their new flagship APS-C camera.

Each decision to upgrade or purchase a camera is very personal, and each person has their own priorities for deciding when the time is right to upgrade or purchase. I’d like to share my thoughts and journey that led me to decide to upgrade my Fujifilm X-T3 to the new X-H2S.

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My first impressions of the Fujifilm 50mm f/2

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Following my recent controversial dilemma on the future of my Fujifilm 56mm f/1.2, I was lucky enough to have the opportunity to test out both the 50mm f/2 and the 90mm f/2 thanks to the lovely people over at Fujifilm. For those that haven’t read the post about the 56mm f/1.2 (it’s here if you want a read), I was genuinely tempted to trade it in for something that was a little more travel friendly eg the 50mm f/2. I was also tempted by the 90mm f/2 to replace the excellent portrait abilities.

For this post however we’ll concentrate on the 50mm f/2 and my short two weeks with it. Unfortunately, we got off on the back foot as I’d just had two weddings booked in this year and I absolutely love the 56mm f/1.2 for weddings; that was nearly my decision made already but let’s give the little lens a chance.

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Fuji adds three new 8mm f/3.5, f/2.8 30mm macro and 56mm f/1.2 X mount lenses to its roadmap

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Well, it seems to be a moment for lenses, huh? After Fuji’s two new lenses with the Fuji X-H2S announcement, Sigma’s new lens and Sony’s three new APS-C lenses, Fuji’s added three more to the X mount lens roadmap. The three new lenses are the Fujifilm XF 56mm f/1.2, the XF 30mm f/2.8 R Macro and the XF 8mm f/3.5. All three of them sound like they’ll potentially be a lot of fun to play with.

Fujifilm says that they’ve been expanding the lineup of XF lenses to “broaden the appeal of premium image quality and advanced mobility made possible by the X Mount system”. This basically means that they know they’re lacking in a couple of areas and now they’re trying to make up for it. Of course, that’s not a bad thing. The more the merrier, I say, when it comes to lenses!

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Fuji launches 18-120mm f/4 and 150-600mm f/5.6-8 zoom lenses to pair with new X-H2S

Fuji X-H2 camera was announced yesterday right after some specs had leaked. And if you’re thinking of buying it but don’t have lenses, Fuji thought of it too.

Along with the camera, Fujifilm has announced two new APS-C zoom lenses: XF 18-120mm f/4 R LM PZ WR and XF 150-600mm f/5.6-8 R LM OIS WR. The first can cover all of your shooting needs, especially if you’re a beginner or a hobbyist, and the second one lets you get really close to your subject and it’s ideal for wildlife and sports. Let’s see what Fuji has to offer with these two new lenses.

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Fujifilm has officially announed the new X-H2S mirrorless camera with 5th Gen X-Trans sensor

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Fujifilm has announced the new Fujifilm X-H2S mirrorless camera at the Fuji X Summit 2022. It features the new 5th generation stacked X-Trans BSI CMOS sensor that’s 4x faster than the previous generation along with the X-Processor 5, which represents a 30x speed increase over their first-generation processors. This gives it improved speed, power and intelligence for faster throughput and computational abilities.

As with the previous Fujifilm X-H1, the X-H2S is geared primarily towards video shooters, with 6.2K resolution at up to 30fps. you also get 4K up to 120fps and 1080p up to 240fps. Even for stills, though, you can get up to 40fps continuous shooting with autofocus and autoexposure. The sensor offers a 120fps readout for constant AF and AE adjustments as well as deep AI technology for subject detection and tracking.

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Leaked spec sheet shows Fuji X-H2S to have X-Trans sensor – official announcement expected today

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The long-awaited Fuji X-H2 is apparently on the way, but unlike the original, there are seemingly going to be two separate X-H2 models. The regular X-H2 and an X-H2S. The X-H2 is rumoured to be a high-resolution model with a ~40mp sensor capable of shooting 8K video, but there hasn’t really been any evidence to back up those rumours. The X-H2S, on the other hand, has had its entire spec sheet leaked.

The leak comes just before Fuji is expected to officially announce a new camera at X Summit. It’s now expected that this camera will indeed be the X-H2S. The specs sheet, though, tells us most of what we need to know. It has a 26-megapixel X-Trans sensor, features dual UHS-II SD and Cfexpress Type B card slots, and shoots up to 6.2K resolution video at 30fps, as well as 4K at up to 120fps.

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Tokina goes wide aperture with its new SZ 33mm f/1.2 APS-C lens for Fuji X and Sony E mount

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Tokina has announced the new Tokina SZ 33mm f/1.2 lens for Fujifilm X and Sony E mount APS-C cameras. The manual focus offers a field of view similar to that of a 50mm lens on a full-frame body with a wide and bright f/1.2 aperture for shallow depth of field and low light shooting conditions. As well as manual focus, the lens also features a manual aperture ring to help keep it down to a budget-friendly price.

Tokina bills the lens as being ideal for landscapes, street photography, portraits and nighttime photography, and is a third of a stop faster than the Tokina ATX-M 33mm f/1.4 it replaces in the lineup. Despite trying to keep the price as low as possible, though, it’s a little bit more expensive than its predecessor.

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Camera hack: Snap Focus on Fuji cameras

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Ricoh’s GR cameras and Fujifilm’s X-E and X100 series are probably the most popular affordable street photography cameras. Although both are ultra-compact APS-C cameras, there is at least one unique street photography feature that sets Ricoh apart from Fuji: snap focus. This allows the camera to be set to a fixed focusing distance (such as 3 meters/10ft) for ultra-fast snapping. When Snap Focus is enabled, the camera shoots with minimal delay because the autofocus does not hunt.

In addition, Snap Focus minimizes the risk of misfocusing when a photographer has internalized the right distance between camera and subject and set a small aperture for a wider depth of field. Snap Focus is therefore a direct functional equivalent of traditional zone focusing techniques in rangefinder photography but on a digital autofocus camera.

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Fujifilm patents 28mm, 32mm and 35mm f/1.0 lenses – Are they expanding their f/1.0 lineup?

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Fujifilm has patented three new lenses, the Fujinon XF 28mm f/1.0, Fujinon XF 32mm f/1.0 and Fujinon FX 35mm f/1.0. That’s three lenses with big wide apertures for ultra-low-light shooting and a shallow depth of field that a lot of Fuji shooters would love to get mounted to their cameras. The patent explains that there has been a demand in recent years for lenses with wider apertures as well as the issues with creating them.

Fuji does already have the Fuji XF 50mm f/1.0 R WR lens, so it’s not completely out of the realm of possibility that they’re planning to expand their f/1.0 lineup and one of these might also come to fruition. But I think it’s more likely that these might simply have been registered for the sake of owning the intellectual property and they’re probably not planning to release any of them.

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