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Fuji’s GFX system gets massive firmware update and the GFX 100 now offers ProRes RAW video

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Fujifilm has released new firmware updates for the Fuji GFX 100, GFX 50S and GFX 50R cameras offering better image quality, autofocus performance (including better face and eye detection), new film simulations, better bracketing and more. The GFX100 also gains the ability to shoot 12-Bit ProRes RAW video externally to the Atomos Ninja V.

The new firmware is significant, and Fuji says that this is the biggest firmware update they’ve released for the GFX system. From the looks of the list of changes, it certainly seems like it. For many, they may feel like entirely new cameras – especially when it comes to their autofocus capabilities.

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Fuji GFX 50S gets “full frame” crop mode firmware update to simulate 35mm cameras

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Well, this is an interesting little update for the Fujifilm GFX 50S. A new firmware adds a 35mm “full frame” crop mode to its capabilities. It also adds focus bracketing up to 999 frames for those macro users forced into shallow depth of field. And lastly, it adds some more compatibility for the H Mount Adapter G, which lets you use Hasselblad H Mount lenses on the GFX 50S.

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5 reasons why you should consider buying into medium format

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Thanks to cameras like the Hasselblad X1D and Fujifilm GFX 50s, there’s been a lot of fuss over medium format the last couple of years. And while those two cameras have helped to drive down the cost of getting into medium format, it’s still not cheap. So, is it worth getting into?

This video from LensProToGo looks at some of the advantages of medium format, and how they might be able to help you as a photographer and a business.

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The Fujifilm GFX 50S and Canon 5DS R face off to find out if all pixels are created equally

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When the 36MP Nikon D800 was originally released in 2012, it was hailed as the “medium format killer”. Well, medium format has not only survived, but seems to be thriving. It’s even started to make its way into slightly less expensive markets thanks to the introduction of the Hasselblad X1D and Fujifilm GFX 50S. They’re both 50MP cameras, but how do they compare to a 50MP 35mm sized sensor DSLR?

That’s what this brief review of the GFX 50S and comparison with the Canon 5DS R from photographer Daniel Jannes is all about. To see if there really is much of a difference. And, if there is a difference, is it enough to justify almost double the cost?

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Three Fujifilm lenses get superlative sharpness results on Fujifilm GFX 50S

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French website Le Monde De La Photo (The World ofPhotography) has recently published test results for three Fujifilm lenses on a Fujifilm GFX 50S camera. They tested Fujinon GF 63mm f/2.8, Fujinon GF 120mm f/4 and Fujinon GF 32-64mm f/4. The lenses and the cameras will be released on February 28, 2017, so this is a good chance to take a look at the performance they offer.

According to the tests, all the lenses have performed very well in terms of performance, autofocus and ISO when attached to the GFX 50S camera. But the sharpness results were exceptional. This review is an early first look, but it gives a nice insight on the lenses and this mirrorless monster of a camera. Le Monde De La Photo has published the graphs showing the sharpness of these three lenses, and here are the results.

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